Thirty-Two Daily Scenes: 'Looks Cool', Mannerisms of a Geisha after 1872/3

Thirty-Two Daily Scenes: 'Looks Adorable', Mannerisms of a Housewife after 1877

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Precarious' Mannerisms of a Geisha in the Meiji Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Happy' Mannerisms of a Tokyo Geisha in the Meiji Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Gloomy' Mannerisms of a Geisha in the Meiji Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Sleepy' Mannerisms of a Courtesan in the Meiji Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Slovenly', Mannerisms of a Kyoto Geisha from the Kansei Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Cold', Mannerisms of a Fukagawa Nakamachi Geisha from the Tenpo Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Good', Mannerisms of a Pleasure Quarter Geisha from the Kyoka Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Annoying', Mannerisms of a Girl from the Kansei Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Thirsty', Mannerisms of a Geisha (Known as Sake Servers) from the Ansei Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Coy' Mannerisms of a Girl in the Meiji Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Refreshing', Mannerisms of a Girl from the Kyoka Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Painful', Mannerisms of a Courtesan from the Kansei Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Smoky', Mannerisms of a Housewife from the Kyowa Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Hot', Mannerisms of a Housewife from the Bunka Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Delicious', Mannerisms of a Courtesan from the Kaei Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Cold', Mannerisms of a Concubine from the Bunka Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Observant', Mannerisms of Kyoto Waitress from Meiji Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Itchy', Mannerisms of a Concubine from the Kaei Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Curious', Mannerisms of a Senior Maid from the Tenpo Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Graceful', Mannerisms of a Beautiful Woman from the Tenpo Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Impatient', Mannerisms of a Fireman's Wife from the Kaei Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Like she Wants a Stroll' Mannerisms of a Housewife in the Meiji Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Interested in Buying', Mannerisms of a Housewife from the Kaei Period

Edo-Tokyo Museum

Tokyo Museum Collection

Actors Making-up: NAKAMURA Shikan IV

Edo-Tokyo Museum

Tokyo Museum Collection

Nakamura Shikan in the Role of Nuregami Chogoro

Edo-Tokyo Museum

Tokyo Museum Collection

A Modern Approach to the 32 Attributes: Coolness

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Impatient', Mannerisms of a Fireman's Wife from the Kaei Period

Edo-Tokyo Museum

Tokyo Museum Collection

Women’s Attributes: Frightening

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Precarious' Mannerisms of a Geisha in the Meiji Period

Edo-Tokyo Museum

Tokyo Museum Collection

Kyoyu the Hermit, from Women in Waterfall-Striped Fabrics Whose Prayers Deserve Reward

Edo-Tokyo Museum

Tokyo Museum Collection

Takarabune

金沢湯涌夢二館

KANAZAWA MUSEUM PLUS（Kanazawa Yuwaku Yumeji-kan Museum）

The Flowers of Edo (A Collection of Actors' Portraits) : No. 13, Toyokuni Manga Pictures : Kiritaro

Edo-Tokyo Museum

Tokyo Museum Collection

Full-length Portrait of a Successful Actor: Ukai Kujuro

Edo-Tokyo Museum

Tokyo Museum Collection

The Flowers of Edo (A Collection of Actors' Portraits) : No. 12, Toyokuni Manga Pictures : Aoyagi Harunosuke

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Observant', Mannerisms of Kyoto Waitress from Meiji Period

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Smoky', Mannerisms of a Housewife from the Kyowa Period

Edo-Tokyo Museum

Tokyo Museum Collection

Seven Variations of the 'Iroha' Alphabet: 'Fu' as in 'Futatsu Tomoe'. Role: ISHIKAWA Goemon

Edo-Tokyo Museum

Tokyo Museum Collection

仮名手本忠臣蔵 七段目

Edo-Tokyo Museum

Tokyo Museum Collection

A Collection of Happiness, Customs in the East : "Gourds"

Edo-Tokyo Museum

Tokyo Museum Collection

Seven Variations of the 'Iroha' Alphabet: 'Su' as in 'Suzugamori'. Role: SHIRAI Gonpachi

Edo-Tokyo Museum

Tokyo Museum Collection

Shiranami Gonin Otoko : The Actor Ichikawa Sadanji as Nango Rikimaru

Edo-Tokyo Museum

Tokyo Museum Collection

Kanadehon Chushingura: On-stage Quick Change of Roles

Edo-Tokyo Museum

Tokyo Museum Collection

Tokyo Nichinichi Shimbun Newspaper, No. 1027

Edo-Tokyo Museum

Tokyo Museum Collection

Thirty-Two Daily Scenes: 'Looks Happy' Mannerisms of a Tokyo Geisha in the Meiji Period

Edo-Tokyo Museum

Tokyo Museum Collection

A Collection of Actors on a Pilgrimage to Mount Oyama : The Actor Ichikawa Kodanji as Yoneji

Edo-Tokyo Museum

Tokyo Museum Collection

The Flowers of Edo (A Collection of Actors' Portraits) : No. 7, a Collection of Pictures with the Letter Ki, Kiyomoto

Edo-Tokyo Museum

Tokyo Museum Collection

Tokyo Nichinichi Shimbun Newspaper, No. 1054ｙ

Edo-Tokyo Museum

Tokyo Museum Collection