PHYSIOGNOMY OF THE ASSEMBLY3: Below the upper vignette: After a lively and animated discussion; Below the lower vignette: Two famous profiles

PHYSIOGNOMY OF THE ASSEMBLY3: Below the upper vignette: After a lively and animated discussion; Below the lower vignette: Two famous profiles

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 4: Below the upper vignette: The outer hall; Below the lower vignette: Ordinary meeting

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 20: Below the upper vignette: Cabal at the great man's; Below the lower vignette: A private reprimand

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 21: Below the upper vignette: Young Estancelin's entry into the class; Below the lower vignette: Leaving the class

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 10: Below the upper vignette: The day when there is news; Below the lower vignette: The two most saintly persons in the Legislative Assembly

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 10: Below the upper vignette: The day when there is news; Below the lower vignette: The two most saintly persons in the Legislative Assembly

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 28: Below the upper vignette: A little meeting in the refreshment-room; Below the lower vignette: Arrival of a representative in a ‘colimaçon’

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 1: Below the upper vignette: Assault on the tribune; Below the lower vignette: The waiting room－ They ask for Mr. Ferdinand

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 5: Below the upper vignette: Triumphal entry of Oscar and Théobald; Below the lower vignette: 25 f[rancs] per day － Wealth comes by sleeping!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 2: Below the upper vignette: View of Mr. Dupin rendering himself at the Assembly; Below the lower vignette: Tribune of the Gentlement of the national guard

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 31: Below the upper vignette: Mr. Laurent (of the Ardèche) passing before the ministers’ bench; Below the lower vignette: A speech interlarded with apostrophe

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 14: Below the upper vignette: Lucien Murat and Antony Thouron, whom they persist in calling Thouret, we don't know why; Below the lower vignette: The President's hat serving as a snuffer of discussion

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 6: Below the upper vignette: The bussiness of the representatives especially charged, in the assembly, with representing seducers.... ; Below the lower vignette: Lagrange delivering himself of a sparkle of eloquence by becoming too carried away

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 29: Below the upper vignette: What you see almost every day; Below the lower vignette: In the corridors, － on days when there is talk of a new conspiracy

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 26: Below the upper vignette: During a break in the meeting; Below the lower vignette: Young Estancelin permitting himself to leave his seat in order not to miss a word the orator says

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE THEATRE BY DAUMIER 2: Below the upper vignette: The couplet [adressed to] the public. Below the lower vignette: The public while being addressed with its couplet

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE THEATRE BY DAUMIER [3]: Below the upper vignette: － Take a seat, Cinna!... Below the lower vignette: The Ticket-checking counter while they perform a Tragedy

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 18: Below the upper vignette: －You see, how well little Estancelin speaks for his age, and in front of everybody, and without crying... unlike you Anatole, he's a great satisfaction to his parents! ; Below the lower vignette: The meeting is suspended

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 13: Below the upper vignette: Mr. Berger, known as The Lofty One, receiving the homage which is certainly due to him on all accounts; Below the lower vignette: The great manœuvre of wooden knives commanded by General Baraguay d'Hilliers

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot; Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 1: Below the upper vignette: Interior of the Stock Exchange. －A view from above on a day [when prices] fall. Below the lower vignette: The stock-brokers' ring, －the least pretty of all known rings

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: －Well, so it's no cleverer than that to talk from the tribune? －Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 3: Below the upper vignette: How is it that everyone can't be happy. Below the lower vignette: Pleasant view of the little nightly Stock Exchange in front of the Opera thoroughfare: －make no mistake about it, all these gentlemen are capitalists

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

SKETCHES OF THE STOCK EXCHANGE BY DAUMIER 2: Below the upper vignette: SMALL-SCALE SPECULATORS. －Mrs. Chaffarou... I need to get out of MILITARY BEDS in order to get into the CRYSTAL PALACE... unless of course I get into the GAUDALQUIVIR. Below the lower vignette: OPENING OF THE STOCK EXCHANGE. How you can fall flat on your face by running too quickly after wealth

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan