Looking cool: the appearance of a geisha in the fifth or sixth year of Meiji (1872 or 1873), from the series...
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Looking suitable: the appearance of a geisha of the licensed quarters in the Koka era (1844-1848), from the ...

Looking perceptive: the appearance of a Kyoto waitress in the Meiji era, from the series Thirty-two Aspects ...
![[Celebration of the fifth Decoration Day at Arlington Cemetery, May 30, 1873]](https://tile.loc.gov/storage-services/service/pnp/stereo/1s00000/1s02000/1s02900/1s02968_150px.jpg)
[Celebration of the fifth Decoration Day at Arlington Cemetery, May 30, 1873]

Looking thirsty: the appearance of a town geisha, a bargirl in the Ansei era (1854-1860), from the series Th...

Appearing Refreshed, Behavior of a Geisha since 1872/73

Looking drowsy: the appearance of a harlot of the Meiji era, from the series Thirty-two Aspects of Customs a...

Looking expectant: the appearance of a fireman's wife of the Kaei era (1848-1854), from the series Thirty-tw...

Appearing Imperiled, Behavior of a Contemporary Geisha of the Meiji Period

Appearing Happy, Behavior of a Present-Day Geisha of the Meiji Period

Looking inquisitive: the appearance of a maid of the Temp era (1830-1844), from the series Thirty-two Aspect...
Sixth report of the Postmaster General of Japan, for the fiscal year ended June 30th, tenth year o...

Looking refined: the appearance of a court lady during the Kyowa era (1801-1804), from the series Thirty-two...
Ayame-san, a Japanese romance of the 23rd year of Meiji (1890)

The Actor Matsumoto Koshiro III as Kikuchi Hyogo Narikage in the Play Katakiuchi Chuko Kagami (Vendetta: A Model of Loyalty and Filial Duty), Performed at the Nakamura Theater from the Fifth Day of the Sixth Month, 1770
koto from "Ayame-San. A Japanese romance of the 23rd year of Meiji (1890) ... Illustrated from pho...

Appearing Embarrassed, Behavior of a Girl of the Meiji Period
Looking at the Moon from inside the Fire (Enchū zuki), series One Hundred Aspects of the Moon
Looking as if She Wants to Go for a Walk: The Fashion of a Married Woman of the Meiji Era (Yūho ga shitasō, Meiji nenkan saikun no fūzoku), from the series Thirty-two Appearances of Fashion (Fūzoku sanjūni sō)

Bust Portrait of the Actor Ichikawa Yaozo III as Tanabe Bunzo in the play Hana-ayame Bunroku Soga (Blooming Iris: Soga Vendetta of the Bunroku Era), Performed at the Miyako Theater from the Fifth Day of the Fifth Month, 1794

Reception of the Japanese Embassy, New-York, June 16, 1860. Broadway looking down
Mistress of Tsuneyoshi (5th Shogun) with Small Dog Looking Out Toward the Water

Cute: A Housewife of the Second Decade of the Meiji Period (1878-1887) holding a baby
Appearance of Mount Fuji in the 5th Year of Kōrei (Kōrei gonen Fujimine shutsugen): Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 1

The Actor Onoe Matsusuke I as a Mendicant Monk in the Joruri "Midarezaki Hana no Irogoromo" (Colorful Cloth Profusely Flowered), from Part Two of Act Six of the Play Keisei Ide no Yamabuki (Courtesan: Kerria Roses at Ide) (?), Performed at the Nakamura Theater from the Sixth Day of the Fifth Month, 1787
Last Updated: 2019-12-12T18:33:12.449Z
Uploaded: 2020-12-17
