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Teachers and Rascals 31: The laborious and delicate mission of the drawing teacher; to him is always reserved the difficult task of redressing the twists and inaccuracies of his young pupils!

Teachers and Rascals 31: The laborious and delicate mission of the drawing teacher; to him is always reserved the difficult task of redressing the twists and inaccuracies of his young pupils!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS: CHINA CIVILISING HERSELF. -Now then..., attention!... here's the European theory... the eyes looking fifteen paces into the distance and let the foot which is on the ground quickly go to rejoin that which is in the air..

NEWS: CHINA CIVILISING HERSELF. -Now then..., attention!... here's the European theory... the eyes looking fifteen paces into the distance and let the foot which is on the ground quickly go to rejoin that which is in the air..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 7: CHINESE MARRIAGE. The angler's skill in setting his lines, the hunter's artfulness in taking game, the horse-dealer's tricks to hide the redhibitory defects of his horse, nothing is comparable to the skill, the artfulness, the trick which a mother deploys in order to marry her daughter... the poor Chinese men mistrust the lures, of honey and of glue, to no avail, someone always falls into the maternal snare

JOURNEY TO CHINA 7: CHINESE MARRIAGE. The angler's skill in setting his lines, the hunter's artfulness in taking game, the horse-dealer's tricks to hide the redhibitory defects of his horse, nothing is comparable to the skill, the artfulness, the trick which a mother deploys in order to marry her daughter... the poor Chinese men mistrust the lures, of honey and of glue, to no avail, someone always falls into the maternal snare

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Where are we going, where are we going?...We are walking on a volcano, the gulf of revolutions is open beneath our footsteps...the carriage of state has been halted by the flood of all these bad passions

Where are we going, where are we going?...We are walking on a volcano, the gulf of revolutions is open beneath our footsteps...the carriage of state has been halted by the flood of all these bad passions

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

PASTORALS 22: -I tell you you've moved the boundary stone and you've moved it forward on to my field!... And I'm telling you I haven't... and I'll maintain in front of all the courts that it's due to my father, and even my grandfather, that my boundary's where it is!... Ah! but!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 20: TO ALL THOSE PEOPLE WHO HAVE CAPITAL TO LOSE; For one hundred francs, one and a quarter centimes, in order to eat every twelve hours... THERE'S AN INVESTMENT!! / New principles. We divide the interest in centimes and by the hour... THERE'S A TRICK!!!  Guarantees offered to shareholders. The manager takes the society's money and puts some of it in the bank... THERE'S A BANK!!!!  Capital...We won't tell you, you've got to see it to believe it...  IF YOU WANT BUSINESS, HERE IT IS!!!!!!!!

Caricaturana 20: TO ALL THOSE PEOPLE WHO HAVE CAPITAL TO LOSE; For one hundred francs, one and a quarter centimes, in order to eat every twelve hours... THERE'S AN INVESTMENT!! / New principles. We divide the interest in centimes and by the hour... THERE'S A TRICK!!! Guarantees offered to shareholders. The manager takes the society's money and puts some of it in the bank... THERE'S A BANK!!!! Capital...We won't tell you, you've got to see it to believe it... IF YOU WANT BUSINESS, HERE IT IS!!!!!!!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 194: To a known air: -Oh! Richard, oh! my king, the universe abandons you, On the earth there is thus only you interested in your person

NEWS 194: To a known air: -Oh! Richard, oh! my king, the universe abandons you, On the earth there is thus only you interested in your person

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TODAY'S PHILANTHROPISTS 5: -Madam... it is not enough only to have danced for the benefit of those poor Poles... let us be Philanthropists to the very end... let us take supper for their profit!..

TODAY'S PHILANTHROPISTS 5: -Madam... it is not enough only to have danced for the benefit of those poor Poles... let us be Philanthropists to the very end... let us take supper for their profit!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 30: A CUSTOM OF INDIA: My dear friend, I come to make my most sincere compliments to you... our prince is definitely dead, and it is to you, the oldest officer of the palace, that befalls the distinguished honour of accompanying his wives to the pyre, where you will burn with them!..

LIFE'S HAPPY DAYS 30: A CUSTOM OF INDIA: My dear friend, I come to make my most sincere compliments to you... our prince is definitely dead, and it is to you, the oldest officer of the palace, that befalls the distinguished honour of accompanying his wives to the pyre, where you will burn with them!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 93: Suffer the little children to come unto me!... Do you understand the parable, Bertrand? -you don't! blockhead! we'll form a paternal and philanthropic association, we receive 5/10ths now, in order to give 500 for 100 in the future... -And what shall we fix it to in the future -We'll up sticks. Blockhead! There we'll place the tontine, Tonton-ton-ton, Tontine, ton-ton

Caricaturana 93: Suffer the little children to come unto me!... Do you understand the parable, Bertrand? -you don't! blockhead! we'll form a paternal and philanthropic association, we receive 5/10ths now, in order to give 500 for 100 in the future... -And what shall we fix it to in the future -We'll up sticks. Blockhead! There we'll place the tontine, Tonton-ton-ton, Tontine, ton-ton

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 28: Hannibal's passage. In these frowning mountains whose snowy crest / Is like a giant's hoary brow, / Triumphant Hannibal, in order to make himself a path / Puts the Alps in vinaigrette (The Occidentals of Mr. Quinet)

Ancient History 28: Hannibal's passage. In these frowning mountains whose snowy crest / Is like a giant's hoary brow, / Triumphant Hannibal, in order to make himself a path / Puts the Alps in vinaigrette (The Occidentals of Mr. Quinet)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. -For his only food, Véron took at long intervals a light fragment of Regnauld pâté. -The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. -The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

BOHEMIANS OF PARIS 1: THE SELLER OF SECURITY [WATCH] CHAINS: The security [watch] chain is so called because it is a secure means of knowing that the ninny who buys it owns a watch. Accomplices stationed in the vicinity are not slow to turn this sign to a profit. Bertrand sold the chain, Macaire deals with the watch

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PEOPLE OF THE LAW 37: -It certainly seems that my jolly fellow is a great villian... so much the better... if I succeed in having him acquitted, what credit to me!..

PEOPLE OF THE LAW 37: -It certainly seems that my jolly fellow is a great villian... so much the better... if I succeed in having him acquitted, what credit to me!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Celebrrrrrrated Painting Jury: composed of a Composer, an Astronomer, a Mathematician, several Architects and a Chemist. - The Chemist (yawning)... in... the... fi... nal... an...alysis..., and because on the painting Jury there is no Painter! What if we went to dinner

Celebrrrrrrated Painting Jury: composed of a Composer, an Astronomer, a Mathematician, several Architects and a Chemist. - The Chemist (yawning)... in... the... fi... nal... an...alysis..., and because on the painting Jury there is no Painter! What if we went to dinner

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 3: What is called dining in a restaurant: -Waiter!...I've been in your establishment for an hour and a quarter without having a chair...and you've still only given the tooth-picks to my wife who's dying of hunger... you'll make me lose my normal posture, and I'll end up with my feet in the dish... do you understand, waiter! -There now, Sir... there there now, there there!!!

Strangers in Paris 3: What is called dining in a restaurant: -Waiter!...I've been in your establishment for an hour and a quarter without having a chair...and you've still only given the tooth-picks to my wife who's dying of hunger... you'll make me lose my normal posture, and I'll end up with my feet in the dish... do you understand, waiter! -There now, Sir... there there now, there there!!!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 7: THE PUFFER OF CUSTOMERS: About the word puff! (scans, lies in wait for, cheat's dictionary.) Under the appearance of a simple loafer this individual is dedicated to business in security [watch] chains, hall-marked gold gems; silver pencil-cases and other encumbrances of the public way, he scents the police constable; and when the security of [watch] chains is compromised he clears off wth the shop!

BOHEMIANS OF PARIS 7: THE PUFFER OF CUSTOMERS: About the word puff! (scans, lies in wait for, cheat's dictionary.) Under the appearance of a simple loafer this individual is dedicated to business in security [watch] chains, hall-marked gold gems; silver pencil-cases and other encumbrances of the public way, he scents the police constable; and when the security of [watch] chains is compromised he clears off wth the shop!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 11: Take that further away... impossible to work..

The Blue-stockings 11: Take that further away... impossible to work..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Last Updated: 2021-03-27

Uploaded: 2026-03-25