Shodai arashi ryūzō (no yakko ukiyo matabei to) sandaime ōtani hiroji (no yakko tosa no matabei)

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Arashi Ryūzō I and ōtani Hiroji III, Modern Reproduction

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The Actors Nakamura Nakazo I as Omi no Kotoda (right), and Otani Hiroji III as Bamba no Chuda (left), in the Joruri "Sono Chidori Yowa no Kamisuki" (The Plovers: Combing Hair at Midnight), from Part Two of the Play O-atsurae-zome Soga no Hinagata (A Soga Pattern Dyed to Order), Performed at the Nakamura Theater from the Tenth Day of the Third Month, 1774

The Actors Nakamura Nakazo I as Omi no Kotoda (right), and Otani Hiroji III as Bamba no Chuda (left), in the Joruri "Sono Chidori Yowa no Kamisuki" (The Plovers: Combing Hair at Midnight), from Part Two of the Play O-atsurae-zome Soga no Hinagata (A Soga Pattern Dyed to Order), Performed at the Nakamura Theater from the Tenth Day of the Third Month, 1774

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The Actors Kasaya Matakuro II as Nobuyori Disguised as the Yakko Gunnai (right), and Miyazaki Hachizo as the Lay Monk Hambyo Nyudo (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770

The Actors Kasaya Matakuro II as Nobuyori Disguised as the Yakko Gunnai (right), and Miyazaki Hachizo as the Lay Monk Hambyo Nyudo (left), in the Play Nue no Mori Ichiyo no Mato, Performed at the Nakamura Theater in the Eleventh Month, 1770

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The Actors Bando Mitsugoro I as Hata no Kawakatsu (right), and Otani Hiroemon III as the Manservant (Yakko) Gansuke (left), in the Play Miya-bashira Iwao no Butai (Shrine Pillars on a Stone Base), Performed at the Morita Theater from the Fifteenth Day of the Seventh Month, 1773

The Actors Bando Mitsugoro I as Hata no Kawakatsu (right), and Otani Hiroemon III as the Manservant (Yakko) Gansuke (left), in the Play Miya-bashira Iwao no Butai (Shrine Pillars on a Stone Base), Performed at the Morita Theater from the Fifteenth Day of the Seventh Month, 1773

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The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776

The Actors Otani Hiroji III as Yokambei (right), Nakamura Tomijuro I as Kuzunoha (center), and Bando Mitsugoro I as Yakambei (left), in the Last Scene from the Play Shinodazuma (The Wife from Shinoda Forest), Performed as a Supplement to the Play Kikyo-zome Onna Urakata (Female Diviner in Deep Violet), at the Morita Theater from the Ninth Day of the Ninth Month, 1776

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The Actors Nakamura Nakazo I as Hata Rokurozaemon Disguised as the Samurai's Manservant (Yakko) Igaguri Hanehei (left), and Nakamura Noshio I as the Lady-in-Waiting Koto no Naishi (right), in the Dance Sequence "Sodegasa Momiji no Tekuda" (Umbrella Sleeves: Coquettish Tricks at Maple Time), from the Fourth Act of the Play Hikitsurete Yagoe Taiheiki (The War Tale Taiheiki: With Din and Clamor of Battle), Performed at the Morita Theater in the Eleventh Month, 1776

The Actors Nakamura Nakazo I as Hata Rokurozaemon Disguised as the Samurai's Manservant (Yakko) Igaguri Hanehei (left), and Nakamura Noshio I as the Lady-in-Waiting Koto no Naishi (right), in the Dance Sequence "Sodegasa Momiji no Tekuda" (Umbrella Sleeves: Coquettish Tricks at Maple Time), from the Fourth Act of the Play Hikitsurete Yagoe Taiheiki (The War Tale Taiheiki: With Din and Clamor of Battle), Performed at the Morita Theater in the Eleventh Month, 1776

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Looking as if She Wants to Go for a Walk: The Fashion of a Married Woman of the Meiji Era (Yūho ga shitasō, Meiji nenkan saikun no fūzoku), from the series Thirty-two Appearances of Fashion (Fūzoku sanjūni sō)

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Uploaded: 2021-09-20