Kodakara Tatoe no Fushi ( Five Proverbs about Beloved Children ) : To Whip a Galloping Horse

Kodakara Tatoe no Fushi ( Five Proverbs about Beloved Children ) : To Whip a Galloping Horse

Keio University Media Center

Keio Object Hub

Kodakara Tatoe No Fushi : Breeding is Better than Birth

Keio University Media Center

Digital Collections of Keio University Libraries

Kodakara Tatoe No Fushi : Breeding is Better than Birth

Keio University Media Center

Keio Object Hub

「子宝譬の節」 ｢はしる馬にむち」

RHAM

ARC Ukiyo-e Portal Database

「子宝譬の節」 ｢実のなる木は花から｣

RHAM

ARC Ukiyo-e Portal Database

「子宝譬の節」「一寸の虫にも五分のたましい」

Nationaal Museum van Wereldculturen (Rijksmuseum Volkenkunde, Leiden)

ARC Ukiyo-e Portal Database

「子宝譬の節」 「一寸の虫にも五郎のたましい」

RHAM

ARC Ukiyo-e Portal Database

NEWS 127: Prudhomme obliged to take lessons from Miss Menken to stop a horse-drawn cab

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Copy of H. Daumier's "Childrens Round Dance"(1852) and "Man on a White Horse" (1855)

The National Museum of Modern Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

[PARISIAN SKETCHES, － BY H. DAUMIER] (AT THE CIRCUS. She is his daughter: or the art of destroying his children and making denials of it.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Children in the neighborhood of Tomio Kondo are used to having pictures taken of them. They use the rays of the sunset skillfuly

Tokyo Photographic Art Museum

Tokyo Museum Collection

Childish Acts 6: －Well, what about my glass... if I don't have my glass I'll tell Mummy that you've been drinking again with that lanky fellow whom she told you not to go about with!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Childish Acts 4: In winter it's silly to have children dressed up as nicely as this!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

In his later years, Okamura became involved with hospice and environmental issues.In his final year, Okamura visited Mongolia with his children

Tokyo Photographic Art Museum

Tokyo Museum Collection

JOURNEY TO CHINA 7: CHINESE MARRIAGE. The angler's skill in setting his lines, the hunter's artfulness in taking game, the horse-dealer's tricks to hide the redhibitory defects of his horse, nothing is comparable to the skill, the artfulness, the trick which a mother deploys in order to marry her daughter... the poor Chinese men mistrust the lures, of honey and of glue, to no avail, someone always falls into the maternal snare

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE BACHELOR'S DAY 6: － Without doubt Mr. Riflot the right to petition is sacred, but is abused! witness that which you're talking to us about: to tax bachelors for being useless to the population! I'am angry about it for married people; but it has to be said that of [bachelors] there is no one, more than I Coquelet, who has helped the population

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Proverbs and Maxims 12: There's a sucker! personally, I agree with the proverb: “What's good to take is good to keep.”

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE FEASTERS 1: The national guardsman Rifolard, not having left his home during the five days of June, was unable to resist the desire finally to seize the occasion of showing himself; despite the tears of his wife and children, he took his gun to hasten to a banquet in the country

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 179: The soothsayers of diplomacy not daring to broach the Prussian-bird in order to know what to believe

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 179: The soothsayers of diplomacy not daring to broach the Prussian-bird in order to know what to believe

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 142: THE POLITICAL HIGH-LIVERS: (France.) －Hum!... hum!... that seems to me to be a pretty poor dish!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NEWS 142: THE POLITICAL HIGH-LIVERS: (France.) －Hum!... hum!... that seems to me to be a pretty poor dish!

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

THE PORTERS OF PARIS 1: It's no use my letting you see my apartment... we don't let to mothers of families who have children!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Kodakara Tatoe no Fushi ( Five Proverbs about Beloved Children ) : To Whip a Galloping Horse

Keio University Media Center

Keio Object Hub

The Actor Yamashita Kinsaku II in an Unidentified role

Art Institute of Chicago

Art Institute of Chicago API

Jurōjin, the God of Longevity, and Deer with Scroll Hung from Horn

Philadelphia Museum of Art

Philadelphia Museum of Art collection

Hairdressing Room (Kamibeya), from the series "Ten Kinds of Incense in the Pleasure Quarters (Seiro jisshu ko)"

Art Institute of Chicago

Art Institute of Chicago API

Woman Replacing a Shamisen String

Tokyo National Museum

Integrated Collections Database of the National Museums, Japan

From a Series Comparing the Charms of Contemporary Beauties : Women from Yamashita

Keio University Media Center

Digital Collections of Keio University Libraries

From a Series Comparing the Charms of Contemporary Beauties : Women from Yamashita

Keio University Media Center

Keio Object Hub

The Day Before the Beginning of Spring

Minneapolis Institute of Arts

Minneapolis Institute of Art API

The Actor Sanogawa Ichimatsu I

Honolulu Museum of Art

Honolulu Museum of Art Collection

The Actors Ichikawa Monnosuka Ⅱand Bando Matataro Ⅳ

Keio University Media Center

Digital Collections of Keio University Libraries

The Fifty-Three Post-Stations along the Tokaido Highway : Yokkaichi

Keio University Media Center

Keio Object Hub

Mother, Child and Servant Boy

Keio University Media Center

Digital Collections of Keio University Libraries

「大いそのとら　瀬川路考」

Tokyo Metropolitan Central Library

ARC Ukiyo-e Portal Database

Mother, Child and Servant Boy

Keio University Media Center

Keio Object Hub

Modern Reproduction of "Ichikawa Danjūrō V"

Honolulu Museum of Art

Honolulu Museum of Art Collection

Island of Little People (Kobitojima)

Art Institute of Chicago

Art Institute of Chicago API

The Stylish Moon in the Four Seasons : Spring

Keio University Media Center

Keio Object Hub

Six Women in Summer Clothes, with Kyōka Poems, left panel of triptych

Philadelphia Museum of Art

Philadelphia Museum of Art collection

「青楼十種香」 「髪部屋」

Art Institute of Chicago

ARC Ukiyo-e Portal Database

Shigatsu (Object)

British Museum

British Museum Collection

triptych print

British Museum

British Museum Collection

Yorimitsu Takaranoyama iri (Series); Yoshitoshi ryakuga (Series)

British Museum

British Museum Collection

Komurasaki and Gonpachi, from the series "Fashonable Patterns in Utamaro Style (Ryuko moyo Utamaro-gata)"

Art Institute of Chicago

Art Institute of Chicago API

The Actors Ichikawa Monnosuka Ⅱand Bando Matataro Ⅳ

Keio University Media Center

Keio Object Hub