"Cape Ashizuri (Ashizuri Misaki)" written by Torahiko Tamiya. The way to a mountain pass

License: In Copyright

More Like This

"Cape Ashizuri (Ashizuri Misaki)" written by Torahiko Tamiya. Ashizuri Misaki lighthouse

"Cape Ashizuri (Ashizuri Misaki)" written by Torahiko Tamiya. Ashizuri Misaki lighthouse

Tokyo Photographic Art Museum

Tokyo Museum Collection

"Cape Ashizuri (Ashizuri Misaki)" written by Torahiko Tamiya. Umamekashi trees toward the cape

"Cape Ashizuri (Ashizuri Misaki)" written by Torahiko Tamiya. Umamekashi trees toward the cape

Tokyo Photographic Art Museum

Tokyo Museum Collection

"Cape Ashizuri (Ashizuri Misaki)" written by Torahiko Tamiya. The 38th Fudasho temples on Shikoku pilgrimage, Kongofukuji temple

"Cape Ashizuri (Ashizuri Misaki)" written by Torahiko Tamiya. The 38th Fudasho temples on Shikoku pilgrimage, Kongofukuji temple

Tokyo Photographic Art Museum

Tokyo Museum Collection

"Cape Ashizuri (Ashizuri Misaki)" written by Torahiko Tamiya. A pilgrim taking off his waraji shoes in an Inn in Shimizu City

"Cape Ashizuri (Ashizuri Misaki)" written by Torahiko Tamiya. A pilgrim taking off his waraji shoes in an Inn in Shimizu City

Tokyo Photographic Art Museum

Tokyo Museum Collection

"Twenty-Four Eyes" written by Sakae Tsuboi. A road toward the village of the cape

"Twenty-Four Eyes" written by Sakae Tsuboi. A road toward the village of the cape

Tokyo Photographic Art Museum

Tokyo Museum Collection

"The Izu Dancer" written by Yasunari Kawabata. Shimoda road from Yugashima to Amagi

"The Izu Dancer" written by Yasunari Kawabata. Shimoda road from Yugashima to Amagi

Tokyo Photographic Art Museum

Tokyo Museum Collection

NEWS 119: LEGEND OF THE YEAR 1850: St. Montalembert, renouncing leading Parisians in the way of virtue, returns towards heaven, escorted by seraphim who wanted to help him in his pious enterprise. (Daumier pinxit)

NEWS 119: LEGEND OF THE YEAR 1850: St. Montalembert, renouncing leading Parisians in the way of virtue, returns towards heaven, escorted by seraphim who wanted to help him in his pious enterprise. (Daumier pinxit)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

東洋最初の関門隧道設計成る : 千八百万円を食う : 彦島田ノ首岬附近から海底へ : 工夫は一時間労働、七時間休養

東洋最初の関門隧道設計成る : 千八百万円を食う : 彦島田ノ首岬附近から海底へ : 工夫は一時間労働、七時間休養

神戸大学附属図書館

Kobe University Library Digital Archive Newspaper Clippings Collection

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

「永禄二年三月管領上杉輝虎入道謙信万騎したかへ小田原北条氏康を●る其時武州忍ノ城城主にして憲政の幕下也鎌倉八幡宮にて謙信に恥ぢよくをあたへられる図」

「永禄二年三月管領上杉輝虎入道謙信万騎したかへ小田原北条氏康を●る其時武州忍ノ城城主にして憲政の幕下也鎌倉八幡宮にて謙信に恥ぢよくをあたへられる図」

RHAM

ARC Ukiyo-e Portal Database

「俳優見立東海道五拾三駅」「藤枝 熊谷次郎 中村芝翫」「嶋田 宮木あそ次郎 中村福助」「金谷 ごぜ朝☆ 坂東三津五郎」「日坂 傾城梅がえ 坂東彦三郎」「掛川 日本左衛門 河原崎権十郎」「袋井 佐藤忠信 市村家橘」「見附 しづか御前 岩井紫若」「浜松 弥次郎兵へ 中山現十郎」「舞坂 喜太八 市川小文次」「荒井 五尺染五郎 松本錦升」「白須賀 猫の怪 坂東彦三郎」

「俳優見立東海道五拾三駅」「藤枝 熊谷次郎 中村芝翫」「嶋田 宮木あそ次郎 中村福助」「金谷 ごぜ朝☆ 坂東三津五郎」「日坂 傾城梅がえ 坂東彦三郎」「掛川 日本左衛門 河原崎権十郎」「袋井 佐藤忠信 市村家橘」「見附 しづか御前 岩井紫若」「浜松 弥次郎兵へ 中山現十郎」「舞坂 喜太八 市川小文次」「荒井 五尺染五郎 松本錦升」「白須賀 猫の怪 坂東彦三郎」

The Tsubouchi Memorial Theatre Museum, Waseda University

The database of ukiyo-e

Last Updated: 2021-03-14

Uploaded: 2026-03-25