PHYSIOGNOMY OF THE ASSEMBLY 9: Below the upper vignette: A tiring discourse for the president; Below the lower vignette: Mischief which willingly afforded room to young Estancelin, at a time when the majestic Barrot was President of the Council of Ministers, the majestic Barrot no longer resembling a sun, but a comet

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PHYSIOGNOMY OF THE ASSEMBLY 9: Below the upper vignette: A tiring discourse for the president;  Below the lower vignette: Mischief which willingly afforded room to young Estancelin, at a time when the majestic Barrot was President of the Council of Ministers, the majestic Barrot no longer resembling a sun, but a comet

PHYSIOGNOMY OF THE ASSEMBLY 9: Below the upper vignette: A tiring discourse for the president; Below the lower vignette: Mischief which willingly afforded room to young Estancelin, at a time when the majestic Barrot was President of the Council of Ministers, the majestic Barrot no longer resembling a sun, but a comet

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot;  Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot; Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 26: Below the upper vignette: During a break in the meeting;  Below the lower vignette: Young Estancelin permitting himself to leave his seat in order not to miss a word the orator says

PHYSIOGNOMY OF THE ASSEMBLY 26: Below the upper vignette: During a break in the meeting; Below the lower vignette: Young Estancelin permitting himself to leave his seat in order not to miss a word the orator says

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 31: Below the upper vignette: Mr. Laurent (of the Ardèche) passing before the ministers’ bench;  Below the lower vignette: A speech interlarded with apostrophe

PHYSIOGNOMY OF THE ASSEMBLY 31: Below the upper vignette: Mr. Laurent (of the Ardèche) passing before the ministers’ bench; Below the lower vignette: A speech interlarded with apostrophe

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 27: Below the upper vignette: When a boring orator ascends the tribune;  Below the lower vignette: The boring orator continuing a speech begun two hours earlier

PHYSIOGNOMY OF THE ASSEMBLY 27: Below the upper vignette: When a boring orator ascends the tribune; Below the lower vignette: The boring orator continuing a speech begun two hours earlier

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 5: Below the upper vignette: A day of collapse. Below the lower vignette: Having become a substantial person

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 5: Below the upper vignette: A day of collapse. Below the lower vignette: Having become a substantial person

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 20: Below the upper vignette: Cabal at the great man's;  Below the lower vignette: A private reprimand

PHYSIOGNOMY OF THE ASSEMBLY 20: Below the upper vignette: Cabal at the great man's; Below the lower vignette: A private reprimand

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 20: Below the upper vignette: Cabal at the great man's;  Below the lower vignette: A private reprimand

PHYSIOGNOMY OF THE ASSEMBLY 20: Below the upper vignette: Cabal at the great man's; Below the lower vignette: A private reprimand

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 15: Below the upper vignette: When the boring orator is at the tribune;  Below the lower vignette: - See here gentlemen, a little moderation... we’re in the corridor... these insults are only acceptable when we’re in a meeting!

PHYSIOGNOMY OF THE ASSEMBLY 15: Below the upper vignette: When the boring orator is at the tribune; Below the lower vignette: - See here gentlemen, a little moderation... we’re in the corridor... these insults are only acceptable when we’re in a meeting!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 14: Below the upper vignette: Lucien Murat and Antony Thouron, whom they persist in calling Thouret, we don't know why;  Below the lower vignette: The President's hat serving as a snuffer of discussion

PHYSIOGNOMY OF THE ASSEMBLY 14: Below the upper vignette: Lucien Murat and Antony Thouron, whom they persist in calling Thouret, we don't know why; Below the lower vignette: The President's hat serving as a snuffer of discussion

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 17: Below the upper vignette: The day poor Théobald learned he'd been ousted;   Below the lower vignette: The French enjoying their right to do sentry duty at the doors of the National Assembly

PHYSIOGNOMY OF THE ASSEMBLY 17: Below the upper vignette: The day poor Théobald learned he'd been ousted; Below the lower vignette: The French enjoying their right to do sentry duty at the doors of the National Assembly

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 29: Below the upper vignette: What you see almost every day;  Below the lower vignette: In the corridors, - on days when there is talk of a new conspiracy

PHYSIOGNOMY OF THE ASSEMBLY 29: Below the upper vignette: What you see almost every day; Below the lower vignette: In the corridors, - on days when there is talk of a new conspiracy

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 13: Below the upper vignette: Mr. Berger, known as The Lofty One, receiving the homage which is certainly due to him on all accounts;  Below the lower vignette: The great manœuvre of wooden knives commanded by General Baraguay d'Hilliers

PHYSIOGNOMY OF THE ASSEMBLY 13: Below the upper vignette: Mr. Berger, known as The Lofty One, receiving the homage which is certainly due to him on all accounts; Below the lower vignette: The great manœuvre of wooden knives commanded by General Baraguay d'Hilliers

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 11: Below the upper vignette: Imposing ceremony of the ballot;  Below the lower vignette: Different ways of drinking the Parliamentary glass of sugarwater

PHYSIOGNOMY OF THE ASSEMBLY 11: Below the upper vignette: Imposing ceremony of the ballot; Below the lower vignette: Different ways of drinking the Parliamentary glass of sugarwater

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 22: Below the upper vignette: Two phenomena, free spectable;  Below the lower vignette: Taschereau in the exercise of his interruptions

PHYSIOGNOMY OF THE ASSEMBLY 22: Below the upper vignette: Two phenomena, free spectable; Below the lower vignette: Taschereau in the exercise of his interruptions

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 6: Below the upper vignette: The bussiness of the representatives especially charged, in the assembly, with representing seducers.... ;  Below the lower vignette: Lagrange delivering himself of a sparkle of eloquence by becoming too carried away

PHYSIOGNOMY OF THE ASSEMBLY 6: Below the upper vignette: The bussiness of the representatives especially charged, in the assembly, with representing seducers.... ; Below the lower vignette: Lagrange delivering himself of a sparkle of eloquence by becoming too carried away

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 1: Below the upper vignette: Interior of the Stock Exchange. -A view from above on a day [when prices] fall. Below the lower vignette: The stock-brokers' ring, -the least pretty of all known rings

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 1: Below the upper vignette: Interior of the Stock Exchange. -A view from above on a day [when prices] fall. Below the lower vignette: The stock-brokers' ring, -the least pretty of all known rings

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 8: Below the upper vignette: A cabriolet bearing an unfortunate resemblance; Below the lower vignette: After the meeting, Auguste and Arthur stop being serious politicians and become again foolish young people..

PHYSIOGNOMY OF THE ASSEMBLY 8: Below the upper vignette: A cabriolet bearing an unfortunate resemblance; Below the lower vignette: After the meeting, Auguste and Arthur stop being serious politicians and become again foolish young people..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 8: Below the upper vignette: A cabriolet bearing an unfortunate resemblance; Below the lower vignette: After the meeting, Auguste and Arthur stop being serious politicians and become again foolish young people..

PHYSIOGNOMY OF THE ASSEMBLY 8: Below the upper vignette: A cabriolet bearing an unfortunate resemblance; Below the lower vignette: After the meeting, Auguste and Arthur stop being serious politicians and become again foolish young people..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 23: Below the upper vignette: Meeting at night;  Below the lower vignette: After seven o'clock in the evening, the little ones daren't leave the room without the big ones

PHYSIOGNOMY OF THE ASSEMBLY 23: Below the upper vignette: Meeting at night; Below the lower vignette: After seven o'clock in the evening, the little ones daren't leave the room without the big ones

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ;  Below the lower vignette: The meeting is suspended

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: -You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ; Below the lower vignette: The meeting is suspended

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE THEATRE BY DAUMIER [3]: Below the upper vignette: - Take a seat, Cinna!... Below the lower vignette: The Ticket-checking counter while they perform a Tragedy

SKETCHES OF THE THEATRE BY DAUMIER [3]: Below the upper vignette: - Take a seat, Cinna!... Below the lower vignette: The Ticket-checking counter while they perform a Tragedy

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 6: Below the upper vignette: Having succeeded in getting into the interior of the Stock Exchange under the pretext of being litigants at the tribunal of commerce. Below the lower vignette: What a company at the Stock Exchange doors!... to be sure, I'd prefer to queue at the Ambigu, it's better regulated!..

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 6: Below the upper vignette: Having succeeded in getting into the interior of the Stock Exchange under the pretext of being litigants at the tribunal of commerce. Below the lower vignette: What a company at the Stock Exchange doors!... to be sure, I'd prefer to queue at the Ambigu, it's better regulated!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 12: Below the upper vignette: Mister Stenographer, you've reproduced my speech well, but you've forgotten to note down at different passages: - Long live feeling,... I've just made these little corrections; Below the lower vignette: General Lebreton advancing to the order

PHYSIOGNOMY OF THE ASSEMBLY 12: Below the upper vignette: Mister Stenographer, you've reproduced my speech well, but you've forgotten to note down at different passages: - Long live feeling,... I've just made these little corrections; Below the lower vignette: General Lebreton advancing to the order

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Uploaded: 2023-01-17