Court Figures in Travel Clothing from a Series of Heian-Period Genre Paintings

Court Nobles in Ceremonial Garments from a Series of Heian-Period Genre Paintings

Court Ladies in Formal Garments from a Series of Heian-Period Genre Paintings

Court Nobles in Informal Garments from a Series of Heian-Period Genre Paintings

Court Noble in an Everyday Robe and Court Ladies in Formal Garments from a Series of Heian-Period Genre Paintings

Court Noble in an Everyday Robe and Court Ladies in Semi-Formal Outer Garments from a Series of Heian-Period Genre Paintings

束帯等着用図(藤原時代風俗画のうち)

Thirty-Two Daily Scenes: 'Mannerisms Elegant', Mannerisms of a Court Lady from the Kyowa Period

Thirty-Two Daily Scenes: 'Looks Precarious' Mannerisms of a Geisha in the Meiji Period

Thirty-Two Daily Scenes: 'Looks Amused', Mannerisms of a Lady-in-Waiting from the Bunsei Period

Thirty-Two Daily Scenes: 'Looks Interested in Buying', Mannerisms of a Housewife from the Kaei Period

A Courtesan of the Chigiri House in Furuichi, Ise province, from the series Comparisons of Representative Customs

Woman Standing Behind a Door Holding a Demon Mask, right sheet of the diptych Number Five from the series Comparison of Figures in Edo Purple

A Summer Scene - Originally from the series The Four Seasons in the South

Two Women in a Garden, central sheet of the triptych The Second Month: Plum Blossom Viewing, from the series The Twelve Months

Two Women with a Shamisen Case - Originally from the series Floating World Beauties in the Modern Style

View in a Brothel, central sheet of the triptych Prostitutes of Various Qualities: The Very Best, from the series Fashionable Yearly Festivities

JOURNEY TO CHINA 5: CHINESE LAW. Chinese barristers strive so hard, striking so many oratorical poses that the magistrates, in order not to be distracted by the gestures of the defence and to lose nothing of his arguments, generally devote themselves to some manual work, one slices his desk with penknife cuts; the other draws crude little figures on stamped paper or fashions folded paper hens; others have recourse to a more efficient method, they close their eyes and fall into deep meditation from which the usher who shouts silence! with all his might is at great pains to extract them... it is for this reason that Chinese justice is represented with a bandage over its eyes

The Japanese Army Advancing Toward Fenghuang-Cheng: "Banzai" for the Great Victory of the Japanese Empire (Hōōjō shingeki no zu: Teikoku daishōri banzai)

China War Scenes, Various Artists (Album)

Shiohi - Bunka koro fujin (Object); Sanjurokkasen (Series)

「千代田之御表」

Print

Nogaku zue (Series)

Nougakuzue

Tsukinohyakushi

The Hat Maker (Eboshi ori), series Illustrations of Noh Plays

Nogaku zue (Series)

「雪ふり人形身」「でつち久松　中村福助」「油屋娘おそめ　中村福太郎」

Wakana, from the series "Fifty Kyogen Plays (Kyogen gojuban)"

「二人大名」

Soga's Robes (Kosode Soga), series Illustrations of Noh Plays

The Righteous Army of Great Japan Chastizes China: The Attack on Taipingshan in the Morning of February 24, 1895 (Dai Nihon gihei Shinkoku seitō: Nijū hachinen nigatsu nijūyokka gozen Taiheizan kōgeki)

China War Scenes, Various Artists (Album)

Kinshujo Fierce Battle

Nougakuzue

Nougakuzue

Nogaku zue (Series)

「若菜」

painting; shunga

Ima yo bijin (Series)

Allusion to Fujiwara no Teika's Cottage at Mount Ogura