The Geisha looks at pictures in the shade avoiding the heat of late summer. This shows the luxury of the Taisho Era

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Happy times at Sado Shayukai photo session held near Gobannami in the summer of 11th Year of Taisho

Happy times at Sado Shayukai photo session held near Gobannami in the summer of 11th Year of Taisho

Tokyo Photographic Art Museum

Tokyo Museum Collection

NEWS 36: This chariot still rolls on... This chariot still rolls on, in vain did they want to put sticks in the wheels!

NEWS 36: This chariot still rolls on... This chariot still rolls on, in vain did they want to put sticks in the wheels!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Geisha from Nibo Village play by the water with their parasols out at Senjojiki Beach, a scenic place in Aikawa Town

Geisha from Nibo Village play by the water with their parasols out at Senjojiki Beach, a scenic place in Aikawa Town

Tokyo Photographic Art Museum

Tokyo Museum Collection

The Blue-stockings 17: (The pit at the Odéon) - The author!... the author!... the author!... - Gentlemen, your impatience will be satisfied... you wish to know who is the author of this play which has just received such a great, and I should say, such justifiable, success... the author... is meeeeee!

The Blue-stockings 17: (The pit at the Odéon) - The author!... the author!... the author!... - Gentlemen, your impatience will be satisfied... you wish to know who is the author of this play which has just received such a great, and I should say, such justifiable, success... the author... is meeeeee!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. 

 (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF SUMMER 40: -Sir, would you be kind enough to tell me when you'ld like to pay me back the five hundred francs you've been owing me for a long time... -My dear man, you're unreasonable to make such a request of me, you clearly see that I have nothing on me at this very moment..

SKETCHES OF SUMMER 40: -Sir, would you be kind enough to tell me when you'ld like to pay me back the five hundred francs you've been owing me for a long time... -My dear man, you're unreasonable to make such a request of me, you clearly see that I have nothing on me at this very moment..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-14

Uploaded: 2026-03-25