Fixed action pattern in a kissing bug (Triatominae): vision, gustation, proboscis extension and drinking of water

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Dummy drop elicit the fixed action pattern and Anecdotal observations (Triatominae)

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Saucer with a water landscape, cranes, flower sprays and diaper pattern

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Bowl with a water landscape and stylised flowers in relief

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Saucer with figures on a bridge in a water landscape with trees and houses

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Report on locations of astronomical, trigonometrical and water-level marks in Mariana, Caro-line, and Marshall Islands. Report No. 27-a(40), USSBS Index Section 6

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A dissertation on the use of sea water in the diseases of the glands : particularly the scurvy, jaundice, king's evil, leprosy, and the glandular consumption

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A Sailor of Our Warship, Sazanami, Jumped into the Deck of a Russian Ship.  With a Thundering Cry, "Hey, You!" He Cut at the Enemy Captain, and then Kicked Him off the Deck into the Water (In the Sea Battle near Port Arthur, March 10, 1904)

A Sailor of Our Warship, Sazanami, Jumped into the Deck of a Russian Ship. With a Thundering Cry, "Hey, You!" He Cut at the Enemy Captain, and then Kicked Him off the Deck into the Water (In the Sea Battle near Port Arthur, March 10, 1904)

The Actor Ichikawa Danjuro V as the Spirit of Monk Seigen in the Shosagoto Dance Sequence "Sono Utsushi-e Matsu ni Kaede" (A Shadow-Picture of Pine and Maple), the Last Scene of Part Two of the Play Keisei Momiji no Uchikake (Courtesan in an Over-Kimono of Maple Leaf Pattern), Performed at the Morita Theater from the Ninth Day of the Ninth Month, 1772

The Actor Ichikawa Danjuro V as the Spirit of Monk Seigen in the Shosagoto Dance Sequence "Sono Utsushi-e Matsu ni Kaede" (A Shadow-Picture of Pine and Maple), the Last Scene of Part Two of the Play Keisei Momiji no Uchikake (Courtesan in an Over-Kimono of Maple Leaf Pattern), Performed at the Morita Theater from the Ninth Day of the Ninth Month, 1772

The Actor Nakamura Noshio I as the Spirit of the Courtesan Takao, in the Shosagoto Dance Sequence "Sono Utsushi-e Matsu ni Kaede" (A Shadow-Picture of Pine and Maple), the Last Scene of Part Two of the Play Keisei Momiji no Uchikake (Courtesan in an Over-Kimono of Maple Leaf Pattern), Performed at the Morita Theater from the Ninth Day of the Ninth Month, 1772

The Actor Nakamura Noshio I as the Spirit of the Courtesan Takao, in the Shosagoto Dance Sequence "Sono Utsushi-e Matsu ni Kaede" (A Shadow-Picture of Pine and Maple), the Last Scene of Part Two of the Play Keisei Momiji no Uchikake (Courtesan in an Over-Kimono of Maple Leaf Pattern), Performed at the Morita Theater from the Ninth Day of the Ninth Month, 1772

The Actors Nakamura Nakazo I as Omi no Kotoda (right), and Otani Hiroji III as Bamba no Chuda (left), in the Joruri "Sono Chidori Yowa no Kamisuki" (The Plovers: Combing Hair at Midnight), from Part Two of the Play O-atsurae-zome Soga no Hinagata (A Soga Pattern Dyed to Order), Performed at the Nakamura Theater from the Tenth Day of the Third Month, 1774

The Actors Nakamura Nakazo I as Omi no Kotoda (right), and Otani Hiroji III as Bamba no Chuda (left), in the Joruri "Sono Chidori Yowa no Kamisuki" (The Plovers: Combing Hair at Midnight), from Part Two of the Play O-atsurae-zome Soga no Hinagata (A Soga Pattern Dyed to Order), Performed at the Nakamura Theater from the Tenth Day of the Third Month, 1774

Last Updated: 2025-07-01T01:05:07

Uploaded: 2025-07-02