Tokiwa at Fushimi (Fushimi Tokiwa) and Tokiwa's disputation (Tokiwa mondō) from the Picture scrolls of ballad dramas (Mai no hon emaki)

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Kagekiyo from the Picture scrolls of ballad dramas (Mai no hon emaki)

Kagekiyo from the Picture scrolls of ballad dramas (Mai no hon emaki)

Takadachi from the Picture scrolls of ballad dramas (Mai no hon emaki)

Takadachi from the Picture scrolls of ballad dramas (Mai no hon emaki)

Great woven cap (Taishokan) from the Picture scrolls of ballad dramas (Mai no hon emaki)

Great woven cap (Taishokan) from the Picture scrolls of ballad dramas (Mai no hon emaki)

Minister Yuriwaka (Yuriwaka daijin) from the Picture scrolls of ballad dramas (Mai no hon emaki)

Minister Yuriwaka (Yuriwaka daijin) from the Picture scrolls of ballad dramas (Mai no hon emaki)

Scroll of the flute (Fue no maki), Chronicle of the future (Miraiki) and Laud of the sword (Tsurugi sandan) from the Picture scrolls of ballad dramas (Mai no hon emaki)

Scroll of the flute (Fue no maki), Chronicle of the future (Miraiki) and Laud of the sword (Tsurugi sandan) from the Picture scrolls of ballad dramas (Mai no hon emaki)

The Beginning: Tokiwa Gozen Fleeing with Her Three Children (Hattan, sanshi o tomonatte Tokiwa Gozen hyorosu), from the series "The Life of Yoshitsune (Yoshitsune ichidai zue)"

The Beginning: Tokiwa Gozen Fleeing with Her Three Children (Hattan, sanshi o tomonatte Tokiwa Gozen hyorosu), from the series "The Life of Yoshitsune (Yoshitsune ichidai zue)"

The Michiyuki Scene from the play Ohan and Choemon (Michiyuki, Ohan Choemon), section of a sheet from the series "Reflections of Dramas in Cutouts (Harimaze joruri kagami)"

The Michiyuki Scene from the play Ohan and Choemon (Michiyuki, Ohan Choemon), section of a sheet from the series "Reflections of Dramas in Cutouts (Harimaze joruri kagami)"

Ukiyonosuke Meets Ofuji and Osen at Ryushinzan Shrine, No. 1 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1

Ukiyonosuke Meets Ofuji and Osen at Ryushinzan Shrine, No. 1 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1

The Actors Nakamura Nakazo I as Hata Rokurozaemon Disguised as the Samurai's Manservant (Yakko) Igaguri Hanehei (left), and Nakamura Noshio I as the Lady-in-Waiting Koto no Naishi (right), in the Dance Sequence "Sodegasa Momiji no Tekuda" (Umbrella Sleeves: Coquettish Tricks at Maple Time), from the Fourth Act of the Play Hikitsurete Yagoe Taiheiki (The War Tale Taiheiki: With Din and Clamor of Battle), Performed at the Morita Theater in the Eleventh Month, 1776

The Actors Nakamura Nakazo I as Hata Rokurozaemon Disguised as the Samurai's Manservant (Yakko) Igaguri Hanehei (left), and Nakamura Noshio I as the Lady-in-Waiting Koto no Naishi (right), in the Dance Sequence "Sodegasa Momiji no Tekuda" (Umbrella Sleeves: Coquettish Tricks at Maple Time), from the Fourth Act of the Play Hikitsurete Yagoe Taiheiki (The War Tale Taiheiki: With Din and Clamor of Battle), Performed at the Morita Theater in the Eleventh Month, 1776

The Actor Nakamura Noshio I as the Spirit of the Courtesan Takao, in the Shosagoto Dance Sequence "Sono Utsushi-e Matsu ni Kaede" (A Shadow-Picture of Pine and Maple), the Last Scene of Part Two of the Play Keisei Momiji no Uchikake (Courtesan in an Over-Kimono of Maple Leaf Pattern), Performed at the Morita Theater from the Ninth Day of the Ninth Month, 1772

The Actor Nakamura Noshio I as the Spirit of the Courtesan Takao, in the Shosagoto Dance Sequence "Sono Utsushi-e Matsu ni Kaede" (A Shadow-Picture of Pine and Maple), the Last Scene of Part Two of the Play Keisei Momiji no Uchikake (Courtesan in an Over-Kimono of Maple Leaf Pattern), Performed at the Morita Theater from the Ninth Day of the Ninth Month, 1772

The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

The Actor Ichikawa Danjuro V as the Spirit of Monk Seigen in the Shosagoto Dance Sequence "Sono Utsushi-e Matsu ni Kaede" (A Shadow-Picture of Pine and Maple), the Last Scene of Part Two of the Play Keisei Momiji no Uchikake (Courtesan in an Over-Kimono of Maple Leaf Pattern), Performed at the Morita Theater from the Ninth Day of the Ninth Month, 1772

The Actor Ichikawa Danjuro V as the Spirit of Monk Seigen in the Shosagoto Dance Sequence "Sono Utsushi-e Matsu ni Kaede" (A Shadow-Picture of Pine and Maple), the Last Scene of Part Two of the Play Keisei Momiji no Uchikake (Courtesan in an Over-Kimono of Maple Leaf Pattern), Performed at the Morita Theater from the Ninth Day of the Ninth Month, 1772

The Actors Nakajima Mihoemon II as Fujiwara no Shihei, Minister of the Left (center, in the carriage), Ichikawa Ebizo III as Matsuo-maru (center, kneeling on the ground), Ichikawa Yaozo II as Sakura-maru (right), and Ichimura Uzaemon IX as Umeo-maru (left), in the "Carriage Stopping" (Kuruma-biki) Scene from the Play Sugawara Denju Tenarai Kagami (Sugawara's Secrets of Calligraphy), Performed at the Ichimura Theater from the Sixteenth Day of the Seventh Month, 1776

The Actors Nakajima Mihoemon II as Fujiwara no Shihei, Minister of the Left (center, in the carriage), Ichikawa Ebizo III as Matsuo-maru (center, kneeling on the ground), Ichikawa Yaozo II as Sakura-maru (right), and Ichimura Uzaemon IX as Umeo-maru (left), in the "Carriage Stopping" (Kuruma-biki) Scene from the Play Sugawara Denju Tenarai Kagami (Sugawara's Secrets of Calligraphy), Performed at the Ichimura Theater from the Sixteenth Day of the Seventh Month, 1776

The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left) and Nakamura Tomijuro I as a Female Fox Disguised as the Beancake Peddler Hyugaya, in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Kitsune (Heavenly Child - The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777

The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left) and Nakamura Tomijuro I as a Female Fox Disguised as the Beancake Peddler Hyugaya, in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Kitsune (Heavenly Child - The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777

Last Updated: 2021-02-19

Uploaded: 2021-12-21