Sō

Asagao sō

Sō Shiseki gafu

Uwaki no sō

Portrait of Osan (Osan no sō)

Paintings by Sō Shiseki (Sō Shiseki gafu 宋紫石画譜), vol. 3

Paintings by Sō Shiseki (Sō Shiseki gafu 宋紫石画譜), vol. 2

Paintings by Sō Shiseki (Sō Shiseki gafu 宋紫石画譜), vol. 1

Mandala with Pilgrims (Gyōdō no sō)

Idea (Sō), series Scenery of the Mind (心景)

The Fancy-free Type, Modern Reproduction (Uwaki no sō), series Ten Types in the Physiognomic Study of Women

Mother and Child, from the series Meisho fūkei bijin jūni sō

The Twelve Kumano Shrines at Tsunobazu, commonly called Jūnisō, (Tsunobazu Kumano Jūnisha zokushō jūni sō)

Song Jiangming (Sō Kōmei)/ Fire (Hi), from the series Five Elements of the Tale of Water Margins (Suiko gogyō), with poem by Kōkyōen Baimon (or Umemon)

An Essay on Suiōtei in Cursive Writing by Kō Gentai (Kō Gentai sō-sho suiōtei-ki)

The Fickle Type, Modern Reproduction (Uwaki no Sō), series Ten Types in the Physiognomic Study of Women (婦人相学十躰)

Kabuki Actor Nakamura Utaemon IV as Daikokumai Minamezame no Otokichi, with inset of Sanba[sō], Hikinuki sanba )

当世三十二相 (Series)

Tanuki sō

当世好男子伝 (Series)

Looking as if She Wants to Go for a Walk: The Fashion of a Married Woman of the Meiji Era (Yūho ga shitasō, Meiji nenkan saikun no fūzoku), from the series Thirty-two Appearances of Fashion (Fūzoku sanjūni sō)

宋紫石画譜 : 巻3

宋紫石画譜 : 巻2

宋紫石画譜 : 巻1

ねむさう; 今様三十二相 (Series)

Woodblock print

「見立三番叟」

Back to back, from a series of 12 prints

[A man, wearing a large conical hat and a straw or feather garment, attempting to turn on end a barrel-like object, possibly a mochi tub; on the ground next to him is long-handled mallet]

「活け花」 「朝顔・石菖・ミズアオイ」

Tengu nado

「藤の花に二羽の小鳥」

「（松に鷹）」

「見立劉女」

「（東海道五十三次）蒲原」

Print

Peony

「江戸八景」 「隅田川暮雪」

「風流相生つくし　卯春新板　稲ぼに蛍」

「丁子屋雛鶴」

「百鏡一らん」「さとりのかゞみ」

Kikujido (Ju Citong) Besides a Stream (Kikujido)

「狐」

「風俗略六芸」 「琴」

Print

Yatsushi chōkaro

「てっせんに小鳥」

「婦相競」 「ちそう」

[Two mice, one lying on the ground with head resting on forepaws, the other is standing on hind legs with forepaws crossed, they are looking at each other, with three round objects on the ground between, possibly rice cakes]