Self-Portrait in Soft Hat and Embroidered Cloak

Self-Portrait with a Turkish Hat

Tokyo National Museum

Integrated Collections Database of the National Museums, Japan

Self-Portrait Wearing a Coat

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Self Portrait as Insect

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

Self-portrait with a Ballon (II)

Tokyo Photographic Art Museum

Tokyo Museum Collection

(Portrait of man putting on hat and smoking)

Tokyo Photographic Art Museum

Tokyo Museum Collection

Strangers in Paris 18: The hat that one brings back from Paris: You might well say that that hat will make a great impression in Landerneau!... eighty five francs! it's expensive, duckie... you give yourself marabout stork feathers, but it's I who get plucked!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

French Types 2: The tailor: He walks with an arched back, his shoulders like a coat-stand and his elbows turned outwards. His suits, cut in the latest fashion, often clash with his boots and hat, he nearly always has a very euphonical name such as Wahaterkermann or Pikprunmann

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 17: THE WORKER FOR A LABOUR EXCHANGE: Employed at fifteen sous a day, as a secret bill-poster, what a fate! They're asking for a replacement, by Jove, as are my hat and my clothes, and above all my last night's supper's asking for a replacement!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

LIFE'S HAPPY DAYS 33: A SAINT’S DAY AND DAY OF BRACES: －Here my sweetheart... on the occasion of my Saint’s day I’ve embroidered these braces!... －(The gentleman, aside.) Good God I’ve already got eleven pairs of them in my drawer... I won’t get away with it this time for less than fifty crowns!... women really take too great an advantage of our wearing trousers, so as to make us wear braces!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 14: Below the upper vignette: Lucien Murat and Antony Thouron, whom they persist in calling Thouret, we don't know why; Below the lower vignette: The President's hat serving as a snuffer of discussion

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 299: IN A GARDEN AT AUTEUIL: Becoming more and more misanthropic as a result of his political vexations and wishing to flee the world completely, doctor Véron withdrew to the bottom of his cravat

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 1: The arrival: What, no room!... －Not even for your hat-box... －What about in the sitting-room? －Twenty one Englishmen are in there... －In the attic?... －I've put eleven Savoyards in there... －In the celler?... －Fifteen Polish people have set up home... －Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... －That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved for the homeless and poodles without papers!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Female Figure with Toga (3)[Study for “Justitia” in the Faculty Painting ＜Jurisprudence＞ for the Ceiling of the University of Vienna’s Great Hall] （Weibliche Gestalt mit Toga (3) [Studie für „Justitia“ im Fakultätsbild ＜Jurisprudenz＞ für die Decke des Großen Festsaal der Universität Wien]）

The National Museum of Modern Art, Kyoto

Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 17: THE PENAL CODE. The Chinese legislators have decreed that all the accused will answer a summons freely in front of their judges, and so they are brought before the examining magistrate between two policemen and bound with handcuffs, which in fact leaves them no more liberty than to sneeze. Moreover justice is delivered with such promptness in the Celestial Empire that it is very rare for he who has been cautioned to remain more than eight months before attending his trial, finally the solemn day arrives when he sees himself sentenced to a fortnight in prison, and the capped mandarin has the goodness to explain to him that this fortnight is not to be confused with the eight months he has already spent behind bolted doors

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 200: A VISIT TO THE CONVICT-PRISON IN NAPLES: Mr.Gladstone－ And what do you call this man? he doesn't look like a villain. The Gaolor－ Don't you believe any of it, on the contrary,he's a demagogue, an old constitutional minister of 1848 called Carlo Poërio. In his inexhaustible clemency the best and most worthy of kings ordered that we chain him to an assassin, so that he might return to the good. He'd have been completely lost if we'd left him with another demagogue

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 27: COUNTRY ACTORS: －Yes,my dear fellow,yes the barbarians hissed at me in Cinna;and what's more you've seen me in Cinna! －Yes, I flatter myself that I've seen you, but don't you see that the provincials are hard up; open at the Français, go and find Mr.J.J.,get yourself looked after, ask for one hundred thousand francs per year and they'll applaud you...but you want success with 1500F[rancs] salaries and at Beauvais...greenhorn!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

[NEWS] 185: Attached through their grandeur to the bank of the Seine, the ministers Parrieu and Rouher consoled themselves at not being able to pass the holidays in their mountains by dancing a bourrée from their birthplace, behind the closed doors of one of the rooms in the Ministry of Justice

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 22: THE CLOTHES SELLER: “Closes to sell!... any hats, shoes, old clothes to sell!” This trade fourishes at carnival time in the vicinity of the schools of law and medicine: the student willingly sells his wardrobe to get himself a stevedore's costume, a wife, a small thimble-full of champagne and limitless tittle-tattle!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Celebrrrrrrated Painting Jury: composed of a Composer, an Astronomer, a Mathematician, several Architects and a Chemist. － The Chemist (yawning)... in... the... fi... nal... an...alysis..., and because on the painting Jury there is no Painter! What if we went to dinner

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Blue-stockings 22: The blue-stocking declaiming her play －Act 6 Scene 1... the theatre shows a tiger asleep in the desert... Rosalba barely drags herself forward, and does so with even greater difficulty because of her five children and her aged father: －Rosalba falls at the foot of a date-palm covered with coconuts, and cries in despair: Oh heaven, when will our torments finish. －The entire audience (in a low voice): ‘and ours, too, when will they finish, oh heaven!’

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE TEMPTATION OF THE NEW St. ANTHONY: In that particular time, a great and fat sinner named Véron felt himself touched by grace: having reflected that the Press was a priesthood, he became a hermit and retired to a wild place in the midst of the steepest mountains of Montmartre. There, he spent his days and nights in prayer, and as a means of mortification, imposed upon himself as a penitence the continual re-reading of the list of subscribers to the Constitutionnel. －For his only food, Véron took at long intervals a light fragment of Regnauld pâté. －The Devil, irritated by this edifying yet unexpected conversion employed different strategies to make St. Véron succumb to his temptations, but our noble coenobite knew how to resist those things which until recently had held so many charms for him: Satan, who had taken the form of the Constitutionnel in order come in person to tempt St. Véron, returned to the road for Paris, furious. －The anchorite of Montmartre has, since this time, been placed in the rank of the greatest saints which Parisian journalism honours, and is especially supplicated by the unfortunates who have a head cold

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan