
沖ノ山炭鉱につくられた防空壕
宇部市教育委員会
ADEAC: A System of Digitalization and Exhibition for Archive Collections

Tokyo Sabo (coffee shop) window, Ginza, Tokyo
Tokyo Photographic Art Museum
Tokyo Museum Collection

Sumo tournament come from Tokyo. The islanders look forward to it. Shinmachi Grand Shrine
Tokyo Photographic Art Museum
Tokyo Museum Collection
「絵抄細見図」 「京町二丁目ゑちぜんや内」「こと浦」「たつた」「しばき」
RHAM
ARC Ukiyo-e Portal Database

NPO法人・置戸町くらしサポート「たちつてと」運営の地域サロン「キッチン木の実」のオープン
Town of Oketo Library, Hokkaido
ADEAC: A System of Digitalization and Exhibition for Archive Collections

PEOPLE OF THE LAW 24: -What a pity that charming little woman didn't ask me to defend her... how I would have argued that her husband is a rascal!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
Shigaichinoomotedooriwoyukubashatetsudousapporonomachiwohashitteitabatetsunosaigendekodomotachiniitsumoninkigaarutoukihabasorigaunkousuru
Photo Archive Japan
Photo Archive Japan Database

LIFE'S HAPPY DAYS 33: A SAINT’S DAY AND DAY OF BRACES: -Here my sweetheart... on the occasion of my Saint’s day I’ve embroidered these braces!... -(The gentleman, aside.) Good God I’ve already got eleven pairs of them in my drawer... I won’t get away with it this time for less than fifty crowns!... women really take too great an advantage of our wearing trousers, so as to make us wear braces!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

仰高小学校5年生が豊島区長にまちづくり提案 実現したいな「安全で人にやさしい町」に! 放置自転車問題は、2つのグループが調査しました
Toshima-ku
ADEAC: A System of Digitalization and Exhibition for Archive Collections

NEWS 200: A VISIT TO THE CONVICT-PRISON IN NAPLES: Mr.Gladstone- And what do you call this man? he doesn't look like a villain. The Gaolor- Don't you believe any of it, on the contrary,he's a demagogue, an old constitutional minister of 1848 called Carlo Poërio. In his inexhaustible clemency the best and most worthy of kings ordered that we chain him to an assassin, so that he might return to the good. He'd have been completely lost if we'd left him with another demagogue
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 1: THE DISEMBARKATION. Each traveller who lands at a port in China is immediately conducted, like a wrong-doer, between two rows of inquisitive people to the passport office: hardly has he touched the soil of the Celestial Empire, than he becomes the prey of luggage-porters, hotel-boys, interpreters, messengers and other highwaymen authorised by the Chinese police
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 31: The fall of Icarus. As the sun roasted his wings, / His old scoundrel of a father, inventor of this contrivance, / Said, watching him fall through the eternal vaults: / Assuredly, this is no good (A poet who travels only by carriage)
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..](https://search.artmuseums.go.jp/jpeg/small/nmwa/0041610001.jpg)
IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 20: TO ALL THOSE PEOPLE WHO HAVE CAPITAL TO LOSE; For one hundred francs, one and a quarter centimes, in order to eat every twelve hours... THERE'S AN INVESTMENT!! / New principles. We divide the interest in centimes and by the hour... THERE'S A TRICK!!! Guarantees offered to shareholders. The manager takes the society's money and puts some of it in the bank... THERE'S A BANK!!!! Capital...We won't tell you, you've got to see it to believe it... IF YOU WANT BUSINESS, HERE IT IS!!!!!!!!
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

ROBERT MACAIRE. 2nd Series 3: Yes, Sir, you see in me a victim of political hatreds... an outcast... I have been condemned Falsely and I have had to go into exile... I'm clearing off to Belgium in order to reach Spain where I count on taking up arms... (aside) if I can't take anything else
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly
Museum of Contemporary Art Tokyo
Tokyo Museum Collection

JOURNEY TO CHINA 16: THE MUSIC LESSON. The Chinese man of independent means likes to occupy his leisure by cultivating music: very willingly he takes lessons on the clarinet, the accordion or the hunting horn, and in spite of the contrary opinion of his unfortunate neighbours, persists in calling this an accomplishment!
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

(役者カルタ) 「亀戸天神 山本勘助 嵐吉三郎 のち/\の御出世をまちまする」「花屋しき 新造胡蝶 市村家橘 なんでもはまりますよ」「木母寺 おたね 尾上菊次郎 たしかなことがありますよ」「三めぐり稲荷 衆徒あだちん坊 中村雁八 当時半道のいちまん舟にるゐなし」「山谷玉姫の社 ちりれん坊 坂東嘉知六 おわらひくさだよ」「首尾の松 松永大膳 中村芝翫 あくまでいいよ」「寺島 和尚次郎 市村羽左衛門 うけました江戸つ子のおや玉/\」「あづまの森 木村又蔵 成駒屋 たゞしいものだよ」「柳島 人形つかひ 市村羽左衛門 御工風はべろだんだよ」「一石橋 おはな 市村竹松 おほねをりが見え升」「堀の内 小狐礼三 市村家橘 外にるゐなしでござり升」「五百らかん 鷺坂ばん内 坂東薪左衛門 いつもおもしろさうだよ」「今戸 地廻り三吉 坂東三八 おひおひしゆびがよいよ」「巣鴨 大領久吉 沢村訥升 大ぐわんじやうじゆだよ」「金竜山 石川五右衛門 中村芝翫 ひと目千金」
National Museum of Japanese History
ARC Ukiyo-e Portal Database

(役者カルタ) 「亀戸天神 山本勘助 嵐吉三郎 のち/\の御出世をまちまする」「花屋しき 新造胡蝶 市村家橘 なんでもはまりますよ」「木母寺 おたね 尾上菊次郎 たしかなことがありますよ」「三めぐり稲荷 衆徒あだちん坊 中村雁八 当時半道のいちまん舟にるゐなし」「山谷玉姫の社 ちりれん坊 坂東嘉知六 おわらひくさだよ」「首尾の松 松永大膳 中村芝翫 あくまでいいよ」「寺島 和尚次郎 市村羽左衛門 うけました江戸つ子のおや玉/\」「あづまの森 木村又蔵 成駒屋 たゞしいものだよ」「柳島 人形つかひ 市村羽左衛門 御工風はべろだんだよ」「一石橋 おはな 市村竹松 おほねをりが見え升」「堀の内 小狐礼三 市村家橘 外にるゐなしでござり升」「五百らかん 鷺坂ばん内 坂東薪左衛門 いつもおもしろさうだよ」「今戸 地廻り三吉 坂東三八 おひおひしゆびがよいよ」「巣鴨 大領久吉 沢村訥升 大ぐわんじやうじゆだよ」「金竜山 石川五右衛門 中村芝翫 ひと目千金」
National Museum of Japanese History
ARC Ukiyo-e Portal Database

(役者カルタ) 「日本橋 かつをうり 中村芝翫 あいきやうがこぼれ升」「石切がし 五郎太 市村羽左衛門 おぢいさんにそのまゝでござい升」「かまくらがし 百姓弥作 市川左団次 大やくをよくこなされ升」「京橋 都見物左衛門 市村家橘 三都の花かた外にるいなしだよ」「かわら町 鬼門の斎兵衛 河原崎権十郎 ひやうばんがいゝよ」「木下川 坂東太蔵 とり手橘平 しゆびはよいよ」「御厩河岸 与右衛門 市川左団次 あちさりと御上達だね」「枕ばし かさね 市村家橘 ゆめに見たのもよい吉さう」「ゑかうゐん 岩川次郎吉 市川米升 久しいのぞみも叶い升よ」「三河島 ☆杖直方 中村仲太郎 かみしめるとかくべつ」「永代ばし 工藤左衛門祐経 坂東亀蔵 お年よりかげいがわかいよ」「広尾 わるもの太郎吉 坂東元蔵 いつでもおもしろさうだよ」「隅田堤 おいち 坂東あづま おいおいごあんしんごあんしん」「中川 赤坂源蔵 家橘 思ふ願いは●ぶんとゞくよ」「逆井 さがみ五郎 中村仲蔵 しぶいところをかつてゐるよ」
National Museum of Japanese History
ARC Ukiyo-e Portal Database

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
Tottakoayuhaikesunihanasu
Photo Archive Japan Database
Natsuhagyogyoushanoshitsugyouki.yamademakiwokiri,hatakewotsukuri,taigannokousakuchimadesuidennodetsukuriniiku.
Photo Archive Japan Database
Hitoyoshishinoseizaikoujou.hanseihintoshiteishutsusurumonomoaru
Photo Archive Japan Database

Waiting in the Garden, the Morning We Were to Depart
Tokyo Photographic Art Museum
Tokyo Museum Collection
Shinkounoyama,ontakesannotozandouniaruontakekounoyashiro
Photo Archive Japan Database
Monzen.arunoukanoiriguchi
Photo Archive Japan Database
Machikoubadeha moromihaokekarahishakudetamenikumidashi
Photo Archive Japan Database
1mokkouseihinya1
Photo Archive Japan
Photo Archive Japan Database

写真(防空壕)
Fukuoka City Museum
Fukuoka City Museum Collection Database

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Tokyo Photographic Art Museum
Tokyo Museum Collection
Uraguchi
Photo Archive Japan
Photo Archive Japan Database
Machiya(arakawaku)nojuutaku
Photo Archive Japan
Photo Archive Japan Database
Komehawashiragahikiuketa
Photo Archive Japan
Photo Archive Japan Database
Saishokuyuniwa(makurobikafe)
三重県環境生活部文化振興課
Machikado Museums in Mie Prefecture
Daitenshunaibu 4 yonkainominamigawachuuounoishiuchidana.
Photo Archive Japan Database

絵葉書「台湾蕃人風俗絵葉書」日月潭ノ杵ノ音
Fukuoka City Museum
Fukuoka City Museum Collection Database
Ookiikamanouenikouzonotabawotatetaruwokabusetemusu
Photo Archive Japan
Photo Archive Japan Database

Alley (Shukunegi)
Tokyo Photographic Art Museum
Tokyo Museum Collection
Junkaitouban
Photo Archive Japan Database
2mokkouseihinya2
Photo Archive Japan
Photo Archive Japan Database
「北と東の人間録 石橋寿子写真集」掲載 00022-00005-0011
Photo Archive Japan
Photo Archive Japan Database
手洗鉢
三重県環境生活部文化振興課
Mie Historical & Cultural Walking Map (Regional Cultural Assets)
Kakounishikaketayana(chinaikawa)
Photo Archive Japan Database
Last Updated: 2021-03-14
Uploaded: 2026-03-25
