British troops were brought in to maintain order in Belfast where clashes wereongoing. The flag of the Republic of Ireland is visible in the window on

British soldiers in Divis Street in the Catholic area of Belfast

Tokyo Photographic Art Museum

Tokyo Museum Collection

Fighters for the Irish Republican Army (IRA) in training. The photo was taken ineither Northern Ireland or the Republic of Ireland, but at the time Ok

Tokyo Photographic Art Museum

Tokyo Museum Collection

In a bus, passing the customs house on the border between Northern Ireland andthe Republic of Ireland to the south

Tokyo Photographic Art Museum

Tokyo Museum Collection

Demonstrators opposing a visit to Northern Ireland by Queen Elizabeth. At thistime, the Northern Ireland Assembly had been suspended and the country w

Tokyo Photographic Art Museum

Tokyo Museum Collection

British army barracks at Crossmaglen on the border of Northern Ireland. Thewindows of the school building have been bricked up

Tokyo Photographic Art Museum

Tokyo Museum Collection

Sturdy steel gates installed at a residence in Saigon, where fierce conflicts wereconstant

Tokyo Photographic Art Museum

Tokyo Museum Collection

The Representatives Represented 10: Henri de Larochejacquelein: The costume in which this citizen was got up on the day he went to the National Assembly to lodge his memorable proposal for President of the French Republic!...Abd-el-Kader

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Drying shrimp fishing nets on the shore of Lake Kamo in Ryotsu where sea water enters freshwater lake. It is also a place for oyster farming

Tokyo Photographic Art Museum

Tokyo Museum Collection

U.S. army transport plane dropping supplies to a special forces base in the jungle.Dropping supplies from the air while evading anti-aircraft fire

Tokyo Photographic Art Museum

Tokyo Museum Collection

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

PROFILES 7: THE FREQUENTER OF FÉLIX'S SHOP: Paris is at once the centre of civilisation, of the fine arts and of small pies; the love of the galette is pushed to fanaticism. Pastry cooks abound here, and today Paris is perhaps the city in the world where most brioches are made

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 93: Suffer the little children to come unto me!... Do you understand the parable, Bertrand? －you don't! blockhead! we'll form a paternal and philanthropic association, we receive 5/10ths now, in order to give 500 for 100 in the future... －And what shall we fix it to in the future －We'll up sticks. Blockhead! There we'll place the tontine, Tonton-ton-ton, Tontine, ton-ton

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 15: THE OLD ROUÉE: So I'm going to be a door-keeper in the rue du Mont-Blanc in a large house where my husband says they'll call us porters. So I'm going to leave this ramshackle place where there're only four tenants who give me five sous apiece for a New Year's present... Scum!!!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 22: －I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 22: －I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Great Exhibition of Industry and Contemporary Hoaxes: Come in and judge for yourselves! I've directed everything, inspired everything, the Tribunals' galette for the Digest (Aside; and for a difficult digestion) The Physionopilfer which catches the manner of everything! (except the resemblance.) Running bitumen (quite.) Men's shirts for the use of small children of which you glimpse only the (Sham.) Marvellous indestructible hats (which melt in the sun and are diluted in the rain.)Dromedary pommade, so much sought after (by camels.) Fool's seed which you know (all of you.) The English Brewery which froths so well (in the Newspapers.) and the sublime, the classical coal of St. Pétrain which you can put to the test (by fire.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Great Exhibition of Industry and Contemporary Hoaxes: Come in and judge for yourselves! I've directed everything, inspired everything, the Tribunals' galette for the Digest (Aside; and for a difficult digestion) The Physionopilfer which catches the manner of everything! (except the resemblance.) Running bitumen (quite.) Men's shirts for the use of small children of which you glimpse only the (Sham.) Marvellous indestructible hats (which melt in the sun and are diluted in the rain.)Dromedary pommade, so much sought after (by camels.) Fool's seed which you know (all of you.) The English Brewery which froths so well (in the Newspapers.) and the sublime, the classical coal of St. Pétrain which you can put to the test (by fire.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 1: The arrival: What, no room!... －Not even for your hat-box... －What about in the sitting-room? －Twenty one Englishmen are in there... －In the attic?... －I've put eleven Savoyards in there... －In the celler?... －Fifteen Polish people have set up home... －Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... －That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved for the homeless and poodles without papers!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 3: Below the upper vignette: How is it that everyone can't be happy. Below the lower vignette: Pleasant view of the little nightly Stock Exchange in front of the Opera thoroughfare: －make no mistake about it, all these gentlemen are capitalists

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 17: Shops of greater and greater enormity －Can you show me, please, where the counter for cotton bonnets is?... －At the end of the 9th aisle on the right, then the 4th on the left, and once you’ve arrived at the 15th counter, ask for cotton bonnets; there they’ll show you clearly the way you should take to get there... －Oh! damnation... I’m very angry at having left my cab at the door of your shop!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 110: －Great Prince Muley, son of Muley, do you deign to place yourself in the shade beneath this object... the Englishman who had the kindness to make over this object to me for a hundred gold pieces told me that it was of excellent use in all the storms of life... －Let me be... it's useless... the day when the French took away my parasol, I caught sunstroke from which I shall never recover!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: －Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! －Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

British soldiers in Belfast

Tokyo Photographic Art Museum

Tokyo Museum Collection

Enjinwotsukurumura

Photo Archive Japan Database

Nibo Village in Kuninaka Plain. The bridge in front of Sanno-hiyoshi Shrine is a playground for children

Tokyo Photographic Art Museum

Tokyo Museum Collection

A street with houses destroyed in the clashes

Tokyo Photographic Art Museum

Tokyo Museum Collection

Takatsukichounokouminkan

Photo Archive Japan Database

West Park Observatory

Tokyo Photographic Art Museum

Tokyo Museum Collection

Transporting Poison Gas through Enobi Hamlet, Gushikawa City

Tokyo Photographic Art Museum

Tokyo Museum Collection

Damī

Photo Archive Japan

Photo Archive Japan Database

"The Izu Dancer" written by Yasunari Kawabata. Shimoda road from Yugashima to Amagi

Tokyo Photographic Art Museum

Tokyo Museum Collection

（City corner with horse-drawn carriage）

Tokyo Photographic Art Museum

Tokyo Museum Collection

Naha City

Tokyo Photographic Art Museum

Tokyo Museum Collection

絵葉書｢箱崎水族館｣狐

Fukuoka City Museum

Fukuoka City Museum Collection Database

Basunoteiryuujo4 mo,gakkou7 moshoubousho9 mokindaitekininattashi,tooyamakenowakinimopenkinurinoyuubinkyougadekita5 8

Photo Archive Japan Database

Commerce, OK

Tokyo Photographic Art Museum

Tokyo Museum Collection

（Window by wall）

Tokyo Photographic Art Museum

Tokyo Museum Collection

（Signboard）

Tokyo Photographic Art Museum

Tokyo Museum Collection

"A Dark Night's Passing" written by Naoya Shiga. Renjoji temple on the halfway up Mt. Oyama

Tokyo Photographic Art Museum

Tokyo Museum Collection

Mount Bandai, destroyed houses in Mine

Tokyo Photographic Art Museum

Tokyo Museum Collection

Oonyuudoudashi

三重県教育委員会事務局社会教育・文化財保護課

Designated Cultural Properties in Mie Prefecture

昭和34年、瀞八丁

Mie Prefectural Museum

Mie Prefectural Museum Collections (Photography & Video)

〔三段壁〕

Wakayama Prefectural Archives

Wakayama Historical Archives

Chijouuntenwooetaenjinha,koujoukara 1oogatadanbeiniutsusare 2,eisennihikaretegisouganpekihesusumu

Photo Archive Japan Database

Bank Street, London

Tokyo Photographic Art Museum

Tokyo Museum Collection

Haru,mizuganurumukoro,kohannoteichiwonagareruogawaniyotsudeamiganarabu.funenouekaraoroshitari,sekiwotsukuttekoyagakewoshitari,sonohouhouhabashoniyotteiroirodaga,omonaemonohakawawonoborukoayu

Photo Archive Japan Database