Triptych: The Crucifixion Flanked by the Kneeling Donor and His Wife

IIIF

More Like This

Painting of Rome: The Crucifixion

Painting of Rome: The Crucifixion

The Engraved Passion: (11) The Crucifixion

The Engraved Passion: (11) The Crucifixion

The Fall and Salvation of Mankind through the Life and Passion of Christ: (30) The Crucifixion

The Fall and Salvation of Mankind through the Life and Passion of Christ: (30) The Crucifixion

Triptych: Rest on the Flight into Egypt

Triptych: Rest on the Flight into Egypt

"Mysteries of the Passion": 13)The Annunciation  14)The Dispute with the Doctors  17)The Transfiguration  18)The Crucifixion

"Mysteries of the Passion": 13)The Annunciation 14)The Dispute with the Doctors 17)The Transfiguration 18)The Crucifixion

Votive Altarpiece: the Trinity, the Virgin, St. John and Donors

Votive Altarpiece: the Trinity, the Virgin, St. John and Donors

Painting of Rome: Christ Supported by the Virgin and St. John

Painting of Rome: Christ Supported by the Virgin and St. John

Two Kneeling Attendants and One Standing Attendant, central sheet of the triptych Modern-Day Eastern Genji

Two Kneeling Attendants and One Standing Attendant, central sheet of the triptych Modern-Day Eastern Genji

Woman Holing a Cloth and Kneeling Woman, left sheet of the triptych Illustration of Adoring the Little Princess

Woman Holing a Cloth and Kneeling Woman, left sheet of the triptych Illustration of Adoring the Little Princess

Central sheet of the triptych Celebration of Flowers, Birds, Wind and Moon

Central sheet of the triptych Celebration of Flowers, Birds, Wind and Moon

The Fall and Salvation of Mankind through the Life and Passion of Christ: (3) Joachim's Sacrifice, Refused by the Priest

The Fall and Salvation of Mankind through the Life and Passion of Christ: (3) Joachim's Sacrifice, Refused by the Priest

Woman on a Veranda and Kneeling Attendent, left sheet of the triptych Illustration of Eastern Genji Performing the Ritual of Releasing Living Creatures

Woman on a Veranda and Kneeling Attendent, left sheet of the triptych Illustration of Eastern Genji Performing the Ritual of Releasing Living Creatures

The Actors Bandō Hikosaburō in the Role of Shinoya Tokubei and Onoe Kikujirō as His Wife Otoki, in Reality Kumogiri Otatsu

The Actors Bandō Hikosaburō in the Role of Shinoya Tokubei and Onoe Kikujirō as His Wife Otoki, in Reality Kumogiri Otatsu

Predella Panel Representing the Legend of St. Stephen: St. Stephen Preaching / St. Stephen before the High Priest and Elders of the Sanhedrin

Predella Panel Representing the Legend of St. Stephen: St. Stephen Preaching / St. Stephen before the High Priest and Elders of the Sanhedrin

Bathers 26: -Look out, Gargouillet, there's the master going by with his wife; we should wash our hair and hang the soap. -Thank you, I've just finished with it

Bathers 26: -Look out, Gargouillet, there's the master going by with his wife; we should wash our hair and hang the soap. -Thank you, I've just finished with it

Egyptian Sculptures in the British Museum 大英博物館のエジプト彫刻  KATEP, A PRIEST, AND HETEPHERES HIS WIFE 司祭とその妻

Egyptian Sculptures in the British Museum 大英博物館のエジプト彫刻  KATEP, A PRIEST, AND HETEPHERES HIS WIFE 司祭とその妻

Actor and Woman with a Headdress, central sheet of the triptych Act Three, from the series The Storehouse of Loyal Retainers Represented by Actors Without Their Make-Up

Actor and Woman with a Headdress, central sheet of the triptych Act Three, from the series The Storehouse of Loyal Retainers Represented by Actors Without Their Make-Up

Two Women with Headdresses and an Attendant, left sheet of the triptych Act Three, from the series The Storehouse of Loyal Retainers Represented by Actors Without Their Make-Up

Two Women with Headdresses and an Attendant, left sheet of the triptych Act Three, from the series The Storehouse of Loyal Retainers Represented by Actors Without Their Make-Up

Woman Carried by a Porter Across a River and a Palanquin in the Distance, central sheet of the triptych Illustration of Two-Way Traffic on the Ōi River

Woman Carried by a Porter Across a River and a Palanquin in the Distance, central sheet of the triptych Illustration of Two-Way Traffic on the Ōi River

Portfolio, During the Gion Festival: Six Images of Maiko: Mamegiku and Koman

Portfolio, During the Gion Festival: Six Images of Maiko: Mamegiku and Koman

EVERYTHING YOU COULD WANT 69 : -Yes... I've had the indignity of having my picture refused for the exhibition... and moreover, see how scrupulously I've executed my saint's crucifixion... it can't be said that there's a nail missing from it!..

EVERYTHING YOU COULD WANT 69 : -Yes... I've had the indignity of having my picture refused for the exhibition... and moreover, see how scrupulously I've executed my saint's crucifixion... it can't be said that there's a nail missing from it!..

BOHEMIANS OF PARIS 22: THE CLOTHES SELLER: “Closes to sell!... any hats, shoes, old clothes to sell!” This trade fourishes at carnival time in the vicinity of the schools of law and medicine: the student willingly sells his wardrobe to get himself a stevedore's costume, a wife, a small thimble-full of champagne and limitless tittle-tattle!

BOHEMIANS OF PARIS 22: THE CLOTHES SELLER: “Closes to sell!... any hats, shoes, old clothes to sell!” This trade fourishes at carnival time in the vicinity of the schools of law and medicine: the student willingly sells his wardrobe to get himself a stevedore's costume, a wife, a small thimble-full of champagne and limitless tittle-tattle!

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

Uploaded: 2023-01-17