Nocturnal Classical Scene (Woman with Vase) [Nachtliche antike Szene (Frau mit Vase)]

Woman with Roses

Vase with Eyes of the Blue Snakes

Woman with Umbellifer

Vase with scenes of women and flowers and birds

（Portrait of woman holding magazine）

Vase with Figures, Flowers, Birds, and Landscape in Gold and Overglaze Enamels

Vase with Figures, Flowers, Birds, and Landscape in Gold and Overglaze Enamels

Vase with Figures, Flowers, Birds, and Landscape in Gold and Overglaze Enamels

Hexagonal Vase with Figures, Flowers, Birds, and Landscape in Gold and Overglaze Enamels

Hexagonal Vase with Figures, Flowers, Birds, and Landscape in Gold and Overglaze Enamels

Brahms Fantasy: r: Margin Ornament : Parched Man; v: Margin Ornament : Nude Woman with Green Veil

Administrative execution day. A woman who wraps a chain around her body and resists

Silhouette Show, Scene I: The one who grows demon's flowers passes another day tending these magical plant

Female Figure with Toga (3)[Study for “Justitia” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Weibliche Gestalt mit Toga (3) [Studie für „Justitia“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaal der Universität Wien]）

Female Figure with Toga (1) [Study for “Justitia” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Weibliche Gestalt mit Toga (1) [Studie für „Justitia“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

Female Figure with Toga (2)[Study for “Justitia” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Weibliche Gestalt mit Toga (2) [Studie für „Justitia“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

JOURNEY TO CHINA 6: CHINESE PROPRIETY. In this country they have a singular idea of propriety!... the most chaste young girl, the most upstanding woman do not blush, by a prodigious exaggeration of forms, to call attention to a certain quarter to which they give the appearance of a veritable air-balloon... they call that a bustle..

Ancient History 29: Telemachus and Mentor. Seeing his languorous pupil. / Burning for Eucharis with a fire always new / Mentor, with a punch, pitched him straight into the water / To make him abandon the island (Unique quatrain by Mr. Duponchel)

Ancient History 27: Telemachus ravaged by love. Despite Mentor, who grumbles at him without ceasing / He pillaged every morning / The most brilliant flowers for his tender mistress, / Flowers with which this lively hussy / Ornamented her satin neck (Cigarette by Mr. Alfred de Musset)

Ancient History 36: Apelles and Campaste [sic]. Knowing that for his tender and ravishing model / Apelles was dying from mad desires / Alexander, behaving like a great king, gave away this beautiful woman / Whom he'd had enough of, anyway (On antique art, poetical essay by Mr. Cavé)

The Blue-stockings 22: The blue-stocking declaiming her play －Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: －Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. －The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

Conjugal Manners 30: The plea of adultery: "Magistrates, my client is sure of the fact. But this personal conviction is not enough to satisfy him; it is necessary for him to share it with your tribunal, with those listeners gathered here... with the whole of France. Such was the task taken upon myself in the intererst of my client, and I believe that I have made the issue clear before you. Now, it only remains for my client to see... his social position confirmed by a fair judgement, and you are very just. Magistrates, do not refuse him this last satisfaction."

Ancient History 34: Vulcan's threads. This nasty metal-worker, knowing that his wife / Talked a little too closely with Mars, / Forged pitiless snares / Gripping both of them as they chatted on the lawn (A bachelor D. M. F. P.)

Ancient History 39: Leander. Each night, clad in little, but in galant fashion, / And counting upon his arms of iron, / He crossed an arm of sea / To throw himself into those of his lover (Byron, very mixed poems)