Poem Paper of a Poem by Li Bai

Li Bai Admiring a Waterfall

Poem by Li Bai from the Series True Mirror of Chinese and Japanese Poetry

Hanging Ren, Design of a Drunken Poet, Li Bai

Illustration of a Poem by Du Fu

Imperial Poem by Emperor Gomizunoo on Colored Paper

Calligraphy of a Poem by Bai Juyi (772 - 846)

Poem on Colored Paper (Miura Shikishi) from the Moshiogusa Album of Exemplary Calligraphy

Poem on Colored Paper from Kanbokujo Album of Exemplary Calligraphy

Inkstone Case with Design of a Waka Poem on Decorated Paper

Poem by Fujiwara no Ietaka (1158–1237) on Decorated Paper with Bush Clover

Poem by Fujiwara no Okikaze with Underpainting of Clematis

Poem by Ki no Tsurayuki (ca. 872–945) on Decorated Paper with Cherry Blossoms

Freehand copy of a transcription of “The Song of Everlasting Sorrow” by Bai Juyi

Poem by Onakatomi Yoshinobu with Underpainting of Hollyhocks

Poem by Kamo no Chōmei with Underpainting of Cherry Blossoms

Yukata cloth, design of printed paper on a saya-gata (swastika) pattern

Mitsukoshi Gofukuten Wrapping Paper (with a Table of Train Stops in Tokyoshi; Department Store Wrapping Paper Collection)

Osaka　Sakaisuji Shirokiya Gofukuten Wrapping Paper (with a Table of New Measurement Units; Department Store Wrapping Paper Collection)

Poems on Kaishi Paper by Emperor Gotsuchimikiado (Mist at a Checkpoint, Breeze with Scent of Plum

Karaori Noh Costume, Design of ramie leaves, wisterias, and shikishi and tanzaku poem cards on a red and brown checkered ground

Karaori Noh Costume, Design of bamboo curtains, shikishi and tanzaku poem cards, and bush clovers on a red, green, and brown checkered ground

覚（京都金兵衛・新兵衛等14・5人、11月2日から4日岩本逗留、諸賄肴代は別紙その外に地酒、府中迄駕人足等、八幡関連）

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

JOURNEY TO CHINA 5: CHINESE LAW. Chinese barristers strive so hard, striking so many oratorical poses that the magistrates, in order not to be distracted by the gestures of the defence and to lose nothing of his arguments, generally devote themselves to some manual work, one slices his desk with penknife cuts; the other draws crude little figures on stamped paper or fashions folded paper hens; others have recourse to a more efficient method, they close their eyes and fall into deep meditation from which the usher who shouts silence! with all his might is at great pains to extract them... it is for this reason that Chinese justice is represented with a bandage over its eyes

Waka Kaishi by Asukai Masa-aki

Poem Draft

Letter by Taira no Kiyokuni

Poem on Plum Blossoms

Leaf from Album Depicting the Sixteen Lohans (Arhats)

色紙

Loyalty

Album of Iconographic Drawings of the Esoteric Buddhist Pantheon (Shingon sect)

Request for Reinforcement by Ashikaga Takauji's Secretary

Waka Kaishi by Satomura Joha

Part of the Record of a Poetry Contest in Fifteen Rounds

calligraphy

Facing the Moon

Poet Kakinomoto Hitomaru (?-c.709) from page 1A of the printed book of "Thirty-Six Immortal Poets" (Sanjūrokkasen), Kōetsu edition

Autumn Poem

Poet Taira no Kanemori (?-990) from page 9B of the printed book of "Thirty-Six Immortal Poets" (Sanjūrokkasen), Kōetsu edition

Waka Kaishi by Prince Toshitada

鈴木忠書「真摯敢闘」

白頭自（みずか）ら笑う苦辛の頻（しき）りなるを　方寸の紙中に写し得て真なり　五十年齢正に一を虧（か）く　今茲（ことし）尚お未だ非を識らざるの人 壬午[明治15年]初秋写真

Waka Kaishi by Kuben

Draft Kaishi by Imagawa Norimasa

彫物画帳（長常下絵）

[Important Art Object] Manuscript of Three Imperial Autumn Poems (Hirosawa-gire)

Evening View