A Warehouse Surviving the Airraid from "Kiyoji Ohtsuji Portfolio"

Airplane from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Show Window from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Show Window from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Pattern on Ice from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Pattern on Ice from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Objects on the Desk from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Song without Words from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Song without Words from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

At Dusk from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Important Nails from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Members of the Experimental Workshop from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Object - in Nubuya Abe's Atelier from "Kiyoji Ohtsuji Portfolio"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

2.Meditation in the Field from Portfolio of lithograpfs

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

C. A Prostitute of St-Germain-des-Pres from portfolio "Nest of Demons-Fantasies on Paris"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

2. Especially when the October Wind from "The Green Fuse－A Collection of Poems and Wood Engravings"

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

From a Set of Eight Views of the Yoshowara: Autumn Moon at Ageyamachi

Keio University Media Center

Digital Collections of Keio University Libraries

TRIVIAL THINGS 5: Oh,what the devvvvvil!... lady we'd such a good time they was eighteen on us, they was no men nor women, we was all from the Auvergne what the devvvvvvvvil!!!!!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

TRIVIAL THINGS 5: Oh,what the devvvvvil!... lady we'd such a good time they was eighteen on us, they was no men nor women, we was all from the Auvergne what the devvvvvvvvil!!!!!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 31: The fall of Icarus. As the sun roasted his wings, / His old scoundrel of a father, inventor of this contrivance, / Said, watching him fall through the eternal vaults: / Assuredly, this is no good (A poet who travels only by carriage)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Blown by the heat of the roof, Grandfather's head already seemed pale like a skull. Well, I'm not sure...do you remember what he said, when the red-hot iron was about to be put into his eyes? *

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 19: CHINESE WORRIORS. All Chinese men have the right, from six to eight times a year, to carry a rifle, a cartridge-pouch, and even to wear a fur cap; then they apply themselves, more or less voluntarily to night patrols which have as their goal the maintenance of public peace. Only it happens quite often that the chief named KA-PO-RAL takes infinite trouble to prevent his warriors singing at the tops of their voices “mother GO-DI-CHON” or other Chinese ballads, and it is by waking with a start that the good citizens learn that their rest is being watched over

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Caricaturana 82: Write: Sir, In reply to the letter which you did me the honour of writing, I regret to tell you that the shares of the European Society of Incombustible Boot Polish have been fully subscribed to. However, I have registered your request, and will have the honour of giving you immediate notice in the event of a new issue. I am etc. R.Macaire, Director... Print “withdraw 300,000[francs] and flood France with new shares... －What, we haven't disposed of a single share, we haven't had a single request, we haven't got a sou and you... －Bertrand! You're as thick as a plank... Do what I say and you'll see

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan