Kimigayo tooth powder、 Komachi-sui under make-up、 and Kaneshita-sui base for tooth blackening

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Base liquid for teeth blackening

Base liquid for teeth blackening

UCSF Library

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Longevity powder、 Longevity drink、 and Divine pill for all tooth and mouth diseases

Longevity powder、 Longevity drink、 and Divine pill for all tooth and mouth diseases

UCSF Library

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SKETCHES OF EXPRESSIONS 17: Mistah Guguste and my mummy they wanted to go bye-byes, they were tired and..and...and what they said to me was...go and play in the garden, and I... and I...didn't make any noise and I played

SKETCHES OF EXPRESSIONS 17: Mistah Guguste and my mummy they wanted to go bye-byes, they were tired and..and...and what they said to me was...go and play in the garden, and I... and I...didn't make any noise and I played

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 3: What is called dining in a restaurant: -Waiter!...I've been in your establishment for an hour and a quarter without having a chair...and you've still only given the tooth-picks to my wife who's dying of hunger... you'll make me lose my normal posture, and I'll end up with my feet in the dish... do you understand, waiter! -There now, Sir... there there now, there there!!!

Strangers in Paris 3: What is called dining in a restaurant: -Waiter!...I've been in your establishment for an hour and a quarter without having a chair...and you've still only given the tooth-picks to my wife who's dying of hunger... you'll make me lose my normal posture, and I'll end up with my feet in the dish... do you understand, waiter! -There now, Sir... there there now, there there!!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Poster: To remember the earthquake disaster, let's make salted rice balls for the Emperor, truly Japanese, with pickled ume and water! (Great Kanto Earthquake Materials Collection)

Poster: To remember the earthquake disaster, let's make salted rice balls for the Emperor, truly Japanese, with pickled ume and water! (Great Kanto Earthquake Materials Collection)

Edo-Tokyo Museum

Tokyo Museum Collection

PRACTICES OF THE MERCHANTS OF PARIS 6: She does make a fuss, that stuck up woman from the fifth floor, Wearing a hat! and two cups of milk for a sou! Damnation! Ma Capitaine, it's because we've got visitors this morning

PRACTICES OF THE MERCHANTS OF PARIS 6: She does make a fuss, that stuck up woman from the fifth floor, Wearing a hat! and two cups of milk for a sou! Damnation! Ma Capitaine, it's because we've got visitors this morning

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter...  -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter...  -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

THE ALARMISTS AND ALARMED. 6: -Sir, it's a three sou letter... -Is it the done thing to knock on the door for a three sou letter...I had a fright!... I thought they'd come to ask me for my weapons..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

Ancient History 26: The Augean stables. For a proud hero to make of himself a cleaner, / Is, for Hercules, difficult to swallow, / But as a proverb says: / One does not argue about sewers or colours (Unpublished pun by Mr. Delessert)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TENANTS AND LANDLORDS 22: Is the account exact?... now you're going to ask me if I can give you a receipt... under the pretext that if one's rich one should always give something!..

TENANTS AND LANDLORDS 22: Is the account exact?... now you're going to ask me if I can give you a receipt... under the pretext that if one's rich one should always give something!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THESE GOOD PARISIANS 13: THE PARISIAN - Tell me, worthy fellow, what do you do with all your cows when they become old and no longer give milk?... THE COW-HERD - Look here,... the tomfoolery.. you make beef out of them!..

THESE GOOD PARISIANS 13: THE PARISIAN - Tell me, worthy fellow, what do you do with all your cows when they become old and no longer give milk?... THE COW-HERD - Look here,... the tomfoolery.. you make beef out of them!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 29: Telemachus and Mentor. Seeing his languorous pupil. / Burning for Eucharis with a fire always new / Mentor, with a punch, pitched him straight into the water / To make him abandon the island (Unique quatrain by Mr. Duponchel)

Ancient History 29: Telemachus and Mentor. Seeing his languorous pupil. / Burning for Eucharis with a fire always new / Mentor, with a punch, pitched him straight into the water / To make him abandon the island (Unique quatrain by Mr. Duponchel)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

「東京自慢名物會 春風亭柳枝 ビラ辰」「髙木與兵衛 清婦湯 清心丹[薬屋]」「よし町丁字屋小てる 小嶌かね」「かきから町水天宮模様」

「東京自慢名物會 春風亭柳枝 ビラ辰」「髙木與兵衛 清婦湯 清心丹[薬屋]」「よし町丁字屋小てる 小嶌かね」「かきから町水天宮模様」

Tokyo Metropolitan Central Library

ARC Ukiyo-e Portal Database

「東京自慢名物会」「春風亭柳枝」「ビラ辰」「髙木與兵衛 清婦湯 清心丹[薬屋]」「よし町丁字屋小てる 小嶌かね」「かきから町水天宮模様」

「東京自慢名物会」「春風亭柳枝」「ビラ辰」「髙木與兵衛 清婦湯 清心丹[薬屋]」「よし町丁字屋小てる 小嶌かね」「かきから町水天宮模様」

Tokyo Metropolitan Central Library

Tokyo Metropolitan Library Edo-Tokyo Digital Collections

「東京自慢名物会」「春風亭柳枝」「ビラ辰」「髙木與兵衛 清婦湯 清心丹[薬屋]」「よし町丁字屋小てる 小嶌かね」「かきから町水天宮模様」

「東京自慢名物会」「春風亭柳枝」「ビラ辰」「髙木與兵衛 清婦湯 清心丹[薬屋]」「よし町丁字屋小てる 小嶌かね」「かきから町水天宮模様」

Tokyo Metropolitan Central Library

Tokyo Metropolitan Library Edo-Tokyo Digital Collections

THE ALARMISTS AND ALARMED. 7: I think they're beating the call to arms... Adolphe don't go... inthe name of the children we could have had!..

THE ALARMISTS AND ALARMED. 7: I think they're beating the call to arms... Adolphe don't go... inthe name of the children we could have had!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 2: The Municipal Pawnshop’s Pawn-ticket: Sir, the freebooter says to you, I haven’t got the means to redeem my watch, and this evening I’m leaving for my home region. You buy the pawn-ticket, you redeem the watch. It was pledged for 20 f[rancs] and is worth a hundred sous

Parisian Freebooters 2: The Municipal Pawnshop’s Pawn-ticket: Sir, the freebooter says to you, I haven’t got the means to redeem my watch, and this evening I’m leaving for my home region. You buy the pawn-ticket, you redeem the watch. It was pledged for 20 f[rancs] and is worth a hundred sous

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: -Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! -Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF SUMMER 40: -Sir, would you be kind enough to tell me when you'ld like to pay me back the five hundred francs you've been owing me for a long time... -My dear man, you're unreasonable to make such a request of me, you clearly see that I have nothing on me at this very moment..

SKETCHES OF SUMMER 40: -Sir, would you be kind enough to tell me when you'ld like to pay me back the five hundred francs you've been owing me for a long time... -My dear man, you're unreasonable to make such a request of me, you clearly see that I have nothing on me at this very moment..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

French Types 4: The public scribe: The public scribe is the confidant of chambermaids, the poet for cooks, the amourous interpreter for soldiers and the jurisconsult of caretakers. His calling is the final refuge for defective educations and fashions the invalids of literature

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

Ancient History 30: Dionysius the tyrant. If he chooses this condition in his sorry fortune, / It is because in the matter of schools / Tyrants always make too much of it, / So that they can fine one [school] in their old age (The late Barthelemy)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 93: Suffer the little children to come unto me!... Do you understand the parable, Bertrand? -you don't! blockhead! we'll form a paternal and philanthropic association, we receive 5/10ths now, in order to give 500 for 100 in the future... -And what shall we fix it to in the future -We'll up sticks. Blockhead! There we'll place the tontine, Tonton-ton-ton, Tontine, ton-ton

Caricaturana 93: Suffer the little children to come unto me!... Do you understand the parable, Bertrand? -you don't! blockhead! we'll form a paternal and philanthropic association, we receive 5/10ths now, in order to give 500 for 100 in the future... -And what shall we fix it to in the future -We'll up sticks. Blockhead! There we'll place the tontine, Tonton-ton-ton, Tontine, ton-ton

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2020-03-15

Uploaded: 2023-04-03