Benkei Carrying a Temple Bell from the Series The Revealing Side of Shadow Pictures

「其面影程能写絵」 「弁けい」

「其面影程能写絵」 「弁けい」

Benkei Carrying the Bell of Miidera Temple, series Ōtsu-e

「其面影程能写絵」 「弁けい・たいこもち」

Courtesan Making her Toilette, from the series Shadow Pictures of the Floating World

Woman Carrying a Paper Lantern, from the series Comparison of Contemporary Beauties

「其面影程能写絵」 「猟人にたぬき・金魚にひごいッこ」

Carrying a Giant Potato at the Bird Festival at Senzoku, from the series Comic Pictures of Famous Places Amid the Civilization of Tōkyō (Tōkyō kaika kyōga meisho)

Maple Leaves at Kaian Temple (Kaianji benikaede), section of a sheet from the series "Cutout Pictures of Famous Places in Edo (Edo meisho harimaze zue)"

Different Views of some of the remains of three great edifices..of the ancient city of Pesto: XI. Temple of Neptune at Pesto, seen from the side and drawn on a larger scale than in the first plate

View of a Field of Paulownia Trees in Rain at Akasaka by Night, from the series One Hundred Views of Famous Places in Edo

PHYSIOGNOMY OF THE ASSEMBLY 6: Below the upper vignette: The bussiness of the representatives especially charged, in the assembly, with representing seducers.... ; Below the lower vignette: Lagrange delivering himself of a sparkle of eloquence by becoming too carried away

PHYSIOGNOMY OF THE ASSEMBLY 7: Below the upper vignette: Pierre Leroux daring to address the demi-god Barrot; Below the lower vignette: Pierre Leroux, having set forth to the tribune his social doctriness, [that are] no less tangled than his hair, receives a hand-shakes from his friends, who, in a fashion, appear to have understood them

ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling

ROBERT MACAIRE. 2nd Series 17: Man in naluratibus [sic]. Philosophy, my dear Bertrand, explains very well our two characters from our physiques... you are weakness, I am strength... to you is cunning, to me courage... you are the ivy and I the oak, without me the slightest breeze from the police will plunge you into a torrent of misfortune... do not leave me and inscribe upon your arms: I die or I cling

JOURNEY TO CHINA 5: CHINESE LAW. Chinese barristers strive so hard, striking so many oratorical poses that the magistrates, in order not to be distracted by the gestures of the defence and to lose nothing of his arguments, generally devote themselves to some manual work, one slices his desk with penknife cuts; the other draws crude little figures on stamped paper or fashions folded paper hens; others have recourse to a more efficient method, they close their eyes and fall into deep meditation from which the usher who shouts silence! with all his might is at great pains to extract them... it is for this reason that Chinese justice is represented with a bandage over its eyes

PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: －Well, so it's no cleverer than that to talk from the tribune? －Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!

PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: －Well, so it's no cleverer than that to talk from the tribune? －Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. －Look, say some, it's Chinese Commissioner Lin! －No, says others, don't you see that it's a bit of natural history! － It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. －Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)