Two Rural Scenes: Songs Among Branches, Dances in a Pond

Thirty-Two Daily Scenes: 'Looks Amused', Mannerisms of a Lady-in-Waiting from the Bunsei Period

Thirty-Two Daily Scenes: 'Looks Gloomy' Mannerisms of a Geisha in the Meiji Period

Thirty-Two Daily Scenes: 'Looks Sleepy' Mannerisms of a Courtesan in the Meiji Period

Thirty-Two Daily Scenes: 'Looks Precarious' Mannerisms of a Geisha in the Meiji Period

Thirty-Two Daily Scenes: 'Looks Coy' Mannerisms of a Girl in the Meiji Period

Thirty-Two Daily Scenes: 'Looks Interested in Buying', Mannerisms of a Housewife from the Kaei Period

Thirty-Two Daily Scenes: 'Looks Like she Wants a Stroll' Mannerisms of a Housewife in the Meiji Period

Thirty-Two Daily Scenes: 'Looks Happy' Mannerisms of a Tokyo Geisha in the Meiji Period

Camping at Mt. Washibadake [from "Twelve Scenes in the Japan Alps"]

Thirty-Two Daily Scenes: 'Looks Itchy', Mannerisms of a Concubine from the Kaei Period

Thirty-Two Daily Scenes: 'Looks Hot', Mannerisms of a Housewife from the Bunka Period

Thirty-Two Daily Scenes: 'Looks Painful', Mannerisms of a Courtesan from the Kansei Period

Thirty-Two Daily Scenes: 'Looks Cold', Mannerisms of a Concubine from the Bunka Period

Thirty-Two Daily Scenes: 'Looks Refreshing', Mannerisms of a Girl from the Kyoka Period

: The Actor Nakamura Noshio II in Female Role Holding a Shakuhachi

Thirty-Two Daily Scenes: 'Looks Cozy', Mannerisms of a Merchant's Widow from the Kansei Period

Thirty-Two Daily Scenes: 'Looks Amused', Mannerisms of a Music Teacher from the Kaei Period

Thirty-Two Daily Scenes: 'Looks Heavy', Mannerisms of a Fukugawa Waitress from the Tenpo Period

Thirty-Two Daily Scenes: 'Looks Good', Mannerisms of a Pleasure Quarter Geisha from the Kyoka Period

Thirty-Two Daily Scenes: 'Looks Eager to Meet Somebody', Mannerisms of a Prostitute of the Kaei Period

Thirty-Two Daily Scenes: 'Looks Thirsty', Mannerisms of a Geisha (Known as Sake Servers) from the Ansei Period

View of Benten Shrine on Nakanoshima Island in Shinobazu Pond, Ueno Park, from the series Famous Views of Tokyo (Tōkyō Tokyo meisho yori Ueno kōen Shinobazu no ike Nakanoshima Benten no kei)

Edo meisho dooke zukushi Twenty-one: Cherry Blossom Viewing at a Temple Hall in Ueno

Two Women in a Garden, central sheet of the triptych The Second Month: Plum Blossom Viewing, from the series The Twelve Months