Geisha with Samisen, from the series Twenty-Four hours of the Day at Shimbashi and Yanagibashi (Shinryū nijūshi toki)

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Geisha Holding Cord in Lips, from the series Twenty-Four Hours of the Day at Shimbashi and Yanagibashi (Shinryū nijūshi toki)

Geisha Holding Cord in Lips, from the series Twenty-Four Hours of the Day at Shimbashi and Yanagibashi (Shinryū nijūshi toki)

6am Geisha adjusting cowl, from the series Twenty-four Hours at Shimbashi and Yanagibashi

6am Geisha adjusting cowl, from the series Twenty-four Hours at Shimbashi and Yanagibashi

Four PM, from the series "Twenty-Four Hours in Shinbashi and Yanagibashi"

Four PM, from the series "Twenty-Four Hours in Shinbashi and Yanagibashi"

5pm Geisha with hand mirror adjusting her hair, from the series Twenty-four Hours at Shimbashi and Yanagibas...

5pm Geisha with hand mirror adjusting her hair, from the series Twenty-four Hours at Shimbashi and Yanagibas...

11 p.m., from the series "Twenty-Four Hours at Shinyanagi (Shinyanagi nijuyoji)"

11 p.m., from the series "Twenty-Four Hours at Shinyanagi (Shinyanagi nijuyoji)"

Two Geisha Playing the Samisen and Kokyū

Two Geisha Playing the Samisen and Kokyū

Geisha Futatsuryū of the Izutsuya as a Samisen Player, Hayashi

Geisha Futatsuryū of the Izutsuya as a Samisen Player, Hayashi

Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijūyo-ji, gozen jūni-ji)

Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijūyo-ji, gozen jūni-ji)

Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijūyo-ji, gozen jūni-ji)

Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijūyo-ji, gozen jūni-ji)

Combat between Sanada and Matano at the Great Battle of Mount Ishibashi in the Genpei War on the Night of the Twenty-second Day of the Eighth Month

Combat between Sanada and Matano at the Great Battle of Mount Ishibashi in the Genpei War on the Night of the Twenty-second Day of the Eighth Month

Hōjō Yasutoki (Azuma kagami), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Ikenoya Kamemori and Takinoya Kiyome

Hōjō Yasutoki (Azuma kagami), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Ikenoya Kamemori and Takinoya Kiyome

The Actor Ichikawa Danjuro V as Sakata Hyogonosuke Kintoki, in the Play Shitenno Tonoi no Kisewata (Raiko's Four Intrepid Retainers in the Costume of the Night Watch), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1781

The Actor Ichikawa Danjuro V as Sakata Hyogonosuke Kintoki, in the Play Shitenno Tonoi no Kisewata (Raiko's Four Intrepid Retainers in the Costume of the Night Watch), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1781

Filial Son in Musashi (Musashi no kōshi: Shasekishū), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Chiyodaan Matsutsuru and Kafūtei _ _

Filial Son in Musashi (Musashi no kōshi: Shasekishū), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Chiyodaan Matsutsuru and Kafūtei _ _

The Actor Matsumoto Koshiro II as Osada no Taro Kagemune Disguised as the Woodcutter Gankutsu no Gorozo, in Act Four (?) of the Play Nue no Mori Ichiyo no Mato (Forest of the Nue Monster: Target of the Eleventh Month), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1770

The Actor Matsumoto Koshiro II as Osada no Taro Kagemune Disguised as the Woodcutter Gankutsu no Gorozo, in Act Four (?) of the Play Nue no Mori Ichiyo no Mato (Forest of the Nue Monster: Target of the Eleventh Month), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1770

Moon Goddess Chang'e, Rabbit Making New Year's Cake and a Geisha Playing Shamisen, second from the series Year of the Rabbit Handle Stories (Usagidoshi totte banashi ni), with poems by Tō Shōon, Kokuhaku Sekimen and Shinra Banshō

Moon Goddess Chang'e, Rabbit Making New Year's Cake and a Geisha Playing Shamisen, second from the series Year of the Rabbit Handle Stories (Usagidoshi totte banashi ni), with poems by Tō Shōon, Kokuhaku Sekimen and Shinra Banshō

Three Komuso Monks: The Actors Ichikawa Ebizo (Danjuro V) as Kudo Suketsune (right), Ichikawa Monnosuke II as Soga no Juro Sukenari (center), and Ichikawa Omezo I as Soga no Goro Tokimune (left), in Act Six of the Play Waka Murasaki Edokko Soga (Pale Purple Soga, Edo Style), Performed at the Ichimura Theater from the Twenty-third Day of the First Month, 1792

Three Komuso Monks: The Actors Ichikawa Ebizo (Danjuro V) as Kudo Suketsune (right), Ichikawa Monnosuke II as Soga no Juro Sukenari (center), and Ichikawa Omezo I as Soga no Goro Tokimune (left), in Act Six of the Play Waka Murasaki Edokko Soga (Pale Purple Soga, Edo Style), Performed at the Ichimura Theater from the Twenty-third Day of the First Month, 1792

The Actors Ichikawa Monnosuke II and Segawa Kikunojo III as the Lovers Seijuro (right) and Onatsu (left), in the Elopement Scene "Michiyuki Hiyoku no Kiku-cho" (An Elopemet: Chrysanthemum-and-Butterfly Lovebirds), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

The Actors Ichikawa Monnosuke II and Segawa Kikunojo III as the Lovers Seijuro (right) and Onatsu (left), in the Elopement Scene "Michiyuki Hiyoku no Kiku-cho" (An Elopemet: Chrysanthemum-and-Butterfly Lovebirds), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

Uploaded: 2022-09-27