[PARISIAN SKETCHES, - BY H. DAUMIER] (AT THE CIRCUS. She is his daughter: or the art of destroying his children and making denials of it.)

IIIF

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PARISIAN SKETCHES, - BY H. DAUMIER. - Deuce! if it rains today, it won't be [raining] sous

PARISIAN SKETCHES, - BY H. DAUMIER. - Deuce! if it rains today, it won't be [raining] sous

PARISIAN SKETCHES, - BY H. DAUMIER . ...And from her pink lips, Escaped a name sweet as a bird's song

PARISIAN SKETCHES, - BY H. DAUMIER . ...And from her pink lips, Escaped a name sweet as a bird's song

(UNPUBLISHED DRAWING BY H. DAUMIER.) Is it tolarably becoming, men under arms!

(UNPUBLISHED DRAWING BY H. DAUMIER.) Is it tolarably becoming, men under arms!

SKETCHES OF EXPRESSIONS 43: Marie!...Marie!...she deceives me..

SKETCHES OF EXPRESSIONS 43: Marie!...Marie!...she deceives me..

PARISIAN SKETCHES 10: That which represents the sea to the most ingenious people in the world

PARISIAN SKETCHES 10: That which represents the sea to the most ingenious people in the world

SKETCHES OF AUTUMN by DAUMIER 2: The King of the Pumpkins receiving homage from his subjects

SKETCHES OF AUTUMN by DAUMIER 2: The King of the Pumpkins receiving homage from his subjects

SKETCHES OF SUMMER by DAUMIER 8: Going to the cold baths only for the opportunity of developing his biceps

SKETCHES OF SUMMER by DAUMIER 8: Going to the cold baths only for the opportunity of developing his biceps

SKETCHES OF THE THEATRE BY DAUMIER 1: Below the upper vignette: The intermission in the café. Below the lower vignette: The intermission in the foyer

SKETCHES OF THE THEATRE BY DAUMIER 1: Below the upper vignette: The intermission in the café. Below the lower vignette: The intermission in the foyer

SKETCHES OF THE THEATRE BY DAUMIER 2: Below the upper vignette: The couplet [adressed to] the public. Below the lower vignette: The public while being addressed with its couplet

SKETCHES OF THE THEATRE BY DAUMIER 2: Below the upper vignette: The couplet [adressed to] the public. Below the lower vignette: The public while being addressed with its couplet

SKETCHES OF THE THEATRE BY DAUMIER 2: Below the upper vignette: The couplet [adressed to] the public. Below the lower vignette: The public while being addressed with its couplet

SKETCHES OF THE THEATRE BY DAUMIER 2: Below the upper vignette: The couplet [adressed to] the public. Below the lower vignette: The public while being addressed with its couplet

SKETCHES OF THE THEATRE BY DAUMIER 4: Below the upper vignette: Dances of the superior school. Below the lower vignette: Pose of a yet more elevated school

SKETCHES OF THE THEATRE BY DAUMIER 4: Below the upper vignette: Dances of the superior school. Below the lower vignette: Pose of a yet more elevated school

On It May Stay His Eye [from "The Blue Guitar"]

On It May Stay His Eye [from "The Blue Guitar"]

Sketches Taken by Daumier at the Exhibition 2: In front of the picture by Mr. G[ustave]. Moreau

Sketches Taken by Daumier at the Exhibition 2: In front of the picture by Mr. G[ustave]. Moreau

PARISIAN SKETCHES 7: In contemplation before the opera's ship, - at least it is not before that of the porte St. Martin, - nor indeed that of the ambigu [sic], - anyway, what is certain is that they are gazing upon a vessel

PARISIAN SKETCHES 7: In contemplation before the opera's ship, - at least it is not before that of the porte St. Martin, - nor indeed that of the ambigu [sic], - anyway, what is certain is that they are gazing upon a vessel

SKETCHES OF THE THEATRE BY DAUMIER [3]: Below the upper vignette: - Take a seat, Cinna!... Below the lower vignette: The Ticket-checking counter while they perform a Tragedy

SKETCHES OF THE THEATRE BY DAUMIER [3]: Below the upper vignette: - Take a seat, Cinna!... Below the lower vignette: The Ticket-checking counter while they perform a Tragedy

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 5: Below the upper vignette: A day of collapse. Below the lower vignette: Having become a substantial person

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 5: Below the upper vignette: A day of collapse. Below the lower vignette: Having become a substantial person

SKETCHES OF EXPRESSIONS 35: It's her poor cat that's died... -Oh! the poor little woman, how sorry she must be..

SKETCHES OF EXPRESSIONS 35: It's her poor cat that's died... -Oh! the poor little woman, how sorry she must be..

PARISIAN SKETCHES 21: SCENE OF HORSEFLESH-EATING. - True indeed... there's Sir eating his old horse... I only hope that one day he doesn't get the idea of sitting down to eat his old maid!..

PARISIAN SKETCHES 21: SCENE OF HORSEFLESH-EATING. - True indeed... there's Sir eating his old horse... I only hope that one day he doesn't get the idea of sitting down to eat his old maid!..

MUSICAL SKETCHES 4: Seeking to fascinate a rich heiress with his 'do' from the chest

MUSICAL SKETCHES 4: Seeking to fascinate a rich heiress with his 'do' from the chest

SKETCHES OF AUTUMN by DAUMIER 3: OPENING OF THE HUNTING SEASON. Two young partridges have been sighted in the country

SKETCHES OF AUTUMN by DAUMIER 3: OPENING OF THE HUNTING SEASON. Two young partridges have been sighted in the country

NEWS 12: What the devil is it that curbs his appetite

NEWS 12: What the devil is it that curbs his appetite

NEWS 12: What the devil is it that curbs his appetite

NEWS 12: What the devil is it that curbs his appetite

NEWS 12: What the devil is it that curbs his appetite

NEWS 12: What the devil is it that curbs his appetite

PARISIAN MEN IN 1852. 1: The new Talma cape, thus named because it gives to him who wears it an utterly comic appearance

PARISIAN MEN IN 1852. 1: The new Talma cape, thus named because it gives to him who wears it an utterly comic appearance

Uploaded: 2023-01-17