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Courtesan Looking Through a Curtain, the right half of No. 17 from the erotic series The Amorous Adventures of Mane'emon (Fūryū enshoku Mane'emon)

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Courtesan Looking Through a Curtain, the right half of No. 17 from the erotic series The Amorous Adventures of Mane'emon (Fūryū enshoku Mane'emon)

Courtesan Looking Through a Curtain, the right half of No. 17 from the erotic series The Amorous Adventures of Mane'emon (Fūryū enshoku Mane'emon)

Harvard Art Museums

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Foreword from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1

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Pleasures of the Aged, No. 7 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1

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Minneapolis Institute of Arts

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Forced Love, No. 2 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1

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Playing with a Dandy, No. 5 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1

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Hot Springs at Ikaho, No. 8 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1

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Ichikawa Ebijūrō (I) as Kuwanaya Tokuzō (right); Arashi Tomisaburō as the Spirit of the Courtesan Higaki (center); Arashi Kitsusaburō as Tadotsu Ikkaku, and Nakayama Bunshichi (III) as Takamura Kamejirō (left)

Ichikawa Ebijūrō (I) as Kuwanaya Tokuzō (right); Arashi Tomisaburō as the Spirit of the Courtesan Higaki (center); Arashi Kitsusaburō as Tadotsu Ikkaku, and Nakayama Bunshichi (III) as Takamura Kamejirō (left)

Philadelphia Museum of Art

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The Actors Nakamura Nakazo I as Onmaya Kisanda Dressed as Kakubei the Lion Dancer (Kakubei-jishi) (right) and Segawa Kikunojo III as Shizuka Gozen (left), in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Tobiiri Kitsune (Heavenly Child—The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777

The Actors Nakamura Nakazo I as Onmaya Kisanda Dressed as Kakubei the Lion Dancer (Kakubei-jishi) (right) and Segawa Kikunojo III as Shizuka Gozen (left), in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Tobiiri Kitsune (Heavenly Child—The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777

Art Institute of Chicago

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The Actors Nakajima Mihoemon II as Fujiwara no Shihei, Minister of the Left (center, in the carriage), Ichikawa Ebizo III as Matsuo-maru (center, kneeling on the ground), Ichikawa Yaozo II as Sakura-maru (right), and Ichimura Uzaemon IX as Umeo-maru (left), in the "Carriage Stopping" (Kuruma-biki) Scene from the Play Sugawara Denju Tenarai Kagami (Sugawara's Secrets of Calligraphy), Performed at the Ichimura Theater from the Sixteenth Day of the Seventh Month, 1776

The Actors Nakajima Mihoemon II as Fujiwara no Shihei, Minister of the Left (center, in the carriage), Ichikawa Ebizo III as Matsuo-maru (center, kneeling on the ground), Ichikawa Yaozo II as Sakura-maru (right), and Ichimura Uzaemon IX as Umeo-maru (left), in the "Carriage Stopping" (Kuruma-biki) Scene from the Play Sugawara Denju Tenarai Kagami (Sugawara's Secrets of Calligraphy), Performed at the Ichimura Theater from the Sixteenth Day of the Seventh Month, 1776

Art Institute of Chicago

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Courtesan Looking Through a Curtain, the right half of No. 17 from the erotic series The Amorous Adventures of Mane'emon (Fūryū enshoku Mane'emon)

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Harvard Art Museums

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Uploaded: 2021-07-21