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IN CHINA 17: A Chinese patrol on reconnaissance

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「我騎兵土城子役ヨリ旅順砲台偵察之図」

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「菅原武勇伝(すがわらぶゆうでん)」 「春藤玄蕃(しゅんどうげんば)」「(三代嵐璃寛(あらしりかん)の春藤玄蕃)」

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親日の保安総隊長●州駅頭で狙撃さる : わが補助憲兵も重傷を負う : 天津軍事態を重視 : 又北支に藍衣社の魔手

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Parisian Emotions 40: Strolling during the thaw - R...R..rascal! - What! ... what ... but I told you I aimed at Gugusse... that big boy's a nuisance! - I'm going to complain to your pa... pa... parents and to the Po... Po... Police Superintendent! ... then we'll see! - Eh! you want to see, do you!... wait till I block your other window!

Parisian Emotions 40: Strolling during the thaw - R...R..rascal! - What! ... what ... but I told you I aimed at Gugusse... that big boy's a nuisance! - I'm going to complain to your pa... pa... parents and to the Po... Po... Police Superintendent! ... then we'll see! - Eh! you want to see, do you!... wait till I block your other window!

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ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon  your arms: I die or I cling

ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

The National Museum of Western Art, Tokyo

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French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

The National Museum of Western Art, Tokyo

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IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..

IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..

The National Museum of Western Art, Tokyo

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新たに加わる有権者は選挙市場のお客様 : 各政党政派は宿引の様なもの : 国民の政治的自覚をうながす : 武藤会長の演説要旨

新たに加わる有権者は選挙市場のお客様 : 各政党政派は宿引の様なもの : 国民の政治的自覚をうながす : 武藤会長の演説要旨

神戸大学附属図書館

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JOURNEY TO CHINA 19: CHINESE WORRIORS. All Chinese men have the right, from six to eight times a year, to carry a rifle, a cartridge-pouch, and even to wear a fur cap; then they apply themselves, more or less voluntarily to night patrols which have as their goal the maintenance of public peace. Only it happens quite often that the chief named KA-PO-RAL takes infinite trouble to prevent his warriors singing at the tops of their voices “mother GO-DI-CHON” or other Chinese ballads, and it is by waking with a start that the good citizens learn that their rest is being watched over

JOURNEY TO CHINA 19: CHINESE WORRIORS. All Chinese men have the right, from six to eight times a year, to carry a rifle, a cartridge-pouch, and even to wear a fur cap; then they apply themselves, more or less voluntarily to night patrols which have as their goal the maintenance of public peace. Only it happens quite often that the chief named KA-PO-RAL takes infinite trouble to prevent his warriors singing at the tops of their voices “mother GO-DI-CHON” or other Chinese ballads, and it is by waking with a start that the good citizens learn that their rest is being watched over

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 3: Achilles in his tent. In tears, remembering the charms of Briseis / The hero enjoys his dismal sadness. / And in vain, Patrocles, polishing his weapons / Tries to awaken his burning courage. (Secret translation by President P.) This precious bas-relief was discovered in the ruins of the ancient Boule rouge [Red Ball] (Montmartre suburb) by our indefatigable traveller, Mr. Charles Texier. According to Mr. Ingres, only Phidias could have been its maker

Ancient History 3: Achilles in his tent. In tears, remembering the charms of Briseis / The hero enjoys his dismal sadness. / And in vain, Patrocles, polishing his weapons / Tries to awaken his burning courage. (Secret translation by President P.) This precious bas-relief was discovered in the ruins of the ancient Boule rouge [Red Ball] (Montmartre suburb) by our indefatigable traveller, Mr. Charles Texier. According to Mr. Ingres, only Phidias could have been its maker

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PARLIAMENTARY IDYLLS 4: FLORA AND ZEPHYR (DE LA MEURTHE.): Lightly he balances himself / On a foot barely skimming the water's surface:/ Flora who admires him in silence / Says to herself. / Ah! God damn it all, how beautiful he is! (Translated from Anacreon by Ratapoil, retired police colonel, member of Châlons sur Marne society of literature and of the society of the Tenth-of-December in Paris)

PARLIAMENTARY IDYLLS 4: FLORA AND ZEPHYR (DE LA MEURTHE.): Lightly he balances himself / On a foot barely skimming the water's surface:/ Flora who admires him in silence / Says to herself. / Ah! God damn it all, how beautiful he is! (Translated from Anacreon by Ratapoil, retired police colonel, member of Châlons sur Marne society of literature and of the society of the Tenth-of-December in Paris)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

(役者カルタ) 「日本橋 かつをうり 中村芝翫 あいきやうがこぼれ升」「石切がし 五郎太 市村羽左衛門 おぢいさんにそのまゝでござい升」「かまくらがし 百姓弥作 市川左団次 大やくをよくこなされ升」「京橋 都見物左衛門 市村家橘 三都の花かた外にるいなしだよ」「かわら町 鬼門の斎兵衛 河原崎権十郎 ひやうばんがいゝよ」「木下川 坂東太蔵 とり手橘平 しゆびはよいよ」「御厩河岸 与右衛門 市川左団次 あちさりと御上達だね」「枕ばし かさね 市村家橘 ゆめに見たのもよい吉さう」「ゑかうゐん 岩川次郎吉 市川米升 久しいのぞみも叶い升よ」「三河島 ☆杖直方 中村仲太郎 かみしめるとかくべつ」「永代ばし 工藤左衛門祐経 坂東亀蔵 お年よりかげいがわかいよ」「広尾 わるもの太郎吉 坂東元蔵 いつでもおもしろさうだよ」「隅田堤 おいち 坂東あづま おいおいごあんしんごあんしん」「中川 赤坂源蔵 家橘 思ふ願いは●ぶんとゞくよ」「逆井 さがみ五郎 中村仲蔵 しぶいところをかつてゐるよ」

(役者カルタ) 「日本橋 かつをうり 中村芝翫 あいきやうがこぼれ升」「石切がし 五郎太 市村羽左衛門 おぢいさんにそのまゝでござい升」「かまくらがし 百姓弥作 市川左団次 大やくをよくこなされ升」「京橋 都見物左衛門 市村家橘 三都の花かた外にるいなしだよ」「かわら町 鬼門の斎兵衛 河原崎権十郎 ひやうばんがいゝよ」「木下川 坂東太蔵 とり手橘平 しゆびはよいよ」「御厩河岸 与右衛門 市川左団次 あちさりと御上達だね」「枕ばし かさね 市村家橘 ゆめに見たのもよい吉さう」「ゑかうゐん 岩川次郎吉 市川米升 久しいのぞみも叶い升よ」「三河島 ☆杖直方 中村仲太郎 かみしめるとかくべつ」「永代ばし 工藤左衛門祐経 坂東亀蔵 お年よりかげいがわかいよ」「広尾 わるもの太郎吉 坂東元蔵 いつでもおもしろさうだよ」「隅田堤 おいち 坂東あづま おいおいごあんしんごあんしん」「中川 赤坂源蔵 家橘 思ふ願いは●ぶんとゞくよ」「逆井 さがみ五郎 中村仲蔵 しぶいところをかつてゐるよ」

National Museum of Japanese History

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Uploaded: 2026-03-24