One Million Years (Past and Future)

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One Million Years (Past)

One Million Years (Past)

Museum of Modern Art, New York

The Museum of Modern Art (MoMA) Collection

One Million Years

One Million Years

Museum of Modern Art, New York

The Museum of Modern Art (MoMA) Collection

Miniature Wood Stupa with Dharani, one of a set known as the "One Million Pagodas" (Hyakumantō)

Miniature Wood Stupa with Dharani, one of a set known as the "One Million Pagodas" (Hyakumantō)

Harvard Art Museums

Harvard Art Museums API

Pagoda with Darani sutra, from a set of "One Million Pagodas"

Pagoda with Darani sutra, from a set of "One Million Pagodas"

Minneapolis Institute of Arts

Minneapolis Institute of Art API

RELIVING YEARLY EVENTS OF THE PAST (ONKO NENJU GYOJI)

RELIVING YEARLY EVENTS OF THE PAST (ONKO NENJU GYOJI)

Harvard Art Museums

Harvard Art Museums API

"Kokin Yujinki" (Record of Heroes Past and Present)

"Kokin Yujinki" (Record of Heroes Past and Present)

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Severed Arm, series Ten Theater Performances Past and Present

Severed Arm, series Ten Theater Performances Past and Present

Honolulu Museum of Art

Honolulu Museum of Art Collection

New Japan, the land of the rising sun its annals during the past twenty years, recording the remar...

New Japan, the land of the rising sun its annals during the past twenty years, recording the remar...

Bavarian State Library

Europeana API

The Point of the Centre: Present and Past Discourses of “China”-hood

The Point of the Centre: Present and Past Discourses of “China”-hood

idUS. Deposition of Investigations of the Universidad de Seville

Europeana API

[10 years after the great quake and fire in 1912.]

[10 years after the great quake and fire in 1912.]

NIOD Institute for War, Holocaust and Genocide Studies

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Long-term Employment and Job Security over the Last Twenty-Five Years: A Comparative Study of Japa...

Long-term Employment and Job Security over the Last Twenty-Five Years: A Comparative Study of Japa...

German National Library

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Progression of Shōgun Ie and His Troops, series Reflections on the Past in Eastern Brocade

Progression of Shōgun Ie and His Troops, series Reflections on the Past in Eastern Brocade

Honolulu Museum of Art

Honolulu Museum of Art Collection

Two women and a man bearing presents accompany a bridal procession to the brides future home

Two women and a man bearing presents accompany a bridal procession to the brides future home

Dunedin Public Art Gallery

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Scroll of the flute (Fue no maki), Chronicle of the future (Miraiki) and Laud of the sword (Tsurugi sandan) from the Picture scrolls of ballad dramas (Mai no hon emaki)

Scroll of the flute (Fue no maki), Chronicle of the future (Miraiki) and Laud of the sword (Tsurugi sandan) from the Picture scrolls of ballad dramas (Mai no hon emaki)

The Chester Beatty Library

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[Recollections of refugee years in Romania and of emigration to the United States]

[Recollections of refugee years in Romania and of emigration to the United States]

Leo Baeck Institute New York

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Officers and men of 5 NZ Infantry Brigade marching past in the Volturno Valley area, Italy, World War II - P...

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Alexander Turnbull Library

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Extracts from the press conference by Karel De Gucht on the future deepening of Trade and politica...

Extracts from the press conference by Karel De Gucht on the future deepening of Trade and politica...

Audiovisual Library of the European Commission

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Narrative of the Earl of Elgin's Mission to China and Japan in the Years 1857, '58, '59 - 2

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Bavarian State Library

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An exploded bogey. John Bull: "And to think i've been funking THAT all these years."

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Auckland Libraries

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Sport and General" Photo. \ ■ INDIA'S GREATEST VIOLINIST.—S/W«£ar Gopal Biniivale, ivho \ is only 20 years o...

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National Library of New Zealand

DigitalNZ New Zealand API

Narrative of the Earl of Elgin's Mission to China and Japan in the Years 1857, '58, '59 - 1

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Bavarian State Library

Europeana API

Parody of Ariwara no Narihira Ason, from the series Thirty-six Immortal Poets; Courtesan and Two Kamuro Walking Past Cherry Tree

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Philadelphia Museum of Art

Philadelphia Museum of Art collection

The Actors Nakamura Nakazo I as Chinzei Hachiro Tametomo Disguised as a Pilgrim (left), and Ichikawa Danjuro V as Kazusa no Gorobei Tadamitsu (right), in the "Silent Encounter" Scene (Dammari) from the End of Part One of the Play Kitekaeru Nishiki no Wakayaka (Returning Home in Splendor), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1780

The Actors Nakamura Nakazo I as Chinzei Hachiro Tametomo Disguised as a Pilgrim (left), and Ichikawa Danjuro V as Kazusa no Gorobei Tadamitsu (right), in the "Silent Encounter" Scene (Dammari) from the End of Part One of the Play Kitekaeru Nishiki no Wakayaka (Returning Home in Splendor), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1780

Art Institute of Chicago

Art Institute of Chicago API

The Actors Nakayama Kojuro VI as Osada Taro Kagemune (in Reality Hatcho Tsubute no Kiheiji) in the Guise of a Lamplighter of Gion Shrine (left), and Sawamura Sojuro III as Komatsu no Shigemori (right), in Act Three from Part One of the Play Yukimotsu Take Furisode Genji (Snow-Covered Bamboo: Genji in Long Sleeves), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1785

The Actors Nakayama Kojuro VI as Osada Taro Kagemune (in Reality Hatcho Tsubute no Kiheiji) in the Guise of a Lamplighter of Gion Shrine (left), and Sawamura Sojuro III as Komatsu no Shigemori (right), in Act Three from Part One of the Play Yukimotsu Take Furisode Genji (Snow-Covered Bamboo: Genji in Long Sleeves), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1785

Art Institute of Chicago

Art Institute of Chicago API

Last Updated: 2020-04-16

Uploaded: 2021-07-22