<Hommage à Goya>: (2) La fleur du marécage, une tête humaine et triste

<Hommage à Goya>: (5) Un étrange jongleur

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

<Hommage à Goya>: (3) Un fou, dans un morne paysage

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

<Hommage à Goya>: (6) Au réveil j'aperçus la Déesse de l'Intelligible au profil sévère et dur

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

<Hommage à Goya>: (4) Il y eut aussi des êtres embryonnaires

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

<Hommage à Goya>: (1) Dans mon rêve, je vis au ciel un visage de mystère

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Apocalypse: Aprés cela je vis descendre du ciel un ange qui avait la cléf de l'abîme, et une grande chaise en sa main

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Tentation de Saint-Antoine (1st series): Ensuite parait un être singuilier, ayant une tête d'homme sue un corps de poisson

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

<Voyages pittoresques ou Description des royaumes de Naples et de Sicile>: vol. 2: Contenant une description des Antiquités d'Herculaneum.., les Antiquités de Pompéi, la description des Champs Phlégréens & enfin celle de la Campanie § des villes des environs de Naples, 1782

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Apocalypse de Saint Jean (11)<Et moi Jean je vis la sainte cité, la nouvelle jérusalem, qui descendait du Ciel d'auprès de Dieu(XXI.2)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

「盲人職工学校の組織に関する法律」 : Loi relative à l'organisation d'un établissement institué pour les aveugles-travailleurs, du 10 Thermidor, au troisiéme de la République française une et indivisible

ADEAC: A System of Digitalization and Exhibition for Archive Collections

Apocalypse de Saint Jean (8)<Après cela, je vis descendre du ciel un ange qui avait la clef de l'abîme, et une grande chaîne en sa main;(XX.1)>

Mie Prefectural Art Museum

Mie Prefectural Art Museum Collections

船の悲惨な遭難を未然に防ぐ大発明 : 海軍の実験好成績を挙げて新艦には悉く使用 : 民間の人阿知波氏の偉功

神戸大学附属図書館

Kobe University Library Digital Archive Newspaper Clippings Collection

「公共事業中央学校の試験方法と理工科学校への名称変更に関する法律」(1795年9月1日法) : Loi qui détermine un mode pour l'examen et l'admission des candidats à l'école centrale des travaux publics, et change son nom en celui d'Ecole Polytechnique, du 15 Fructidor, an troisième de la République une et indivisible

ADEAC: A System of Digitalization and Exhibition for Archive Collections

Two Studies of an Oath Hand Gesture, Outline of the Right Side of a Figure with a Raised Forearm and Four Studies of a Foot[Study for “Justitia” and “Erinnyen” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Zwei Studien einer Schwurhand, Umriß der rechten Seite einer Figur mit erhobenem Unterarm, und Vier Fußstudien [Studie für „Justitia“ und „Erinnyen“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaals der Universität Wien]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 99: IMPRESSIONS OF A JOURNEY BY A GREAT POET: “One of the curiosities of Frankfurt that will soon disappear, I fear, is the butcher's shop. it [sic] is impossible to see a more splendid pile of fresh flesh. The bloody butchers and pink butchers’ wives chat gracefully under garlands of legs of mutton. A red stream, its colour barely altered by two gushing fountains, runs and smokes in the middle of the street!” (The Rhine by Victor Hugo Volume 2 page 357)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MEMORIES OF THE PEACE CONGRESS [2]: SECOND MEETING: An American orator proves in an irrefutable manner that the only means of pacifying humankind is to force all men to wear, like him, a green hat, which they should never remove except in the evenings, when going to bed. No one even dared to contest this opinion

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

MEMORIES OF THE PEACE CONGRESS [2]: SECOND MEETING: An American orator proves in an irrefutable manner that the only means of pacifying humankind is to force all men to wear, like him, a green hat, which they should never remove except in the evenings, when going to bed. No one even dared to contest this opinion

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 2: THE PASSPORT. The foreigner who visits China is submitted to an indispensable formality; he receives a slip of paper on which is written the age he wants to indicate, the profession he says he pursues and the place where it pleases him to appoint his birth; all that followed by a description of particulars which applies to everybody, after which, against a consideration of two francs, the Chinese government is deemed to lend him succour and assistance for one year

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan