Deriving the Cartography of the Japanese Right Periphery: The Case of Sentence-Final Discourse Par...

THE FALL OF PORT ARTHUR THE JAPANESE FINAL ATTACK ON 203-METRE HILL

Networking Challenges A Case Study of Swedish Firms Acting on the Japanese Market

UPPER LEFT : A Japanese maiden in the children's procession. UPPER RIGHT : A general view of the procession ...

A FIGHT IN THE SEA: AN INCIDENT OF THE BATTLE OF NAN-SHAN. During the attack on Nan-shan, the Japanese right...

Sumo Wrestlers of the Eastern Group: (right) Nijigadake Somaemon of Sekiwake Rank from Awa Province, and (left) Fudenoumi Kin'emon of Maegashira Rank from Kokura

Scenes of,street fighting at Tientsin. The Bridge^ is seen above, guarded, by Japanese troops; fop right, an...

JAPANESE SWIMMERS WHO WON AT THE OLYMPIC GAMES. —Kusuo Kitamura (right), who is only 14 years old, and Shdzo...

The Right-Wing Forces of the Japanese Second Army, Braving Enemy Fire, Wade Chinchou Bay and Attack the Enemy Fort (Waga dai ni gun no uyoku hōka o okashite Kinshuwan o toshoshi tekirui o kogekisu)

HEALTHY, PEACEFUL SURROUNDINGS LIKE THESE ??? FORGET THE ORDEALS OF LIFE IN JAPANESE PRISON CAMPS

The Actor Ichikawa Monnosuke II as Mori no Rammaru in "The Banquet," the Final Act in Part One of the Play Kanagaki Muromachi Bundan (Muromachi Chronicle in Kana Script), Performed at the Ichimura Theater from the First Day of the Eighth Month, 1791

LEFT: An airman points to the Popeye mascot painted on his aircraft. RIGHT: A formation of B25 aircraft near...

Geisha Misaki of the Naka-Ōgiya as Tsuemochi, a Baton Bearer (right panel); Geisha Rikina of the Wataya as Morokoshi Kanjo, a Chinese Court Lady (center panel); Geisha Hinadori of the Naka-Ogiya as Tatarazuri, a Musician (left panel)

In the Battle of Shaho, a Company of Our Right-Wing Forces Drives a Strong Enemy Force to the Left Bank of the Taitsuho (Shaka no kaisen ni waga uyokugun no ichi jūtai gankyō no teki o Taishika no sagan ni gekitsui su)

The Actors Segawa Kikunojo III as the Spirit of Joro-gumo (Harlot Spider) Disguised as the Maiko Tsumagiku (right), and Ichikawa Monnosuke II as Urabe no Suetake (left), in the Play Shitenno Tonoi no Kisewata, Performed at the Nakamura Theater in the Eleventh Month, 1781

The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

Three Komuso Monks: The Actors Ichikawa Ebizo (Danjuro V) as Kudo Suketsune (right), Ichikawa Monnosuke II as Soga no Juro Sukenari (center), and Ichikawa Omezo I as Soga no Goro Tokimune (left), in Act Six of the Play Waka Murasaki Edokko Soga (Pale Purple Soga, Edo Style), Performed at the Ichimura Theater from the Twenty-third Day of the First Month, 1792

The Actors Segawa Kikunojo II as the Wet Nurse Reizei, Ichikawa Komazo I as Suruga no Hachiro in the Guise of the Shamisen Player Kichiroku (right), and Ichikawa Yaozo II as Tada no Kurando in the Guise of the Palanquin Bearer Kichinai (left), in the Scene "Kiku-zumo" (Chrysanthemum Sumo) from the Play Ima o Sakari Suehiro Genji (The Genji Clan Now at Its Zenith), Performed at the Nakamura Theater in the Eleventh Month, 1768

Soga brothers (Soga Kyōdai: Soga monogatari), from the series Twenty-Four Japanese Paragons of Filial Piety for the Honchō Circle (Honchōren honchō nijūshikō), with poems by Hana Someemon and Harunoya Narutake