Portrait of Takemoto Gidayu I with a Legend of Gidayu by Takemoto Masatayu III

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Caricatures of the Day: The bourgeois at the Salon: Let's see... What's that?... (reading from his catalogue) "No. 387. Portrait of Mr. B*** stock-broker"... well... well!... oh! how stupid I am... 386 is the portrait of Mr. B***, this is a portrait of a bull by Mr. Bracassat... I'd also say... that the idea of having yourself painted with horns as big as that... after that, you can't refuse a stock-broker anything

Caricatures of the Day: The bourgeois at the Salon: Let's see... What's that?... (reading from his catalogue) "No. 387. Portrait of Mr. B*** stock-broker"... well... well!... oh! how stupid I am... 386 is the portrait of Mr. B***, this is a portrait of a bull by Mr. Bracassat... I'd also say... that the idea of having yourself painted with horns as big as that... after that, you can't refuse a stock-broker anything

The National Museum of Western Art, Tokyo

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NEWS 105: THE REJUVENATION OF THE CONSTITUTIONEL [sic] FOLLOWING THE REJUVENATION OF AESON: I read in Mr. de Chompre's book that the aged Aeson was in earlier times perfectly rejuvenated by making him simmer in a stew-pot with a multitude of small spices, such as marshmallow roots, lizard, sticks of liquorice and toads... but the precise recipe of this stew has been lost... I have imagined new ingredients, but unfortunately they are devilishly expensive! I think I would have done better to preserve my old fellow by -having him stuffed by Mr. Gannat!

NEWS 105: THE REJUVENATION OF THE CONSTITUTIONEL [sic] FOLLOWING THE REJUVENATION OF AESON: I read in Mr. de Chompre's book that the aged Aeson was in earlier times perfectly rejuvenated by making him simmer in a stew-pot with a multitude of small spices, such as marshmallow roots, lizard, sticks of liquorice and toads... but the precise recipe of this stew has been lost... I have imagined new ingredients, but unfortunately they are devilishly expensive! I think I would have done better to preserve my old fellow by -having him stuffed by Mr. Gannat!

The National Museum of Western Art, Tokyo

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Female Figure with Toga (3)[Study for “Justitia” in the Faculty Painting <Jurisprudence> for the Ceiling of the University of Vienna’s Great Hall] (Weibliche Gestalt mit Toga (3) [Studie für „Justitia“ im Fakultätsbild <Jurisprudenz> für die Decke des Großen Festsaal der Universität Wien])

Female Figure with Toga (3)[Study for “Justitia” in the Faculty Painting <Jurisprudence> for the Ceiling of the University of Vienna’s Great Hall] (Weibliche Gestalt mit Toga (3) [Studie für „Justitia“ im Fakultätsbild <Jurisprudenz> für die Decke des Großen Festsaal der Universität Wien])

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LIFE'S HAPPY DAYS 46: A EULOGISTIC ARTICLE: -Read the article I’ve drafted on your work... I think you’ll be satisfied. -The lady reading-  “We have just become acquinted with the volume published by Mme. Eulalie de Bois-Fleuri, and we can announce loudly that France includes one more Blockhead!...” -What Blockhead... but I wrote muse... rogue of a printer!..

LIFE'S HAPPY DAYS 46: A EULOGISTIC ARTICLE: -Read the article I’ve drafted on your work... I think you’ll be satisfied. -The lady reading- “We have just become acquinted with the volume published by Mme. Eulalie de Bois-Fleuri, and we can announce loudly that France includes one more Blockhead!...” -What Blockhead... but I wrote muse... rogue of a printer!..

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Two Studies of an Oath Hand Gesture, Outline of the Right Side of a Figure with a Raised Forearm and Four Studies of a Foot[Study for “Justitia” and “Erinnyen” in the Faculty Painting <Jurisprudence> for the Ceiling of the University of Vienna’s Great Hall] (Zwei Studien einer Schwurhand, Umriß der rechten Seite einer Figur mit erhobenem Unterarm, und Vier Fußstudien [Studie für „Justitia“ und „Erinnyen“ im Fakultätsbild <Jurisprudenz> für die Decke des Großen Festsaals der Universität Wien])

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Strangers in Paris 16: The Daguerreotype portrait: -Here is the work of the sun..., how coloured it is, hm?... how warm... and all in three seconds! -Well, true...looking at that, you wouldn’t say that I’d been in the sun for only three seconds... you’d think I’d been in it for three years, because I look like a real negro... never mind, it’s a pretty portrait, and my wife will be well pleased!..

Strangers in Paris 16: The Daguerreotype portrait: -Here is the work of the sun..., how coloured it is, hm?... how warm... and all in three seconds! -Well, true...looking at that, you wouldn’t say that I’d been in the sun for only three seconds... you’d think I’d been in it for three years, because I look like a real negro... never mind, it’s a pretty portrait, and my wife will be well pleased!..

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A general system of surgery, in three parts : containing the doctrine and management, I. Of wounds, fractures, luxations, tumors, and ulcers, of all kinds. II. Of the several operations performed on all parts of the body. III. Of the several bandages applied in all operations and disorders. To which is prefixed, an introduction, concerning the nature, origin, progress, and improvements of surgery, with such other preliminaries as are necessary to be known by the younger surgeons. Being a work of thirty years experience, illustrated with forty copper-plates, exhibiting all the operations, instruments, bandages, and improvements, according to the modern and most approved practice

A general system of surgery, in three parts : containing the doctrine and management, I. Of wounds, fractures, luxations, tumors, and ulcers, of all kinds. II. Of the several operations performed on all parts of the body. III. Of the several bandages applied in all operations and disorders. To which is prefixed, an introduction, concerning the nature, origin, progress, and improvements of surgery, with such other preliminaries as are necessary to be known by the younger surgeons. Being a work of thirty years experience, illustrated with forty copper-plates, exhibiting all the operations, instruments, bandages, and improvements, according to the modern and most approved practice

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NEWS 203: Casmajou- I think that the time has come to claim as the price for my devotion the reward of a frock-coat! Ratapoil- Well, now, do you think my boots leave nothing to be desired in connection with the sole! (Together)(in chorus)- Oh, the ingratitude of Governments!

NEWS 203: Casmajou- I think that the time has come to claim as the price for my devotion the reward of a frock-coat! Ratapoil- Well, now, do you think my boots leave nothing to be desired in connection with the sole! (Together)(in chorus)- Oh, the ingratitude of Governments!

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Conjugal Manners 30: The plea of adultery: "Magistrates, my client is sure of the fact. But this personal conviction is not enough to satisfy him; it is necessary for him to share it with your tribunal, with those listeners gathered here... with the whole of France. Such was the task taken upon myself in the intererst of my client, and I believe that I have made the issue clear before you. Now, it only remains for my client to see... his social position confirmed by a fair judgement, and you are very just. Magistrates, do not refuse him this last satisfaction."

Conjugal Manners 30: The plea of adultery: "Magistrates, my client is sure of the fact. But this personal conviction is not enough to satisfy him; it is necessary for him to share it with your tribunal, with those listeners gathered here... with the whole of France. Such was the task taken upon myself in the intererst of my client, and I believe that I have made the issue clear before you. Now, it only remains for my client to see... his social position confirmed by a fair judgement, and you are very just. Magistrates, do not refuse him this last satisfaction."

The National Museum of Western Art, Tokyo

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The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The Salon of 1842: Charmed to see himself exhibited, the original seen here takes his wife to the Salon, and places her in front of his own image, in order to rejoice in the crowd's judgment. -Look, say some, it's Chinese Commissioner Lin! -No, says others, don't you see that it's a bit of natural history! - It is, joins in a gentleman with a catalogue, it is the portrait of Mr. D..., insurance broker. -Well, with a bonce like that he needn't insure it, because no one would steal it. (His lady wife leaves, extremely flattered.)

The National Museum of Western Art, Tokyo

Union Catalog of the Collections of the National Art Museums, Japan

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Uploaded: 2026-02-24