Middle Shoin, Right, and the New Goten, left, Viewed from the East; Broad Veranda of the Music Suite in the Middle

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Shelf of the Broad Veranda of the Music Suite, Viewed from the South

Shelf of the Broad Veranda of the Music Suite, Viewed from the South

Middle Shoin, and the New Goten, viewed from the east

Middle Shoin, and the New Goten, viewed from the east

Second Room, Left, and the Main Room, Right, of the Middle Shoin, Viewed from the Northeast

Second Room, Left, and the Main Room, Right, of the Middle Shoin, Viewed from the Northeast

Main Room, right, and the Second Room, left, of the Middle Shoin

Main Room, right, and the Second Room, left, of the Middle Shoin

Rooms of the Old Shoin, Viewed from the East; the Second Room in the Middle; Beyond, the Main Room, Left, and the Spear Room, Right

Rooms of the Old Shoin, Viewed from the East; the Second Room in the Middle; Beyond, the Main Room, Left, and the Spear Room, Right

Liaison Corridor Connecting the Old Shoin with the New Goten, Viewed from the South

Liaison Corridor Connecting the Old Shoin with the New Goten, Viewed from the South

Lawn and New Palace Seen From the Middle Shoin

Lawn and New Palace Seen From the Middle Shoin

The Actors Sanogawa Ichimatsu (right), Nakamura Kiyosaburo (center right), Sanogawa Senzo (center left), and Nakamura Kumetaro (left)

The Actors Sanogawa Ichimatsu (right), Nakamura Kiyosaburo (center right), Sanogawa Senzo (center left), and Nakamura Kumetaro (left)

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Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left)

Beauties of the Three Capitals: Edo (right), Kyoto (center), and Osaka (left)

The Actors Onoe Kikugoro I (right), Sanogawa Ichimatsu I (center), and Sanogowa Senzo (left), from the triptych "Negura sanpukutsui"

The Actors Onoe Kikugoro I (right), Sanogawa Ichimatsu I (center), and Sanogowa Senzo (left), from the triptych "Negura sanpukutsui"

Beauties of the Three Capitals: Shimabara in Kyoto (right), Yoshiwara in Edo (center), and Shinmachi in Osaka (left)

Beauties of the Three Capitals: Shimabara in Kyoto (right), Yoshiwara in Edo (center), and Shinmachi in Osaka (left)

The Actors Ichikawa Monnosuke II (left), Iwai Hanshiro IV (center), and Iwai Karumo (?) (right), on a Landing Backstage

The Actors Ichikawa Monnosuke II (left), Iwai Hanshiro IV (center), and Iwai Karumo (?) (right), on a Landing Backstage

The Actors Sanogawa Ichimatsu (right), Nakamura Tomijuro (center), and Nakamura Kumetaro (left), from A Comparison - Set of Three (Nazorae Sanpukutsui)

The Actors Sanogawa Ichimatsu (right), Nakamura Tomijuro (center), and Nakamura Kumetaro (left), from A Comparison - Set of Three (Nazorae Sanpukutsui)

The Actors Nakamura Utaemon I as Seigen (right), and Ichikawa Komazo II as Shimizu Tonoinosuke Kiyoharu (left), in the Play Soga Moyo Aigo no Wakamatsu, Performed at the Nakamura Theater in the Third Month, 1769

The Actors Nakamura Utaemon I as Seigen (right), and Ichikawa Komazo II as Shimizu Tonoinosuke Kiyoharu (left), in the Play Soga Moyo Aigo no Wakamatsu, Performed at the Nakamura Theater in the Third Month, 1769

Arashi Tomisaburō as the Heavenly Maiden of Itsukushima (right); Arashi Kitsusaburō (II) as Ōuchi Samanosuke (center); and Bandō Jutarō (I) as Naruto Kōbei (left)

Arashi Tomisaburō as the Heavenly Maiden of Itsukushima (right); Arashi Kitsusaburō (II) as Ōuchi Samanosuke (center); and Bandō Jutarō (I) as Naruto Kōbei (left)

The Actors Arashi Hinaji I (right), and Ichikawa Komazo II (left), as Princess Sakura (Sakura Hime) (?) and Shimizu Tonoinosuke (?), in the Play Soga Moyo Aigo no Wakamatsu (?), Performed at the Nakamura Theater (?) in the Third Month, 1769 (?)

The Actors Arashi Hinaji I (right), and Ichikawa Komazo II (left), as Princess Sakura (Sakura Hime) (?) and Shimizu Tonoinosuke (?), in the Play Soga Moyo Aigo no Wakamatsu (?), Performed at the Nakamura Theater (?) in the Third Month, 1769 (?)

The Actors Nakamura Nakazo I as Taira no Kiyomori (right), and Yamashita Kinsaku II as Tokiwa Gozen (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770

The Actors Nakamura Nakazo I as Taira no Kiyomori (right), and Yamashita Kinsaku II as Tokiwa Gozen (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770

The Actors Nakamura Nakazo I as Taira no Kiyomori (right), and Yamashita Kinsaku II as Tokiwa Gozen (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770

The Actors Nakamura Nakazo I as Taira no Kiyomori (right), and Yamashita Kinsaku II as Tokiwa Gozen (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770

Ichikawa Ebijūrō (I) as Kuwanaya Tokuzō (right); Arashi Tomisaburō as the Spirit of the Courtesan Higaki (center); Arashi Kitsusaburō as Tadotsu Ikkaku, and Nakayama Bunshichi (III) as Takamura Kamejirō (left)

Ichikawa Ebijūrō (I) as Kuwanaya Tokuzō (right); Arashi Tomisaburō as the Spirit of the Courtesan Higaki (center); Arashi Kitsusaburō as Tadotsu Ikkaku, and Nakayama Bunshichi (III) as Takamura Kamejirō (left)

Courtesans Drawn in Osaka style (right), Kyoto style (center), and Edo style (left), from "Courtesans of the Three Capitals: A Set of Three (Sanga no tsu keisei sanpukutsui)"

Courtesans Drawn in Osaka style (right), Kyoto style (center), and Edo style (left), from "Courtesans of the Three Capitals: A Set of Three (Sanga no tsu keisei sanpukutsui)"

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Uploaded: 2021-07-21