Matsumoto Yonesaburo as Maizuru in Kinoene Spring Kyogen: The Pillow of Kontan

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Spring Kyogen : The Pillow of Kontan

Spring Kyogen : The Pillow of Kontan

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Spring Kyogen : The Pillow of Kontan

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Matsumoto Koshiro V as Soga Goro in Kinoene Spring Kyogen: The Pillow of Kontan

Matsumoto Koshiro V as Soga Goro in Kinoene Spring Kyogen: The Pillow of Kontan

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Osagawa Tsuneyo Ⅱ as Nagi-no-Ha in Kinoene Spring Kyogen: The Pillow of Kontan

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「甲子春狂言こんたんの枕」

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「甲子春狂言かんたんの枕」

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Kon, Kikuji on the Shamisen and Isono on the Kokyū from Tamaya Yahachi from the Series Geisha Performing Skits at the Niwaka Festival in the Pleasure Quarters

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Parisian Emotions 38: The origin of Bedouins in Paris

Parisian Emotions 38: The origin of Bedouins in Paris

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Strangers in Paris 15: Strangers stared out by those like themselves: The woman from Carpentras -It's odd...Parisian women are not as elegant as people say!...  The woman from Quimper-Corentin -It's extraordinary... the women of the capital are not as daintily turned out as reputation has it!..

Strangers in Paris 15: Strangers stared out by those like themselves: The woman from Carpentras -It's odd...Parisian women are not as elegant as people say!... The woman from Quimper-Corentin -It's extraordinary... the women of the capital are not as daintily turned out as reputation has it!..

The National Museum of Western Art, Tokyo

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Ancient History 22: The baptism of Achilles. Just as you temper a weapon of war, / Thetis, wanting to make of her brat a hero, / Steeped him in the Styx until he saw the light; / Which proves that baths are good for all purposes (On the Influence of baths, Poem by Mr. Vigier)

Ancient History 22: The baptism of Achilles. Just as you temper a weapon of war, / Thetis, wanting to make of her brat a hero, / Steeped him in the Styx until he saw the light; / Which proves that baths are good for all purposes (On the Influence of baths, Poem by Mr. Vigier)

The National Museum of Western Art, Tokyo

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PEOPLE OF THE LAW 32: -Let them speak a little ill of you... let them say it... in just a moment I myself will insult your adversary's whole family!..

PEOPLE OF THE LAW 32: -Let them speak a little ill of you... let them say it... in just a moment I myself will insult your adversary's whole family!..

The National Museum of Western Art, Tokyo

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JOURNEY TO CHINA 16: THE MUSIC LESSON. The Chinese man of independent means likes to occupy his leisure by cultivating music: very willingly he takes lessons on the clarinet, the accordion or the hunting horn, and in spite of the contrary opinion of his unfortunate neighbours, persists in calling this an accomplishment!

JOURNEY TO CHINA 16: THE MUSIC LESSON. The Chinese man of independent means likes to occupy his leisure by cultivating music: very willingly he takes lessons on the clarinet, the accordion or the hunting horn, and in spite of the contrary opinion of his unfortunate neighbours, persists in calling this an accomplishment!

The National Museum of Western Art, Tokyo

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MONOMANIACS 5: THE REGULATOR: The word regulator normally applying to a type of machine, may wall also be applied to the individual above. One finds in Paris, said to be the most spiritual town in the most spiritual country in the Universe, several dozen particular men whose sole intellectual occupation is to regulate, each day, their watch on the shot of midday from the canon of the Royal Palace. Here, gunpowder makes those happy who will never set the world on fire

MONOMANIACS 5: THE REGULATOR: The word regulator normally applying to a type of machine, may wall also be applied to the individual above. One finds in Paris, said to be the most spiritual town in the most spiritual country in the Universe, several dozen particular men whose sole intellectual occupation is to regulate, each day, their watch on the shot of midday from the canon of the Royal Palace. Here, gunpowder makes those happy who will never set the world on fire

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

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PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE HUNT 5: -Well!... Are we going to continue our hunting, despite the vile weathe?... -No! absolutely not..., it's raining... the game fear the rain as much as we do..., they can't fail to come and shelter in this cottage, and we're going to bag lots of them!..

SKETCHES OF THE HUNT 5: -Well!... Are we going to continue our hunting, despite the vile weathe?... -No! absolutely not..., it's raining... the game fear the rain as much as we do..., they can't fail to come and shelter in this cottage, and we're going to bag lots of them!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 7: THE PUFFER OF CUSTOMERS: About the word puff! (scans, lies in wait for, cheat's dictionary.) Under the appearance of a simple loafer this individual is dedicated to business in security [watch] chains, hall-marked gold gems; silver pencil-cases and other encumbrances of the public way, he scents the police constable; and when the security of [watch] chains is compromised he clears off wth the shop!

BOHEMIANS OF PARIS 7: THE PUFFER OF CUSTOMERS: About the word puff! (scans, lies in wait for, cheat's dictionary.) Under the appearance of a simple loafer this individual is dedicated to business in security [watch] chains, hall-marked gold gems; silver pencil-cases and other encumbrances of the public way, he scents the police constable; and when the security of [watch] chains is compromised he clears off wth the shop!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

The National Museum of Western Art, Tokyo

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Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 82: Write: Sir, In reply to the letter which you did me the honour of writing, I regret to tell you that the shares of the European Society of Incombustible Boot Polish have been fully subscribed to. However, I have registered your request, and will have the honour of giving you immediate notice in the event of a new issue. I am etc. R.Macaire, Director... Print “withdraw 300,000[francs] and flood France with new shares... -What, we haven't disposed of a single share, we haven't had a single request, we haven't got a sou and you... -Bertrand! You're as thick as a plank... Do what I say and  you'll see

Caricaturana 82: Write: Sir, In reply to the letter which you did me the honour of writing, I regret to tell you that the shares of the European Society of Incombustible Boot Polish have been fully subscribed to. However, I have registered your request, and will have the honour of giving you immediate notice in the event of a new issue. I am etc. R.Macaire, Director... Print “withdraw 300,000[francs] and flood France with new shares... -What, we haven't disposed of a single share, we haven't had a single request, we haven't got a sou and you... -Bertrand! You're as thick as a plank... Do what I say and you'll see

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. 

 (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

NEWS 29: AT THE DOOR OF THE ÉLYSÉE [PALACE]: -Sirs, the Prince has told me to tell you that he is not there! -What! does he no longer wish to follow our advice? -No. he [sic] claims that you've already stuffed him full of it as it is... -Hapless France! hapless Prince!

NEWS 29: AT THE DOOR OF THE ÉLYSÉE [PALACE]: -Sirs, the Prince has told me to tell you that he is not there! -What! does he no longer wish to follow our advice? -No. he [sic] claims that you've already stuffed him full of it as it is... -Hapless France! hapless Prince!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-27

Uploaded: 2026-03-25