A geisha girl making a round of calls for New Year greetings, Shinbashi, Tokyo

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THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 19: THE CLAQUER: By Jingo; we're going to need to liven it up this evening, a new play in three acts; the comic wants me to burst out laughing, the heroine wants me to cry, the author wants me to stamp up to the old heavy mother, who wants me to applaud her... there's ... work for you

BOHEMIANS OF PARIS 19: THE CLAQUER: By Jingo; we're going to need to liven it up this evening, a new play in three acts; the comic wants me to burst out laughing, the heroine wants me to cry, the author wants me to stamp up to the old heavy mother, who wants me to applaud her... there's ... work for you

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

(役者カルタ) 「亀戸天神 山本勘助 嵐吉三郎 のち/\の御出世をまちまする」「花屋しき 新造胡蝶 市村家橘 なんでもはまりますよ」「木母寺 おたね 尾上菊次郎 たしかなことがありますよ」「三めぐり稲荷 衆徒あだちん坊 中村雁八 当時半道のいちまん舟にるゐなし」「山谷玉姫の社 ちりれん坊 坂東嘉知六 おわらひくさだよ」「首尾の松 松永大膳 中村芝翫 あくまでいいよ」「寺島 和尚次郎 市村羽左衛門 うけました江戸つ子のおや玉/\」「あづまの森 木村又蔵 成駒屋 たゞしいものだよ」「柳島 人形つかひ 市村羽左衛門 御工風はべろだんだよ」「一石橋 おはな 市村竹松 おほねをりが見え升」「堀の内 小狐礼三 市村家橘 外にるゐなしでござり升」「五百らかん 鷺坂ばん内 坂東薪左衛門 いつもおもしろさうだよ」「今戸 地廻り三吉 坂東三八 おひおひしゆびがよいよ」「巣鴨 大領久吉 沢村訥升 大ぐわんじやうじゆだよ」「金竜山 石川五右衛門 中村芝翫 ひと目千金」

(役者カルタ) 「亀戸天神 山本勘助 嵐吉三郎 のち/\の御出世をまちまする」「花屋しき 新造胡蝶 市村家橘 なんでもはまりますよ」「木母寺 おたね 尾上菊次郎 たしかなことがありますよ」「三めぐり稲荷 衆徒あだちん坊 中村雁八 当時半道のいちまん舟にるゐなし」「山谷玉姫の社 ちりれん坊 坂東嘉知六 おわらひくさだよ」「首尾の松 松永大膳 中村芝翫 あくまでいいよ」「寺島 和尚次郎 市村羽左衛門 うけました江戸つ子のおや玉/\」「あづまの森 木村又蔵 成駒屋 たゞしいものだよ」「柳島 人形つかひ 市村羽左衛門 御工風はべろだんだよ」「一石橋 おはな 市村竹松 おほねをりが見え升」「堀の内 小狐礼三 市村家橘 外にるゐなしでござり升」「五百らかん 鷺坂ばん内 坂東薪左衛門 いつもおもしろさうだよ」「今戸 地廻り三吉 坂東三八 おひおひしゆびがよいよ」「巣鴨 大領久吉 沢村訥升 大ぐわんじやうじゆだよ」「金竜山 石川五右衛門 中村芝翫 ひと目千金」

National Museum of Japanese History

ARC Ukiyo-e Portal Database

(役者カルタ) 「亀戸天神 山本勘助 嵐吉三郎 のち/\の御出世をまちまする」「花屋しき 新造胡蝶 市村家橘 なんでもはまりますよ」「木母寺 おたね 尾上菊次郎 たしかなことがありますよ」「三めぐり稲荷 衆徒あだちん坊 中村雁八 当時半道のいちまん舟にるゐなし」「山谷玉姫の社 ちりれん坊 坂東嘉知六 おわらひくさだよ」「首尾の松 松永大膳 中村芝翫 あくまでいいよ」「寺島 和尚次郎 市村羽左衛門 うけました江戸つ子のおや玉/\」「あづまの森 木村又蔵 成駒屋 たゞしいものだよ」「柳島 人形つかひ 市村羽左衛門 御工風はべろだんだよ」「一石橋 おはな 市村竹松 おほねをりが見え升」「堀の内 小狐礼三 市村家橘 外にるゐなしでござり升」「五百らかん 鷺坂ばん内 坂東薪左衛門 いつもおもしろさうだよ」「今戸 地廻り三吉 坂東三八 おひおひしゆびがよいよ」「巣鴨 大領久吉 沢村訥升 大ぐわんじやうじゆだよ」「金竜山 石川五右衛門 中村芝翫 ひと目千金」

(役者カルタ) 「亀戸天神 山本勘助 嵐吉三郎 のち/\の御出世をまちまする」「花屋しき 新造胡蝶 市村家橘 なんでもはまりますよ」「木母寺 おたね 尾上菊次郎 たしかなことがありますよ」「三めぐり稲荷 衆徒あだちん坊 中村雁八 当時半道のいちまん舟にるゐなし」「山谷玉姫の社 ちりれん坊 坂東嘉知六 おわらひくさだよ」「首尾の松 松永大膳 中村芝翫 あくまでいいよ」「寺島 和尚次郎 市村羽左衛門 うけました江戸つ子のおや玉/\」「あづまの森 木村又蔵 成駒屋 たゞしいものだよ」「柳島 人形つかひ 市村羽左衛門 御工風はべろだんだよ」「一石橋 おはな 市村竹松 おほねをりが見え升」「堀の内 小狐礼三 市村家橘 外にるゐなしでござり升」「五百らかん 鷺坂ばん内 坂東薪左衛門 いつもおもしろさうだよ」「今戸 地廻り三吉 坂東三八 おひおひしゆびがよいよ」「巣鴨 大領久吉 沢村訥升 大ぐわんじやうじゆだよ」「金竜山 石川五右衛門 中村芝翫 ひと目千金」

National Museum of Japanese History

ARC Ukiyo-e Portal Database

Last Updated: 2021-03-14

Uploaded: 2026-03-25