The Life of Hannibal: The Boy Hannibal Vows Eternal Hatred for Rome

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The Life of Hannibal: Hannibal Crosses the Alps

The Life of Hannibal: Hannibal Crosses the Alps

Hannibarunoshougai rōmanitaisurueiennonikushimiwochikaushounenhannibaru

Hannibarunoshougai rōmanitaisurueiennonikushimiwochikaushounenhannibaru

The Life of Hannibal:  People in Saguntum Give Their Possessions to Hannibal

The Life of Hannibal: People in Saguntum Give Their Possessions to Hannibal

The Life of Hannibal: Hannibal Inspires a Soldier before the Battle of Saguntum, Promising him a Reward

The Life of Hannibal: Hannibal Inspires a Soldier before the Battle of Saguntum, Promising him a Reward

The Life of Hannibal: People in Saguntum Gather Their Possessions in the Town

The Life of Hannibal: People in Saguntum Gather Their Possessions in the Town

The Life of Hannibal: Unknown Scene (Hamilcar Prepares a Sacrifice on the Day before Advancing toward Spain ?)

The Life of Hannibal: Unknown Scene (Hamilcar Prepares a Sacrifice on the Day before Advancing toward Spain ?)

The Views of Rome: The Forum Romanus, or Campo Vaccino, with the Colosseum in the Distance

The Views of Rome: The Forum Romanus, or Campo Vaccino, with the Colosseum in the Distance

Painting of Rome: The Virgin and Child with St. James and St. Jerome

Painting of Rome: The Virgin and Child with St. James and St. Jerome

The Fall and Salvation of Mankind through the Life and Passion of Christ: (27) Christ Carrying the Cross

The Fall and Salvation of Mankind through the Life and Passion of Christ: (27) Christ Carrying the Cross

The Fall and Salvation of Mankind through the Life and Passion of Christ: (26) Pilate Washing his Hands

The Fall and Salvation of Mankind through the Life and Passion of Christ: (26) Pilate Washing his Hands

Village at the Foot of the Volcano―Kurokami Mura: Boy Driving a Cow, Moejima from "Human Land"

Village at the Foot of the Volcano―Kurokami Mura: Boy Driving a Cow, Moejima from "Human Land"

TRAGICO-CLASSICAL PHYSIOGNOMIES 6: Yes I come, into his temple, to adore the Eternal One. (Athalie)

TRAGICO-CLASSICAL PHYSIOGNOMIES 6: Yes I come, into his temple, to adore the Eternal One. (Athalie)

TRAGICO-CLASSICAL PHYSIOGNOMIES 6: Yes I come, into his temple, to adore the Eternal One. (Athalie)

TRAGICO-CLASSICAL PHYSIOGNOMIES 6: Yes I come, into his temple, to adore the Eternal One. (Athalie)

Boy Dressed as Asahina Saburō, left sheet of the triptych Children's Dances: the Joys of the First Month from the series Baichō's Genji: Five Festivals in the Colour Purple

Boy Dressed as Asahina Saburō, left sheet of the triptych Children's Dances: the Joys of the First Month from the series Baichō's Genji: Five Festivals in the Colour Purple

Boy Dressed as Soga no Gorō, central sheet of the triptych Children's Dances: the Joys of the First Month from the series Baichō's Genji: Five Festivals in the Colour Purple

Boy Dressed as Soga no Gorō, central sheet of the triptych Children's Dances: the Joys of the First Month from the series Baichō's Genji: Five Festivals in the Colour Purple

Ancient History 28: Hannibal's passage. In these frowning mountains whose snowy crest / Is like a giant's hoary brow, / Triumphant Hannibal, in order to make himself a path / Puts the Alps in vinaigrette (The Occidentals of Mr. Quinet)

Ancient History 28: Hannibal's passage. In these frowning mountains whose snowy crest / Is like a giant's hoary brow, / Triumphant Hannibal, in order to make himself a path / Puts the Alps in vinaigrette (The Occidentals of Mr. Quinet)

NEWS 86: THE FINAL PROOF: After this effort, he slowly turned up his eyes, and slept constitutionally in the bosom of eternal forgetfulness

NEWS 86: THE FINAL PROOF: After this effort, he slowly turned up his eyes, and slept constitutionally in the bosom of eternal forgetfulness

The Geisha Okiku, Okoto, Osaku, Otama and Otoyo and the Girl Toyomi as a Butterfly, right sheet of the triptych The Performance of  'Long Life of the Pine Tree, in Modern Style'

The Geisha Okiku, Okoto, Osaku, Otama and Otoyo and the Girl Toyomi as a Butterfly, right sheet of the triptych The Performance of 'Long Life of the Pine Tree, in Modern Style'

The Geisha Ohide, Okane, Omina Okaku and Okatsu as Musicians and the Girl Kosame as a Butterfly, left sheet of the triptych The Performance of  'Long Life of the Pine Tree, in Modern Style'

The Geisha Ohide, Okane, Omina Okaku and Okatsu as Musicians and the Girl Kosame as a Butterfly, left sheet of the triptych The Performance of 'Long Life of the Pine Tree, in Modern Style'

Thirty-Two Daily Scenes: 'Looks Interested in Buying', Mannerisms of a Housewife from the Kaei Period

Thirty-Two Daily Scenes: 'Looks Interested in Buying', Mannerisms of a Housewife from the Kaei Period

Ancient History 2: The watch of the Termopythae guards

Ancient History 2: The watch of the Termopythae guards

NEWS 55: - My boy, the apparition of a comet always coincides with some memorable event... this one predicted for us your triumphs at Galuchet's boarding-school!..

NEWS 55: - My boy, the apparition of a comet always coincides with some memorable event... this one predicted for us your triumphs at Galuchet's boarding-school!..

Hanetsurube is used to draw up water from the well and supplies water for nearly 2,000 square meters of rice field

Hanetsurube is used to draw up water from the well and supplies water for nearly 2,000 square meters of rice field

SKETCHES OF EXPRESSIONS 19: (Aside)God! my poor boy how ugly you are! (Aloud) My respects to your wife. (Aside) When you've got a face like yours, you shouldn't go out during the day

SKETCHES OF EXPRESSIONS 19: (Aside)God! my poor boy how ugly you are! (Aloud) My respects to your wife. (Aside) When you've got a face like yours, you shouldn't go out during the day

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Uploaded: 2021-07-22