Keisei ōmon guchi (Object); Wankyū monogurui (Object)

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Keisei ama  no hagoromo (Object); Hanakurabe sato no sugata e (Object)

Keisei ama no hagoromo (Object); Hanakurabe sato no sugata e (Object)

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Keisei sato no funauta (Object); Suda no haru geiko katagi (Object)

Keisei sato no funauta (Object); Suda no haru geiko katagi (Object)

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Keisei shinasadame (Object)

Keisei shinasadame (Object)

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Keisei imose no oshidori (Object)

Keisei imose no oshidori (Object)

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Keisei shigeshige yawa (Object)

Keisei shigeshige yawa (Object)

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Keisei satsuma gushi (Object)

Keisei satsuma gushi (Object)

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Keisei koshiji no akebono (Object)

Keisei koshiji no akebono (Object)

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Keisei imose no oshidori (Object); Oouchi hinagata (Object)

Keisei imose no oshidori (Object); Oouchi hinagata (Object)

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Keisei  fukamagaguchi (Object); Yoso'oi rokkasen (Object)

Keisei fukamagaguchi (Object); Yoso'oi rokkasen (Object)

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Keisei shinobazu ga ike (Object); Genpei nunobiki no taki (Object)

Keisei shinobazu ga ike (Object); Genpei nunobiki no taki (Object)

British Museum

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Keisei hako denju (Object); Sugata no hana musume dōjōji (Object)

Keisei hako denju (Object); Sugata no hana musume dōjōji (Object)

British Museum

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Keisei hako denju (Object); Sugata no hana musume dōjōji (Object)

Keisei hako denju (Object); Sugata no hana musume dōjōji (Object)

British Museum

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Courtesans Drawn in Osaka Style (Osaka kakiwake), from "Courtesans of the Three Capitals - A Set of Three (Sanga no tsu keisei sanpukutsui)"

Courtesans Drawn in Osaka Style (Osaka kakiwake), from "Courtesans of the Three Capitals - A Set of Three (Sanga no tsu keisei sanpukutsui)"

Art Institute of Chicago

Art Institute of Chicago API

BOHEMIANS OF PARIS 19: THE CLAQUER: By Jingo; we're going to need to liven it up this evening, a new play in three acts; the comic wants me to burst out laughing, the heroine wants me to cry, the author wants me to stamp up to the old heavy mother, who wants me to applaud her... there's ... work for you

BOHEMIANS OF PARIS 19: THE CLAQUER: By Jingo; we're going to need to liven it up this evening, a new play in three acts; the comic wants me to burst out laughing, the heroine wants me to cry, the author wants me to stamp up to the old heavy mother, who wants me to applaud her... there's ... work for you

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Shinpankanadehonchuushinguratobimawarisugoroku

Shinpankanadehonchuushinguratobimawarisugoroku

Ako City Museum of History

ARC Ukiyo-e Portal Database

TODAY'S PHILANTHROPISTS 12: -So then, my friend, at the age of twenty two you had already killed three men... what a powerful nature, and how guilty society is for not having better guided it!... -Oh! yeah sir!... in my view the police have been very wrong... without them I wouldn't be here!..

TODAY'S PHILANTHROPISTS 12: -So then, my friend, at the age of twenty two you had already killed three men... what a powerful nature, and how guilty society is for not having better guided it!... -Oh! yeah sir!... in my view the police have been very wrong... without them I wouldn't be here!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Ancient History 19: The youth of Alcibiades

Ancient History 19: The youth of Alcibiades

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

「いろはたとゑ」 「いかにごとう今ひびきたるてつぽうは」「ろんよりしやうこはこのぞうり」「はてめづらしいたいめんじやなあ」「にせもみせもかためのまくら」「ほうでうどのゝゑぼし子にて」「へいじ佐ゝ木のになりかはり」「とめた/\おつとめた」「ちやうちんこれへ」「りきやゆらの介はまだか」「ぬけばたまちるつるぎのいなづま」「をそい/\はんぐわんどの」「わらでゆふてもわたしは/\」「かねのくようをおがみたい」「よいところへさぎ坂ばん内」「たがいの思ひはしやみ大か●」「れうじあかなあなたはふじのおつぼねさま」「ろれにひかへしおふたりさん」

「いろはたとゑ」 「いかにごとう今ひびきたるてつぽうは」「ろんよりしやうこはこのぞうり」「はてめづらしいたいめんじやなあ」「にせもみせもかためのまくら」「ほうでうどのゝゑぼし子にて」「へいじ佐ゝ木のになりかはり」「とめた/\おつとめた」「ちやうちんこれへ」「りきやゆらの介はまだか」「ぬけばたまちるつるぎのいなづま」「をそい/\はんぐわんどの」「わらでゆふてもわたしは/\」「かねのくようをおがみたい」「よいところへさぎ坂ばん内」「たがいの思ひはしやみ大か●」「れうじあかなあなたはふじのおつぼねさま」「ろれにひかへしおふたりさん」

National Diet Library, Japan

ARC Ukiyo-e Portal Database

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

NAUTICAL IMPRESSIONS. NAUTICAL THRILLS: Mr. PRUDHOMME. -What..., impudent waves!... do you indeed not know whom you are carrying at this moment, since you are so bold towards me?... understand that, like Xerxes, I am able to have you lashed!... Mrs. PRUDHOMME (Trembling all over) -Oh!... my dear... I beg you!... don't be impertinent to it, you'll put it in a rage and it's capable of swallowing us up!..

NAUTICAL IMPRESSIONS. NAUTICAL THRILLS: Mr. PRUDHOMME. -What..., impudent waves!... do you indeed not know whom you are carrying at this moment, since you are so bold towards me?... understand that, like Xerxes, I am able to have you lashed!... Mrs. PRUDHOMME (Trembling all over) -Oh!... my dear... I beg you!... don't be impertinent to it, you'll put it in a rage and it's capable of swallowing us up!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 4: Some slight purchases: Oh!...the beautiful shawls... would you buy me one, dear?... -What!... why didn't you say straightaway that you wanted everything, and we could have started by simply buying up the whole la Ville de Paris shop!..

Strangers in Paris 4: Some slight purchases: Oh!...the beautiful shawls... would you buy me one, dear?... -What!... why didn't you say straightaway that you wanted everything, and we could have started by simply buying up the whole la Ville de Paris shop!..

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

(役者カルタ) 「日本橋 かつをうり 中村芝翫 あいきやうがこぼれ升」「石切がし 五郎太 市村羽左衛門 おぢいさんにそのまゝでござい升」「かまくらがし 百姓弥作 市川左団次 大やくをよくこなされ升」「京橋 都見物左衛門 市村家橘 三都の花かた外にるいなしだよ」「かわら町 鬼門の斎兵衛 河原崎権十郎 ひやうばんがいゝよ」「木下川 坂東太蔵 とり手橘平 しゆびはよいよ」「御厩河岸 与右衛門 市川左団次 あちさりと御上達だね」「枕ばし かさね 市村家橘 ゆめに見たのもよい吉さう」「ゑかうゐん 岩川次郎吉 市川米升 久しいのぞみも叶い升よ」「三河島 ☆杖直方 中村仲太郎 かみしめるとかくべつ」「永代ばし 工藤左衛門祐経 坂東亀蔵 お年よりかげいがわかいよ」「広尾 わるもの太郎吉 坂東元蔵 いつでもおもしろさうだよ」「隅田堤 おいち 坂東あづま おいおいごあんしんごあんしん」「中川 赤坂源蔵 家橘 思ふ願いは●ぶんとゞくよ」「逆井 さがみ五郎 中村仲蔵 しぶいところをかつてゐるよ」

(役者カルタ) 「日本橋 かつをうり 中村芝翫 あいきやうがこぼれ升」「石切がし 五郎太 市村羽左衛門 おぢいさんにそのまゝでござい升」「かまくらがし 百姓弥作 市川左団次 大やくをよくこなされ升」「京橋 都見物左衛門 市村家橘 三都の花かた外にるいなしだよ」「かわら町 鬼門の斎兵衛 河原崎権十郎 ひやうばんがいゝよ」「木下川 坂東太蔵 とり手橘平 しゆびはよいよ」「御厩河岸 与右衛門 市川左団次 あちさりと御上達だね」「枕ばし かさね 市村家橘 ゆめに見たのもよい吉さう」「ゑかうゐん 岩川次郎吉 市川米升 久しいのぞみも叶い升よ」「三河島 ☆杖直方 中村仲太郎 かみしめるとかくべつ」「永代ばし 工藤左衛門祐経 坂東亀蔵 お年よりかげいがわかいよ」「広尾 わるもの太郎吉 坂東元蔵 いつでもおもしろさうだよ」「隅田堤 おいち 坂東あづま おいおいごあんしんごあんしん」「中川 赤坂源蔵 家橘 思ふ願いは●ぶんとゞくよ」「逆井 さがみ五郎 中村仲蔵 しぶいところをかつてゐるよ」

National Museum of Japanese History

ARC Ukiyo-e Portal Database

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

[A man, wearing a large conical hat and a straw or feather garment, leaning on or rolling a large barrel-like object, possibly a mochi tub; he is carrying a long-handled tool, possibly a mallet, over his right shoulder]

[A man, wearing a large conical hat and a straw or feather garment, leaning on or rolling a large barrel-like object, possibly a mochi tub; he is carrying a long-handled tool, possibly a mallet, over his right shoulder]

Library of Congress

Digital Collections, Library of Congress

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Last Updated: 2020-08-31

Uploaded: 2021-07-21