Bear Cub Kept by Man (A Scene from Konbu Hot Spring)

View of Mt. Yotei from Toyako Lakeside Hot Spring

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Yunomineonsen．yunominegawanisoukonoonsenhakumanomoudenohitobitogatsukarewoiyashitatokoro

Photo Archive Japan Database

Blown by the heat of the roof, Grandfather's head already seemed pale like a skull. Well, I'm not sure...do you remember what he said, when the red-hot iron was about to be put into his eyes? *

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TRIVIAL THINGS 3: － Come! my young friend,shake me firmly by the hand...that's good. －(aside)Oh! there, there now! "The friendship of a strong man is a flail of the Gods"

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TRIVIAL THINGS 3: － Come! my young friend,shake me firmly by the hand...that's good. －(aside)Oh! there, there now! "The friendship of a strong man is a flail of the Gods"

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 15: Strangers stared out by those like themselves: The woman from Carpentras －It's odd...Parisian women are not as elegant as people say!... The woman from Quimper-Corentin －It's extraordinary... the women of the capital are not as daintily turned out as reputation has it!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 1: Below the upper vignette: Interior of the Stock Exchange. －A view from above on a day [when prices] fall. Below the lower vignette: The stock-brokers' ring, －the least pretty of all known rings

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 4: Below the upper vignette: Counsels by the tribunal of commerce in all the majesty of their costume. Below the lower vignette: A raiser of business not disdaining to trouble himself over a mere length of neckerchief

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 14: Ulysses and Penelope. Chastely stretched on their bashful marriage-bed; / This noble married couple find themselves at last. / And when Ulysees snores, from his charming mouth / Penelope steals a loving kiss (Trifling work by Mr. Vatout)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE HUNT 6: －Here, I've just killed a magnificent gouse!... －But, wretched man!... that's Brahma the cock from the neighbouring farm..., a cock that'll perhaps cost you more than thirty francs... without counting the pitchfork blows!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot; Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 99: IMPRESSIONS OF A JOURNEY BY A GREAT POET: “One of the curiosities of Frankfurt that will soon disappear, I fear, is the butcher's shop. it [sic] is impossible to see a more splendid pile of fresh flesh. The bloody butchers and pink butchers’ wives chat gracefully under garlands of legs of mutton. A red stream, its colour barely altered by two gushing fountains, runs and smokes in the middle of the street!” (The Rhine by Victor Hugo Volume 2 page 357)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF SUMMER 40: －Sir, would you be kind enough to tell me when you'ld like to pay me back the five hundred francs you've been owing me for a long time... －My dear man, you're unreasonable to make such a request of me, you clearly see that I have nothing on me at this very moment..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 67: THE SHIRTMAKER: Sir, I’ve made everything there that’s most suitable... with a shirt of my style you can appear in whichever salon [you wish] and you’ll always be the best dressed man of the entire company..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 200: A VISIT TO THE CONVICT-PRISON IN NAPLES: Mr.Gladstone－ And what do you call this man? he doesn't look like a villain. The Gaolor－ Don't you believe any of it, on the contrary,he's a demagogue, an old constitutional minister of 1848 called Carlo Poërio. In his inexhaustible clemency the best and most worthy of kings ordered that we chain him to an assassin, so that he might return to the good. He'd have been completely lost if we'd left him with another demagogue

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 19: CHINESE WORRIORS. All Chinese men have the right, from six to eight times a year, to carry a rifle, a cartridge-pouch, and even to wear a fur cap; then they apply themselves, more or less voluntarily to night patrols which have as their goal the maintenance of public peace. Only it happens quite often that the chief named KA-PO-RAL takes infinite trouble to prevent his warriors singing at the tops of their voices “mother GO-DI-CHON” or other Chinese ballads, and it is by waking with a start that the good citizens learn that their rest is being watched over

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 1: The arrival: What, no room!... －Not even for your hat-box... －What about in the sitting-room? －Twenty one Englishmen are in there... －In the attic?... －I've put eleven Savoyards in there... －In the celler?... －Fifteen Polish people have set up home... －Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... －That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved for the homeless and poodles without papers!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 18: The hat that one brings back from Paris: You might well say that that hat will make a great impression in Landerneau!... eighty five francs! it's expensive, duckie... you give yourself marabout stork feathers, but it's I who get plucked!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Great Exhibition of Industry and Contemporary Hoaxes: Come in and judge for yourselves! I've directed everything, inspired everything, the Tribunals' galette for the Digest (Aside; and for a difficult digestion) The Physionopilfer which catches the manner of everything! (except the resemblance.) Running bitumen (quite.) Men's shirts for the use of small children of which you glimpse only the (Sham.) Marvellous indestructible hats (which melt in the sun and are diluted in the rain.)Dromedary pommade, so much sought after (by camels.) Fool's seed which you know (all of you.) The English Brewery which froths so well (in the Newspapers.) and the sublime, the classical coal of St. Pétrain which you can put to the test (by fire.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Great Exhibition of Industry and Contemporary Hoaxes: Come in and judge for yourselves! I've directed everything, inspired everything, the Tribunals' galette for the Digest (Aside; and for a difficult digestion) The Physionopilfer which catches the manner of everything! (except the resemblance.) Running bitumen (quite.) Men's shirts for the use of small children of which you glimpse only the (Sham.) Marvellous indestructible hats (which melt in the sun and are diluted in the rain.)Dromedary pommade, so much sought after (by camels.) Fool's seed which you know (all of you.) The English Brewery which froths so well (in the Newspapers.) and the sublime, the classical coal of St. Pétrain which you can put to the test (by fire.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

絵葉書｢満州事変第2周年記念｣皇軍血潮に染みし大地に我同胞を移して植へん

Fukuoka City Museum

Fukuoka City Museum Collection Database

昭和東京風景版画百図絵頒布画 第九十一景 深川・清澄庭園

Edo-Tokyo Museum

Tokyo Museum Collection

Famous Views of Tokaido Road : Kiyomizudera Temple , Kyoto , a Famous Place in Tokaido Road

Edo-Tokyo Museum

Tokyo Museum Collection

Landscape

Kyoto National Museum

Integrated Collections Database of the National Museums, Japan

Redden Garden 〈After Eyes〉

Museum of Modern Art, Saitama

MoMAS Collection

Traveling at the Foot of Mt. Aso

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Mountain Cottage

Tokyo National Museum

Integrated Collections Database of the National Museums, Japan

Thirty-Six Views of Mt. Fuji: Enoshima Island, Soshu Province

Tokyo National Museum

Integrated Collections Database of the National Museums, Japan

Farming Village with Men

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

Koto Area (View of Arakawa Area)

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Cover Illustrations for the Go Magazine Kido

Pola Museum of Art

Pola Museum of Art Collection

Kawakami Hot-spring

Museum of Modern Art, Saitama

MoMAS Collection

Ferry at Kawasaki [from "Views of Osaka"]

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Landscape of Katsuura, Kishu

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Kameyama in the Snow from the Series The Fifty-Three Stations of the Tōkaidō Road

Tokyo National Museum

Integrated Collections Database of the National Museums, Japan

Riverside

Museum of Contemporary Art Tokyo

Tokyo Museum Collection

Landscape

Tokyo National Museum

Integrated Collections Database of the National Museums, Japan

榛原聚玉堂版団扇絵 山間の屋館

Edo-Tokyo Museum

Tokyo Museum Collection

山水画帖(江山雪意図)

Fukuoka City Museum

Fukuoka City Museum Collection Database

絵葉書｢金澤文庫｣金澤文庫旧址(江戸名所図絵所載)

Fukuoka City Museum

Fukuoka City Museum Collection Database

Act 8 of The Treasury of Loyal Retainers

Tokyo National Museum

Integrated Collections Database of the National Museums, Japan

絵葉書｢嵩高幽邃の大祠伊勢神宮 袋｣牧の戸越

Fukuoka City Museum

Fukuoka City Museum Collection Database

Honganji daikyōkō shōsembutsu no ryakuzu honganji daikyōkō bungakuryō takanawa bukkyō kōtō chūgakkō zuhanshū

龍谷大学図書館

Ryukoku University Library Digital Archives "Ryukoku-zou"

Matsumotochuugakkoukaikoushikihaneinozu

Nagano Prefectural Museum of History

Materials of Nagano Prefectural Museum of History Preserved in Shinshu Digital Commons