
First Plate from Series of Copperplates "Arthur Rimband's Le Bateau Ivre"

Seventh Plate from Series of Copperplates "Arthur Rimband's Le Bateau Ivre"

Tenth Plate from Series of Copperplates "Arthur Rimband's Le Bateau Ivre"

Fourth Plate from Series of Copperplates "Arthur Rimband's Le Bateau Ivre"

Sixth Plate from Series of Copperplates "Arthur Rimband's Le Bateau Ivre"

Fifth Plate from Series of Copperplates "Arthur Rimband's Le Bateau Ivre"

Second Plate from Series of Copperplates "Arthur Rimband's Le Bateau Ivre"

Thierd Plate from Series of Copperplates "Arthur Rimband's Le Bateau Ivre"

Eighth Plate from Series of Copperplates "Arthur Rimband's Le Bateau Ivre"

Ninth Plate from Series of Copperplates "Arthur Rimband's Le Bateau Ivre"
酔いどれ船

船中小使控(箱館、津軽金ヶ沢湊、深浦などの金銭の払い)
![ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling](https://search.artmuseums.go.jp/jpeg/small/nmwa/0038250002.jpg)
ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling
![ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling](https://search.artmuseums.go.jp/jpeg/small/nmwa/0038260002.jpg)
ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling

COSSACKS TO LAUGH AT or COSSACKS FOR A LAUGH 17: Oursikoff!... do you think this is a likeness?... -No, Sire!... -Right...... I'd have sent you to Siberia if you had recognised me... all these bad caricatures from LE CHARIVARI won't prevent my being still the most handsome man in my empire!... -Yes,Sire!.....

NEWS 145: The Emperor Soulouque, having learned that a European journalist permitted himself to criticise some of the acts of his administration, arrived to sieze the guilty man and plunged him into a cooking pot full of boiling tar -All with the hope that this would serve as a lesson to this hack and that he would not write a second article against his majesty. (Official prefect of Haiti.) (Note from le Charivari) -This ingenious method to curb the deviations of the Press is recommended for the meditation of the Burgraves

JOURNEY TO CHINA 5: CHINESE LAW. Chinese barristers strive so hard, striking so many oratorical poses that the magistrates, in order not to be distracted by the gestures of the defence and to lose nothing of his arguments, generally devote themselves to some manual work, one slices his desk with penknife cuts; the other draws crude little figures on stamped paper or fashions folded paper hens; others have recourse to a more efficient method, they close their eyes and fall into deep meditation from which the usher who shouts silence! with all his might is at great pains to extract them... it is for this reason that Chinese justice is represented with a bandage over its eyes

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

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Uploaded: 2023-01-17
