Theatre Comedie: 11th Performance “The Taming of the Shrew/Marshal Louis”

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Theatre Comedie: 12th Performance “Fan”

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Theatre Comedie: 8th Performance “Friendship/Play in This Way”

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Theatre Comedie: 9th Performance “Our Family Peace/ Prodigal Mr. Le Trouhadec”

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Tsukiji Small Theater: 42nd Performance “The Death of Tintagiles/The Blinds/The Wolves”

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LIFE'S HAPPY DAYS 12: A day of the 1st performance

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PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: -Well, so it's no cleverer than that to talk from the tribune? -Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!

PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: -Well, so it's no cleverer than that to talk from the tribune? -Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!

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Ancient History 11: The sword of Damocles

Ancient History 11: The sword of Damocles

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Ancient History 31: The fall of Icarus. As the sun roasted his wings, / His old scoundrel of a father, inventor of this contrivance, / Said, watching him fall through the eternal vaults: / Assuredly, this is no good (A poet who travels only by carriage)

Ancient History 31: The fall of Icarus. As the sun roasted his wings, / His old scoundrel of a father, inventor of this contrivance, / Said, watching him fall through the eternal vaults: / Assuredly, this is no good (A poet who travels only by carriage)

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Parisian Emotions 38: The origin of Bedouins in Paris

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Strangers in Paris 17: Shops of greater and greater enormity -Can you show me, please, where the counter for cotton bonnets is?... -At the end of the 9th aisle on the right, then the 4th on the left, and once you’ve arrived at the 15th counter, ask for cotton bonnets; there they’ll show you clearly the way you should take to get there... -Oh! damnation... I’m very angry at having left my cab at the door of your shop!..

Strangers in Paris 17: Shops of greater and greater enormity -Can you show me, please, where the counter for cotton bonnets is?... -At the end of the 9th aisle on the right, then the 4th on the left, and once you’ve arrived at the 15th counter, ask for cotton bonnets; there they’ll show you clearly the way you should take to get there... -Oh! damnation... I’m very angry at having left my cab at the door of your shop!..

The National Museum of Western Art, Tokyo

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BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

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JOURNEY TO CHINA 7: CHINESE MARRIAGE. The angler's skill in setting his lines, the hunter's artfulness in taking game, the horse-dealer's tricks to hide the redhibitory defects of his horse, nothing is comparable to the skill, the artfulness, the trick which a mother deploys in order to marry her daughter... the poor Chinese men mistrust the lures, of honey and of glue, to no avail, someone always falls into the maternal snare

JOURNEY TO CHINA 7: CHINESE MARRIAGE. The angler's skill in setting his lines, the hunter's artfulness in taking game, the horse-dealer's tricks to hide the redhibitory defects of his horse, nothing is comparable to the skill, the artfulness, the trick which a mother deploys in order to marry her daughter... the poor Chinese men mistrust the lures, of honey and of glue, to no avail, someone always falls into the maternal snare

The National Museum of Western Art, Tokyo

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Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

The National Museum of Western Art, Tokyo

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JOURNEY TO CHINA 19: CHINESE WORRIORS. All Chinese men have the right, from six to eight times a year, to carry a rifle, a cartridge-pouch, and even to wear a fur cap; then they apply themselves, more or less voluntarily to night patrols which have as their goal the maintenance of public peace. Only it happens quite often that the chief named KA-PO-RAL takes infinite trouble to prevent his warriors singing at the tops of their voices “mother GO-DI-CHON” or other Chinese ballads, and it is by waking with a start that the good citizens learn that their rest is being watched over

JOURNEY TO CHINA 19: CHINESE WORRIORS. All Chinese men have the right, from six to eight times a year, to carry a rifle, a cartridge-pouch, and even to wear a fur cap; then they apply themselves, more or less voluntarily to night patrols which have as their goal the maintenance of public peace. Only it happens quite often that the chief named KA-PO-RAL takes infinite trouble to prevent his warriors singing at the tops of their voices “mother GO-DI-CHON” or other Chinese ballads, and it is by waking with a start that the good citizens learn that their rest is being watched over

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Last Updated: 2021-03-27

Uploaded: 2026-03-25