Kiyomi gata sora ni mo seki no arunaraba tsuki o todomete Mio no Matsubara (Object); Tsuki hyaku sugata
- People
- Time
- Owner Organization
「月百姿」「きよみかた空にも関のあるならば月をとゝめて三保の松原」
Tokyo Metropolitan Central Library
Tokyo Metropolitan Library Edo-Tokyo Digital Collections
月百姿 きよみかた空にも関のあるならば 月をとゝめて三保の松原
NDL Digital Collections
NDL Digital Collections

Ni、ho、ougiya、ureshino、mumeno、takeno、hanaougi、yoshino、yayoi、takahata、kureha、ayaha、katarai、morino、yamaji、takigawa、onami、menami
Nationaal Museum van Wereldculturen (Rijksmuseum Volkenkunde, Leiden)
ARC Ukiyo-e Portal Database
(右)「月百姿」「きよみかた空にも関のあるならば月をとゝめて三保の松原」(左)「月百姿」「廓の月」
Tokyo Metropolitan Central Library
Tokyo Metropolitan Library Edo-Tokyo Digital Collections

Sketch Taken by Daumier at the Salon 1(but numbered: “2”) : -This year yet more Venuses... always Venuses!... as if there were women made like that!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

「いろはたとゑ」 「つゞみはもとよりなみのおと」「ねぐらかそふやぬれつばめ」「なむさんべにがながれてきた」「らいせをねがふはなにゆへぞ」「むかしかたればしのだのきつね」「うをごゝろあればみづごゝろ」「ゐしかはやはまのまさごはつきるとも」「のみにもくはさぬこのからだ」「●江戸ははんくわとうけたまはり」「くれかさくらもひとしな/\」「やかたへつれゝば●まはりはした」「まはつてようすをきいたがまし」「けんこん二ツのあいだをぬけ」「ふみのごようはわたしがゑてもの」「こひしくばたづねきてみよいづをなる」「江戸むらさきのはちまきに」「てのうちごむよう」「あゝらあやしやなア」
National Diet Library, Japan
ARC Ukiyo-e Portal Database

NAUTICAL IMPRESSIONS. NAUTICAL THRILLS: Mr. PRUDHOMME. -What..., impudent waves!... do you indeed not know whom you are carrying at this moment, since you are so bold towards me?... understand that, like Xerxes, I am able to have you lashed!... Mrs. PRUDHOMME (Trembling all over) -Oh!... my dear... I beg you!... don't be impertinent to it, you'll put it in a rage and it's capable of swallowing us up!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

News 89: Geographical neckerchiefs
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

BOHEMIANS OF PARIS 15: THE OLD ROUÉE: So I'm going to be a door-keeper in the rue du Mont-Blanc in a large house where my husband says they'll call us porters. So I'm going to leave this ramshackle place where there're only four tenants who give me five sous apiece for a New Year's present... Scum!!!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

「いろはたとゑ」 「いかにごとう今ひびきたるてつぽうは」「ろんよりしやうこはこのぞうり」「はてめづらしいたいめんじやなあ」「にせもみせもかためのまくら」「ほうでうどのゝゑぼし子にて」「へいじ佐ゝ木のになりかはり」「とめた/\おつとめた」「ちやうちんこれへ」「りきやゆらの介はまだか」「ぬけばたまちるつるぎのいなづま」「をそい/\はんぐわんどの」「わらでゆふてもわたしは/\」「かねのくようをおがみたい」「よいところへさぎ坂ばん内」「たがいの思ひはしやみ大か●」「れうじあかなあなたはふじのおつぼねさま」「ろれにひかへしおふたりさん」
National Diet Library, Japan
ARC Ukiyo-e Portal Database

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly
Museum of Contemporary Art Tokyo
Tokyo Museum Collection
![PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: -Well, so it's no cleverer than that to talk from the tribune? -Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!](https://search.artmuseums.go.jp/jpeg/small/nmwa/0035470001.jpg)
PHYSIOGNOMY OF THE ASSEMBLY 16: Below the upper vignette: Bineau the Savage making his entry as minister; Below the lower vignette: -Well, so it's no cleverer than that to talk from the tribune? -Yes, but you, Pierre, you're listening to me too politely, you should say something stupid from time to time, [because] without that there's no longer any illusion, we're not in a meeting any more!
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 3: What is called dining in a restaurant: -Waiter!...I've been in your establishment for an hour and a quarter without having a chair...and you've still only given the tooth-picks to my wife who's dying of hunger... you'll make me lose my normal posture, and I'll end up with my feet in the dish... do you understand, waiter! -There now, Sir... there there now, there there!!!
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![MEMORIES OF THE PEACE CONGRESS [2]: SECOND MEETING: An American orator proves in an irrefutable manner that the only means of pacifying humankind is to force all men to wear, like him, a green hat, which they should never remove except in the evenings, when going to bed. No one even dared to contest this opinion](https://search.artmuseums.go.jp/jpeg/small/nmwa/0033960001.jpg)
MEMORIES OF THE PEACE CONGRESS [2]: SECOND MEETING: An American orator proves in an irrefutable manner that the only means of pacifying humankind is to force all men to wear, like him, a green hat, which they should never remove except in the evenings, when going to bed. No one even dared to contest this opinion
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

JOURNEY TO CHINA 9: A CHINESE DANCE.One is greatly mistaken if one believes the Chinese people to be giddy, joyful and the friend of pleasure: they are on the contrary serious and morose, since their greatest amusement consists in a type of lugubrious walking in which the men and women walk one in front of the other, or one beside the other, and seem to be saying among themselves: brother we should die! In order also to point to the philosophical intention behind this ceremony, the opposite of dancing, they call it: Counter-dancing
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Strangers in Paris 1: The arrival: What, no room!... -Not even for your hat-box... -What about in the sitting-room? -Twenty one Englishmen are in there... -In the attic?... -I've put eleven Savoyards in there... -In the celler?... -Fifteen Polish people have set up home... -Oh! hang it...oh! damnation... oh! Good God!...are we going to spend the night by the side of a milestone?... -That's what you'd better do, because then the night patrol will get you out of trouble quickly by taking you to sleep at the Prefecture of Police's office, Saint Martin cell!... specially reserved for the homeless and poodles without papers!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![ROBERT MACAIRE. 2nd Series 8: Dramatic farce. Steady on! -Steady on!... don't raise the curtain, I'm not performing... -(The director, hastening, frightened) You're joking, my dear Macaire, you're joking, aren't you? -Not at all, not at all... I won't act... -You won’t play a similar trick at the theatre, on the author, on your poor comrades... -Brrrrt! you don't keep to your engagements, [so] I break mine, give me the forfeit... -I don't keep to my engagements!! -No, you should pay me ready cash, and you owe me... -What ? -You owe me 75 centimes](https://search.artmuseums.go.jp/jpeg/small/nmwa/0038190001.jpg)
ROBERT MACAIRE. 2nd Series 8: Dramatic farce. Steady on! -Steady on!... don't raise the curtain, I'm not performing... -(The director, hastening, frightened) You're joking, my dear Macaire, you're joking, aren't you? -Not at all, not at all... I won't act... -You won’t play a similar trick at the theatre, on the author, on your poor comrades... -Brrrrt! you don't keep to your engagements, [so] I break mine, give me the forfeit... -I don't keep to my engagements!! -No, you should pay me ready cash, and you owe me... -What ? -You owe me 75 centimes
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![ROBERT MACAIRE. 2nd Series 8: Dramatic farce. Steady on! -Steady on!... don't raise the curtain, I'm not performing... -(The director, hastening, frightened) You're joking, my dear Macaire, you're joking, aren't you? -Not at all, not at all... I won't act... -You won’t play a similar trick at the theatre, on the author, on your poor comrades... -Brrrrt! you don't keep to your engagements, [so] I break mine, give me the forfeit... -I don't keep to my engagements!! -No, you should pay me ready cash, and you owe me... -What ? -You owe me 75 centimes](https://search.artmuseums.go.jp/jpeg/small/nmwa/0038200001.jpg)
ROBERT MACAIRE. 2nd Series 8: Dramatic farce. Steady on! -Steady on!... don't raise the curtain, I'm not performing... -(The director, hastening, frightened) You're joking, my dear Macaire, you're joking, aren't you? -Not at all, not at all... I won't act... -You won’t play a similar trick at the theatre, on the author, on your poor comrades... -Brrrrt! you don't keep to your engagements, [so] I break mine, give me the forfeit... -I don't keep to my engagements!! -No, you should pay me ready cash, and you owe me... -What ? -You owe me 75 centimes
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan
![IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..](https://search.artmuseums.go.jp/jpeg/small/nmwa/0041610001.jpg)
IN CHINA 18: -They're going to be truly caught, those Europeans!... they've got cannons which are terrible, because they're grooved, [but] I, I've had the excellent idea of making all my soldiers striped!..
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Parisian Freebooters 12: The Crocodile: This has to do with a variety of species of Crocodile, which was known to the ancients under the name of Tantalus and which a Gymnasium naturalist of our time has called the Gastronome without money. This voracious whale-like creature is most commonly found in the localities of Merchants of Eatables. His teeth are pointed and very long from lack of exercise, since he uses only his eyes to devour. When he has had the perseverance to remain for a whole day static in front of his prey he sometimes ends up by having the luck to catch... a crick in the neck. He feeds himself only on desires and vain hopes, he is also remarkably thin. Very different from other fish of his species that swim in open water, this type of Crocodile is always in the dry
The National Museum of Western Art, Tokyo
Union Catalog of the Collections of the National Art Museums, Japan

Matsudaibanashikokoroegusa hayarihashikachuukunomidate
Ako City Local History Compilation Department
ARC Ukiyo-e Portal Database

(役者カルタ) 「鉄炮洲 東国次郎 市村家橘 大当りだよ」「王子 佐藤忠信 中村芝翫 かくへつなものてござり升」「両国橋 白藤源太 沢村訥升 大できてござり升」「木場 花川戸助六 河原崎権十郎 さすが江戸つ子だよ」「初音の里 しずかごぜん 岩井紫若 何でもしずかにおしよ」「西新井 からすばゝあおしか 山中鹿蔵 おたつしやだよ」「柳ばし かうもり安 市川九蔵 めげめはないよ」「新吉原 大蛇丸の辰 市村羽左衛門 いつ見てもいゝよ」「白銀 新中納言知盛 大谷友右衛門 かくごはしてい升よ 」「目白 新造立花 坂東●五郎 おもしろみがあるよ」「日暮里 近江の源五郎 関三十郎 かんせいでいゝよ」「花川戸 げいしやおしゆん 坂東三津五郎 何事もかんしん/\」「大川ばた 佐藤正清 成駒屋 千人りきだよ」「水神の森 権太 坂東彦三郎 たてひきがあるよ」「中田甫 礼三 市村家橘 心のま事をあけて見せるよ」
National Museum of Japanese History
ARC Ukiyo-e Portal Database

One Hundred Aspects of the Moon ( Tsuki Hyakushi )
Keio University Media Center
Digital Collections of Keio University Libraries

One Hundred Aspects of the Moon ( Tsuki Hyakushi )
Keio University Media Center
Keio Object Hub

「月百姿 鶏鳴山の月 子房」
Tokyo Metropolitan Central Library
ARC Ukiyo-e Portal Database

Tsukinohyakushi
Tokyo Metropolitan Central Library
ARC Ukiyo-e Portal Database

「東海道五十三次之内 大津 又平女房おとく」
Tokyo Metropolitan Central Library
ARC Ukiyo-e Portal Database

print; shunga
British Museum
British Museum Collection
Fuzoku ga
The Walters Art Museum
The Walters Art Museum API

Kotohira Reigen koohoo
Pushkin Museum of Fine Arts
Database of Japanese Art in Overseas Collections

「日本万歳 百撰百笑」 「案山子に驚く」
Library of Congress
ARC Ukiyo-e Portal Database

Picture of Oniwakamura Watching the Carp in the Pool
Minneapolis Institute of Arts
Minneapolis Institute of Art API

文芸倶楽部 花ぐもり
朝日智雄
ARC Ukiyo-e Portal Database

講談義士伝 神崎与五郎
朝日智雄
ARC Ukiyo-e Portal Database

講談義士伝 神崎与五郎
朝日智雄
ARC Ukiyo-e Portal Database
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「三日月おせん」
Tokyo Metropolitan Central Library
ARC Ukiyo-e Portal Database
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「日本三景之内天の橋立」 「日本三景之内」「天の橋立(三枚続)」
Tokyo Metropolitan Central Library
ARC Ukiyo-e Portal Database

「明治十二己卯年五月八日没」「深達院女桜日詣信士 俗名市川女寅 行年廿六歳」「浅草区新谷町田甫幸龍寺」
Tokyo Metropolitan Central Library
ARC Ukiyo-e Portal Database

One Hundred Aspects of the Moon ( Tsuki Hyakushi )
Keio University Media Center
Keio Object Hub

「新形三十六怪撰鬼若丸池中に鯉魚を窺ふ図」 「新形三十六怪撰」「目録その他」
Tokyo Metropolitan Central Library
ARC Ukiyo-e Portal Database
Last Updated: 2020-08-31
Uploaded: 2021-07-21
