The Forty-Seven Loyal Retainers, Having Achieved their Ambition, Gathered Together and Withdrew from Ryōgoku Bridge; Guarding the Head of their Enemy they Proceeded to the Temple
「日清戦争之内」
Battle at Jinzhoucheng on the Road to Port Arthur (Ryojun michi Kinshūjō sen)
The Deity Daikoku with a White Rabbit
双幅蝦夷人画 2 : 題名：「漁猟之図」
Kataoka Gadō II as Mashiba Hisayoshi (a, top panel); Sawamura Kitō II as Yukihime (b, bottom right panel); and Asao Yoroku I as Matsunaga Taizen (c, bottom left panel)
Toukaidougojuusantsuginouchi、miya、atsutajinji
北派山水図
No 30 Kameido ume yashiki (Object); Meisho Edo Hyakkei
Nihonbashi, Morning Scene
With All His Might, General Ōdera Attacks the "Hundred Foot Cliff" near Weihaiwei (Ōdera shōgun zenryoku o furutte Hyakusekigai o shūgeki suru no zu)
Dvě klečící Japonky při zdvořilém pozdravu
「江戸名所道化尽」「四十一」 「浅草御厩川岸」
Träsnitt, Bildkonst, Woodcut, Woodblock, Print
「東海道 十九」 「五十三次之内 江尻」
Big Fire of Yoshiwara
Scene from the Play "Kanadehon Chushingura" : Opening Act ( Triptych )
Japan vs. Russia at Port Arthur: The Success of Our Torpedo Boats in the Naval Battle (Nichi-Ro Ryojunkō kaigun suiraitei seiko no zu)
Souhitsugojuusantsugi、tsuchiyama
Chibatakazuie souteigatameni mizunotewotataruru
Samuraj i dvije gejše
Gekkouzuihitsu
Nihonbashi: Morning Scene (Nihonbashi; Asa No Kei), No. 1 from the series Fifty-Three Stations of the Tōkaidō (Tōkaidō Gojūsan Tsugi No Uchi)
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Uploaded: 2021-07-22