Self-Portrait in Soft Hat and Embroidered Cloak

(Self portrait putting on hat)

Self-Portrait with a Turkish Hat

Self-Portrait Wearing a Coat

Self-Portrait with a Baloon

Self Portrait as Insect

Self-Portrait as an Oriental

Self-portrait with a Ballon (II)

(Portrait of man putting on hat and smoking)

Samurai-Class Firefighter’s Clothing: Woman’s Tall Eboshi-Shaped Hood of Crimson Wool with Embroidered Wave Crest and Dragon Motifs and Falcon Crest in Melon Enclosure

Strangers in Paris 18: The hat that one brings back from Paris: You might well say that that hat will make a great impression in Landerneau!... eighty five francs! it's expensive, duckie... you give yourself marabout stork feathers, but it's I who get plucked!..

SKETCHES OF SUMMER 28: －Well! aren't you going to get dressed?... －Me... I'm going to spend my whole life like this, in my bathing costume... out of the water... －Even in winter?... －Oh! in winter... I'll put on my hat

French Types 2: The tailor: He walks with an arched back, his shoulders like a coat-stand and his elbows turned outwards. His suits, cut in the latest fashion, often clash with his boots and hat, he nearly always has a very euphonical name such as Wahaterkermann or Pikprunmann

Knee-length Portrait of a Male in a Long Robe Facing Left [Study for one of the Jurists in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Kniestück eines Mannes in langem Gewand nach Links[Studie für einen der Rechtsgelehrten im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

BOHEMIANS OF PARIS 17: THE WORKER FOR A LABOUR EXCHANGE: Employed at fifteen sous a day, as a secret bill-poster, what a fate! They're asking for a replacement, by Jove, as are my hat and my clothes, and above all my last night's supper's asking for a replacement!

LIFE'S HAPPY DAYS 33: A SAINT’S DAY AND DAY OF BRACES: －Here my sweetheart... on the occasion of my Saint’s day I’ve embroidered these braces!... －(The gentleman, aside.) Good God I’ve already got eleven pairs of them in my drawer... I won’t get away with it this time for less than fifty crowns!... women really take too great an advantage of our wearing trousers, so as to make us wear braces!..

Strangers in Paris 16: The Daguerreotype portrait: －Here is the work of the sun..., how coloured it is, hm?... how warm... and all in three seconds! －Well, true...looking at that, you wouldn’t say that I’d been in the sun for only three seconds... you’d think I’d been in it for three years, because I look like a real negro... never mind, it’s a pretty portrait, and my wife will be well pleased!..

PHYSIOGNOMY OF THE ASSEMBLY 14: Below the upper vignette: Lucien Murat and Antony Thouron, whom they persist in calling Thouret, we don't know why; Below the lower vignette: The President's hat serving as a snuffer of discussion

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

NEWS 299: IN A GARDEN AT AUTEUIL: Becoming more and more misanthropic as a result of his political vexations and wishing to flee the world completely, doctor Véron withdrew to the bottom of his cravat

Strangers in Paris 1: The arrival: What, no room!... －Not even for your hat-box... －What about in the sitting-room? －Twenty one Englishmen are in there... －In the attic?... －I've put eleven Savoyards in there... －In the celler?... －Fifteen Polish people have set up home... －Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... －That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved for the homeless and poodles without papers!..

Female Figure with Toga (3)[Study for “Justitia” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Weibliche Gestalt mit Toga (3) [Studie für „Justitia“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaal der Universität Wien]）

Female Figure with Toga (1) [Study for “Justitia” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Weibliche Gestalt mit Toga (1) [Studie für „Justitia“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

Female Figure with Toga (2)[Study for “Justitia” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Weibliche Gestalt mit Toga (2) [Studie für „Justitia“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）