Floating Male Nude Facing Right[Study for the Faculty Painting ＜Philosophy＞ for the Ceiling of the University of Vienna’s Great Hall] （Schwebender Männerrückenakt nach Rechts [Studie für das Fakultätsbild ＜Philosophie＞ für die Decke des Großen Festsaals der Universität Wien]）

Female Figure with Toga (1) [Study for “Justitia” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Weibliche Gestalt mit Toga (1) [Studie für „Justitia“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Female Figure with Toga (2)[Study for “Justitia” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Weibliche Gestalt mit Toga (2) [Studie für „Justitia“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Three Studies of an Oath Hand Gesture[Study for “Jusititia” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Drei Studien einer Schwurhand [Studie für „Justitia“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Knee-length Portrait of a Male in a Long Robe Facing Left [Study for one of the Jurists in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Kniestück eines Mannes in langem Gewand nach Links[Studie für einen der Rechtsgelehrten im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Female Figure with Toga (3)[Study for “Justitia” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Weibliche Gestalt mit Toga (3) [Studie für „Justitia“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaal der Universität Wien]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Studies of a Head Facing Forward and Two Hands [Study for “Veritas” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Kopfstudie von Vorne und zwei Handstudien [Studie für „Veritas“ im Falultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Studies of Hands holding a Board and Downward-turning Hands [Study for “Lex” and “Erinnyen” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Studien der Tafel haltenden Hände und unteren Hand [Studie für „Lex“ und „Erinnyen“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Standing Halfnude Facing Left[Study for the Faculty Painting ＜Medicine＞ for the Ceiling of the University of Vienna’s Great Hall; A Unrealised Composition Sketch from the Sketchbook in Sonja Knips’ Collection] （Stehender Halbakt nach Links [Studie für das Fakultätsbild ＜Medizin＞ für die Decke des Großen Festsaals der Universität Wien; eine nicht ausgeführte Kompositionsskizze aus dem Skizzenbuch aus dem Besitz von Sonja Knips]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Two Studies of an Oath Hand Gesture, Outline of the Right Side of a Figure with a Raised Forearm and Four Studies of a Foot[Study for “Justitia” and “Erinnyen” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Zwei Studien einer Schwurhand, Umriß der rechten Seite einer Figur mit erhobenem Unterarm, und Vier Fußstudien [Studie für „Justitia“ und „Erinnyen“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Lying Female Nude[Study for Dialogues of the Courtesans by Lucian (Leipzig: Zeitler, 1907)] （Liegender Frauenakt [Studie für Die Hetärengespräche des Lukian von Lukian (Leipzig: Zeitler, 1907)]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 295: Doctor Véron, having given up politics, its pomp and its works, retires to the country, at Auteuil, and gives himself up to the favourite passtimes of Arcadia's ancient shepnerds: the true sage consoles himself for everything with Philosophy and a clarinet

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 24: THE KNIGHT OF THE GOLDEN SPUR: This so-called former Colonel of the Papal Guard, later aide-de-camp to the Prince of Monaco, awaiting as a prize for his services a distinguished post in the Government!... he would, however, willingly accept a tabacconist's shop or a position as an inspector of [street] sweeping; besides [this] he is a gallant man like all knights of his order, for a trifle demanding satisfaction from five-year-old children, perfectly making excuses from the moment you look at him in the face

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan